Essays in Purity and Austerity – Serge Lutens L’Eau & L’Eau Froide Perfume Reviews

Lutense

In 2010 the king of dark, brooding orientals and baroque florals, Serge Lutens, decided to launch an ‘anti-perfume’, a perfume that was designed to give you “a lasting sensation of wearing a ‘clean’ scent” [1]. Cue a huge outcry from the perfume community and hardcore Lutens fanboys (and girls); “He’s doing WHAT?! A clean scent?! Looks like Uncle Serge has finally lost it” they said.

Aristotle said “There is no great genius without a mixture of madness” and It is clear to me that Uncle Serge hasn’t lost it, instead it seems that he has quite the sense of humour. I can just see him sat in his office above his flagship boutique in the Palais Royal, chuckling away at the thought of the die-hard Lutenites trying L’Eau for the very first time. In my head he utters Miranda Hart’s catchphrase “such fun” as he tries to stifle his giggles.

This year Lutens has decided to take the joke that little bit further with the addition of L’Eau Froide, and as the name suggests, this time the water he is playing around with is is cold. Where L’Eau is described as a new kind of clean, L’Eau Froide is “Some fresh air in the rusty old water pipes.” [2] I told you he had a sense of humour! L’Eau was an essay in cleanliness and purity but L’Eau Froide is an essay in austerity and is just as gothic and Lutensien as you would hope it to be.

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Voulez-Vous Coucher Avec Moi, Ce Soir? – Vivienne Westwood Boudoir Perfume Review

Boudoir

Talking about another Vivienne Westwood scent (Anglomania) last week as part of the ‘Gone, But Not Forgotten’ Series led me to drag out my bottle of Boudoir which has been lurking somewhere in the back of my ‘purgatory drawer’ – a fate that awaits those perfumes of mine that no longer have a place in my collection.

When I gave Boudoir its first spritz in what must be at least a year I was shocked, why was this in the purgatory draw? I like this! My biggest problem, it seems, is that I have a short attention span, I can only concentrate for a maximum of about five minutes before being distracted by something shiny or basically anything other than the task at hand (a problem that was recently brought to my attention by my boss, who very politely mentioned that my time management skills left a lot to be desired) and this is true with perfumes, I do tend to love something for a while before I get bored and want something new. I guess you could call me a ‘fragrant magpie’ of sorts.

Anyway, enough about me, on to the fragrance! Boudoir was Vivienne Westwood’s first fragrance and was released in 1998, it is classified as a ‘Floral Chypre’ and is the only Westwood fragrance that seems to have stood the test of time, Libertine, Anglomania and Let it Rock have all since fallen by the way side and have lost their places as part of the Westwood collection.

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Now That’s What I Call Perfume – The Best of the 80′s

Ahh the 80′s, a time of excess where everything was big; the clothes, the music, the hair and of course the perfume.

The perfume in the 80′s was loud, proud and would announce it’s arrival a long time before you entered a room, and stay a long time after you left. There were big bouquets of aldehydic florals and massive oriental spice bombs. I shouldn’t forget the HUGE jammy roses and the loud syrupy tuberoses either.

These fragrances, affectionately known as ‘Perfumes with Shoulder Pads’ by the #fumechat Tweeters are representative of the era, and whilst they may not be entirely popular today I have a real soft spot for them.

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The Warm and Fuzzies – Etat Libre d’Orange Archives 69 Perfume Review

Archives 69 is the latest fragrance release from those fun-loving perfume rebels at Etat Libre d’Orange and is supposed to represent ‘The Illusion of Sex’. The blurb that came with my sample (including a rather obscene image that I dare not post here, but let’s just say that it makes a play on the number 69) states that Archives 69 is ‘The End of Innocence’.

As mentioned in my review of Tom of Finland, I am somewhat of an Etat Libre d’Orange fanboy, so you can imagine that the news of the release of Archives 69 (named after the location of the ELD’O boutique in Paris) was very exciting to me indeed.

Archives 69 is the first scent by Etat Libre d’Orange that I have found difficulty in linking the scent to the concept, to me it smells strikingly cosy and fuzzy and I certainly don’t detect any of the juxtapositions between light and dark mentioned in the ad copy. This doesn’t mean that I don’t like it, far from it, It’s just that there seems to be a good degree of discord between the scent, the name and the concept.

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Good Clean Fun – Etat Libre d’Orange Tom of Finland Perfume Review

I have a confession to make:  I am unashamed to admit that I am an Etat Libre d’Orange fanboy. I enjoy their fun, pop art-like scents with wacky names and over-the-top marketing, which in my opinion needs to be taken with a rather large pinch of salt.

Tom of Finland was released by Etat Libre d’Orange in 2008 and was created by perfumer Antoine Lie who has created a number of other ELDO scents such as; Rien, Vierges et Toreros, Rossy de Palma Eau de Protection and the Infamous Sécrétions Magnifiques.

The fragrance is inspired by the drawings of Finnish erotic artist Touko Laaksonen who is more famously known as Tom of Finland. Tom of Finland’s drawings usually depict leather clad, muscular men in overtly sexual poses. Only Etat Libre d’Orange would even consider creating a scent for such an artist.

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The Spirit of the 80′s – Esprit d’Oscar by Oscar de la Renta Perfume Review

Esprit d’Oscar is the new fragrance from esteemed fashion house Oscar de la Renta. It is the first new fragrance from the house since Red Satin in 2007.

Esprit d’Oscar was created by perfumer Frank Völki and is meant to be a re-imagining of the original Oscar de la Renta perfume ‘Oscar’ which was created in 1977. According to the brand, the structure of the original has been ‘refreshed’ and made more ‘contemporary’.

I have not tried the original Oscar, so I’m not able to compare the two or comment on whether Esprit d’Oscar is a worthy reinterpretation, however the general consensus in the perfume blogosphere is that it is.

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