As a fashion brand I have the greatest respect for Versace (admittedly less-so with Donatella at the helm) – they know how to make gaudy look glamorous and are at their very best when they are being as showy as possible. As a perfume brand Versace is less attractive, again their older stuff is good (I’ll always have a soft spot for Blue Jeans and Versace Woman, and Blonde is pretty awesome) but their newer stuff is very much lacklustre at best.
So it was with mixed expectations that I approached the brand’s latest masculine offering ‘Eros’. On the surface Eros appears to have everything you would want in a Versace fragrance – tacky bottle (it’s positively wonderful in its tackiness), ridiculous, over-the-top advertising (see here) and a Tanorexic muscly adonis fronting the whole thing – but as we all know in the world of fragrance, appearances can be deceiving.
Eros takes its name from Greek mythology, specifically the Greek God of Love. Created by perfumer Aurélien Guichard (Bond No 9 Chinatown and all of the new Robert Piguet fragrances and re-issues) Eros is described by Donatella Versace as being for “a man who is own master and who defends his own ideas and goals. He is a hero.” We know exactly what Donatella’s idea of a hero looks like but what does he smell like?
“I dress men and women with my perfume, wrap them with my art and my love.” – Francis Kurkdjian 
Despite coming to the Maison Francis Kurkdjian party a little later than mostI can safely say that I am pretty much hooked. Like many I have admired perfumer Francis Kurkdjian from afar, appreciating and enjoying his mainstream creations for designer brands such as Jean Paul Gaultier, Christian Dior and Elie Saab, but it is his Maison with its ‘scented lifestyle’ approach that truly cements M. Kurkdjian as a true talent.
Kurkdjian says of his line: “The range is like creating a wardrobe. You go from casual to evening to couture. And in my vision, what’s missing is a daily ready-to-wear perfume”  and with his latest feminine and masculine duo ‘Amyris’ Kurkdjian has filled this void with two suitably pret-a-porter perfumes for the everyday guy and gal on the go.
“Its head is in Jamaica, and its heart in Florence. The Amyris duo evolves somewhere between the flamboyance of the sun and the vibration of the earth.” 
Both Amyris scents are centred around notes of Jamaican Amyris (the Jamaican tree which exudes elemi) and Iris from Florence. Each feels like an extension of Kurkdjian’s designer work taken to a niche level of quality where “instant hit” style of mainstream fragrances is traded for the slow burning love of niche perfumery.
From Latin America to China via Russia and India and the Gulf
If I could change one thing about my life it would be to ensure that I was better travelled than I am. In my head I long to be a great explorer scouring every corner of the earth. I want to walk the Great Wall of China, taste the street food in Mexico, eat lobsters in Maine (it all comes back to food with me), play with the cats at the cat cafe in Tokyo and float around the streets of Florence , but the problem is, I’m a bit of a wimp.
So, as much as I wish I’d visited all of these places, and I do truly hope to one day, I haven’t, in fact up until a few years ago I hadn’t made it further than France. It’s appalling, I know. Luckily for us armchair explorers, with Ormonde Jayne’s latest collection ‘The Four Corners of the Earth’ one can visit the most exotic destinations without even removing one’s pyjamas. So over the last couple of weeks I’ve been to the Gulf, Russia, Latin America and China…
For the Four Corners of the Earth collection Linda Pilkington and perfumer Geza Schoen have taken Ormonde Jayne on a trip round the globe, soaking up the sights, smells and colours of four distinct cultures without diluting the brand one bit, and this is what makes the collection so excellent; the fact that despite the strong influences of their respective homelands, each fragrance still very much follows the Ormonde Jayne signature of refined, elegant fragrances. After all, it’s not just where we go that shapes who we are, it’s where we come from too.
Mr. Butterworth, my rather lovely partner-in-crime and Mr. Ford, the dashing designer behind Tom Ford go hand-in-hand. Well, not literally of course. I know that you know that I’d never allow that kind of shenanigans! What I mean is that, whilst not being a fumenerd like you are I, Mr. Butterworth does have a certain penchant for fragrances bearing Mr. Ford’s name.
If you were to take a peek into mine and Mr. Butterworth’s bathroom you would find a big collection of perfumes and although we share a lot of scents there is most definitely a ‘his ‘n’ hers’ thing going on. So if you look hard enough you will see a small contingent of masculine fragrances that belong solely to the Butterworth (although I do occasionally raid his stash), and three of his favourites are by Tom Ford.
Tom Ford currently has four masculine fragrances and about a million unisex private blends to choose from. Mr. Butterworth, with his ever-discerning taste, has found love for Tom Ford for Men, Oud Wood and Grey Vetiver, you could say that he’s a little bit obsessed. Should I be worried? Let’s just say that I will be keeping a close eye on him next time we’re near the Tom Ford counter
Last week, after six weeks of painful but also enjoyable unemployment, I started a brand new, and very exciting job (hence the lack of posts). Now like any sane fume-nerd my initial though on gaining new employment was “what perfume am I going to wear on my first day?!” That’s right, not “will I like the job?” or even “what shall I wear”, it was, as it always is, all about the perfume.
So why not just where whatever I fancy on day one? Well the thing is, when entering a new environment it is important for one to ease people in gently, it does not pay to projectile vomit ones personality in people’s general direction. I have found that it’s always best to go for something relatively low key that is still perfume-y enough to let people know that you mean business, and what do you know a few days before my first day just the thing landed on my doorstep – Aqua Universalis by Maison Francis Kurkdjian.
If you’re not familiar with the idea behind über talented perfumer Francis Kurkdjian’s solo project then you should get to familiarising yourself pretty quick because you’re missing out. The house provides an ‘all for one’ fragrant shopping experience with fragrances for the morning and evening, and wonderful scented things for the body (leather bracelets et al) and the home (candles, incense papers, laundry detergents and scented bubbles). With his ‘Maison’ Kurkdjian is selling a completely scented lifestyle like no other.
Aqua Universalis is Kurkdjian’s take on the much maligned genre of laundry clean fragrances. Made to fulfil the average consumer’s desire to feel clean and shower fresh, a style of fragrance that very often ends up producing cocktails of vile, strong musks and calone that sends fumenerds heading for the hills. Aqua Universalis is not one of these fragrances, it is an intelligent and natural take on ‘clean’ that most importantly still smells like a perfume.
To celebrate 20 years of haute perfumery, Thierry Mugler parfums is launching a collection of limited edition fragrances with a leather twist in October. Harking back to the origins of traditional perfumery and the link between perfumers and glove makers, Mugler sets to unleash four luxurious limited editions of its four famous fragrances.
Angel, A*Men, Alien and Womanity have all been given the leather treatment, having been infused with tailor made leather pieces in metal caskets for a period of four weeks. These brand new leather interpretations aim to enhance the original compositions with “intense, innovative carnal notes” and showcase Mugler’s four iconic fragrances through “the prisms of leather.”
“(Les Parfums de Cuir) The Fragrances of Leather is a journey to the heart of Mugler fragrances, with a noble material, for a collection of 4 exceptional creations”
As with all things Mugler, Les Parfums de Cuir promises to be an innovative collection of olfactory twists on four fragrances that have each created the mould for their respective genres. So throw on your leather corsets, suits and boots we’re off on a tour of Planet Mugler, and this time we’re doing it in style.
Steel and Black – The first two premium fragrances from “British hero brand” Superdry
First things first, massive apologies for the lack of posts over the last week or so. Things have been busy in both good ways (my Perfume Lovers London talk etc) and bad ways (job hunting) and the blog has had to take a little bit of a back seat. Thank you for bearing with me and things should now run on their usual schedule!
I’m quite partial to the odd piece of clothing or accessory from British clothing brand Superdry. I currently rock a coat, couple of shirts and a rather snazzy pair of specs from their collection and I’m attracted to the brand’s laid back style which seems to be a mish-mash of Japanese graphics and vintage Americana.
As for Superdry fragrances, well up until very recently my exposure was minimal. I haven’t spent too much time with the brand’s first three scents (Dry, Double Dry and Dry Oil) but I remember them being relatively well done (one in particular was a nice take on Dior Homme) so it was with great interest that I accepted an offer to try the fragrances in Superdry’s Cologne collection.
The first two in the collection that I will be reviewing are Steel and Black. Both fragrances were released in 2011 and are designed to have “day-to-night appeal” and whilst they may not be masterpieces of modern perfumery, they easily fit the laid back, modern-with-a-retro-touch styling of the Superdry brand. Oh and they come in really cool Zippo lighter-style bottles too…
What do The Candy Perfume Boy and Clarins’ Eau Dynamisante have in common? They were both born in 1987 and turned 25 this year, that’s what! Such longevity in the perfume industry sure is something to celebrate and Clarins are doing so by releasing a limited edition bottle which sees Eau Dynamisante encased in a veil of red glitter.
Eau Dynamisante was first released by Clarins in 1987 and is innovative because it is not just a fragrance, it’s a skin treatment too. Clarins describe Eau Dynamisante as “an innovative feel-good fragrance created from an inspired blend of 14 aromatic essential oils and therapeutic plant extracts with the power to scent skin, invigorate the sense and moisturise and soften from top-to-toe.” It’s not just innovative though, it’s also very popular and every three minutes a bottle is purchased in the UK. Now that’s impressive!
Before spritzing on some Eau Dynamisante in preparation for this review I was absolutely sure that it would not be ‘my thing’. This pre conceived notion was based on the fact that citrus fragrances don’t really move me and I was convinced that I had tried it before and wasn’t wowed. I am actually quite surprised to say that I really like it and I think it is the perfect scent to combat the muggy, sweaty days of summer.
Have you ever discovered a perfume that you’ve known about for years but never tried? I have. I cannot tell you how many times I have perused the offerings of many a Guerlain counter, spritzing on and sampling almost everything they have to scent me with, but I always seemed to overlook, nay ignore the Aqua Allegoria line, meaning that up until very recently I had never tried Pamplelune. Now I can’t help but think; “what took you so long Thomas?!”
It was Persolaise’s review of the latest Aqua Allegoria; Lys Soleia, that led me to seeking out the Aqua Allegoria line, and I’m very glad that I did. My interest in the line, and Pamplelune specifically, was further piqued by Birgit of Olfactoria’s Travels who had written that she was a big fan of Pamplelune but other people’s reactions prevented her from wearing it. Well after that I simply had to try it, and try it I did.
Pamplelune was part of the original crop of Aqua Allegoria’s released in 1999, a collection inspired by nature and intended to be more accessible to the younger Guerlain consumer. Available in a lighter concentration (EDT) and at a lower price point than the regular Guerlains, the Aqua Allegoria’s still manage to showcase fantastic ingredients, both natural and synthetic, to create perfumes that feel like non-ephemeral interpretations of nature for the skin.
Having stood the test of time, where other Aqua Allegoria’s have come and gone, Pamplelune was created to capture “the spirit of grapefruit” and that’s what it does. Now I should probably say that my opinion of grapefruit as a fruit is the same as my opinion of watermelon (see my review of Ruth Mastenbroek’s Amorosa), that is that I think It’s naff. It tastes so awful I don’t know why anyone would eat it, other than as a form of self-torture and on top of that grapefruit notes in modern perfumes are usually dire. Oh wait, now I know why it took me so long to try Pamplelune…
Roger & Gallet L’Homme & L’Homme Sport – “Intense Freshness”
Sampling masculine fragrances can be a royal pain in the bum because for the most part they are dreadful calone-fuelled citrus things that feel thin, bland and made for the lowest common denominator. Of course that’s not to say they are all bad, far from it, there is a whole heap of good masculine scents on the market, it just seems that in terms of new launches, the good ones are becoming harder to find.
Luckily for us boys there are some good, not mind-blowing, but good masculine fragrances on the market that don’t break the bank. Two such fragrances are Roger & Gallet’s duo of masculines ‘L’Homme’ and ‘L’Homme Sport’. Between these two masculines Roger & Gallet have catered for both the stylish older man (L’Homme) and the easygoing younger man (L’Homme Sport) at an affordable price.
L’Homme was introduced in 1979 and is described by Roger & Gallet as “an Eau de Toilette…with an authentic, distinctive chypre character” whilst its 2009 counterpart “plays a second oflactive score and reveals another contemporary facet”. Two fragrances, worlds apart, and both representing the duality of the modern man.