Tongue in Cheek – Juliette Has a Gun Gentlewoman & Another Oud Perfume Reviews

Juliette is Suited and Booted but She's Not Deadly Serious...

Juliette is Suited and Booted but She’s Not Deadly Serious…

Niche brand Juliette Has a Gun seems to be spoiling us with a bevy of launches this summer. We get not one, but two pillar fragrances from the house and style-wise these launches play to two completely different styles, with both opting to defy conventions in different ways. That said, they both sit comfortably into Juliette’s ever-growing oeuvre, which is a distinct mix of the oriental and strong, and the musky with intent. They make for an interesting mix, that’s for sure.

First up we have Gentlewoman, a fragrance inspired by a traditional eau de cologne but given a feminine twist. Of Gentlewoman, brand creator Romano Ricci said he wanted to “give women a dash of dandy”, creating a ‘gentlewoman’s code’ outlining a “citrus woody musky” fragrance that according to the brand, possesses, amongst other things, dandyism, impertinence, audacity, look and freedom. The result is a modern eau de cologne that strips away the gender barriers, favouring androgyny over tired notions of what is appropriate for men, women and anyone that identifies as in-between.

We also have Another Oud. That’s to say that the name of the fragrance is in fact, ‘Another Oud’, not that the launch is another oud fragrance, which it is, actually – an oud, that is. To clarify, this is another oud fragrance cheekily entitled ‘Another Oud’, which is all a bit of a riot if you ask me. Juliette Has a Gun say that this is actually “just the opposite” of a traditional oud fragrance and is, “Version 2.0.” as they quite nifty describe it. You’ve got to give credit to a house that says what we’re all thinking and does so deliberately in order to inspire curiosity. What’s more, this particular oud is actually rather sniff-worthy, and not just because of the name.

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New Escentual Post: Acqua di Parma Colonia Travel Spray

Acqua di Parma Colonia Travel Spray

They say that, when it comes to perfume, all that matters is the juice. Well, I disagree. Or should I say that I agree to an extent. The scent is, first and foremost, the most important part, after all, marvelous packaging cannot save a disastrous fragrance from smelling awful now, can it? But when a bottle and fragrance are both masterful one can really enhance the other to create a truly luxurious object.

One such object is the brand new travel spray for Acqua di Parma’s iconic Colonia. Now, Colonia is already a bloody lovely scent, but when housed within the tan leather of the travel spray well, it is really quite something to behold. For my Escentual column this week, I’ve taken a good old look at this wonderful new object and have also rambled on about, amongst many other things; myself, Vivienne Westwood bags and Ferraris. If that piques your interest, click here to give it a read.

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Somewhere in Paradise – Tom Ford Private Blend Fleur de Portofino Perfume Review

Somewhere in Paradise Lies Tom Ford's Fleur de Portofino

Somewhere in Paradise Lies Tom Ford’s Fleur de Portofino

Tom Ford’s Neroli Portofino series is a collection within a collection. Housed like a fragrant Matryoshka inside the Private Blend collection, the four colognes that currently comprise the series (Neroli Portofino, Mandarino di Amalfi, Costa Azzura, and now, Fleur de Portofino) tick all of the required boxes; 1) they smell great; 2) they are so much more than straight-up Eau de Colognes; 3) they’re unique; and 4) they have decent longevity and sillage. Don’t be fooled by the (rather beautiful) transparent bottles cast in varying hues of blue and green, because there are some intriguing, and complex juices within.

Fleur de Portofino is the latest addition to the Neroli Portofino collection and it marks a bit of a shift from the world of contemporary Eau de Cologne, to the domain of the floral, where the wistful reigns supreme. The spirit of the collection is well and truly alive here, with lots of aquatic vibrancy and freshness however, flowers take centre stage and the beauty of citrus has been instructed to wait in the wings. The result is a floral that presents a new olfactory take on the mediterranean – one that is teeming with life.

“Vibrant. Carefree. Captivating. Private Blend Fleur de Portofino is inspired by the cascades of white flowers that spill off the the branches of the white acacia beloved shade tree that dots the mediterranean’s gardens and lines its tranquil avenues. Fleur de Portofino creates a crisp and bright floral accord from this bloom, then surrounds it with effervescent citruses and acacia honey. The fragrance creates an effect of sheer floral possession that is incomparably hypnotic and extremely bold.”

– Tom Ford

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As Good as it Gets – Editions de Parfums Frederic Malle Cologne Indélébile Perfume Review

Cologne Indélébile - As Good as Cologne Gets

Cologne Indélébile – As Good as Cologne Gets

Editions de Parfums Frederic Malle is a unique brand.  Positioning himself somewhere between Creative Directory and Fragrance Curator, Malle is responsible for putting the perfumer centre stage, famously slapping their names on the bottles of the fragrances they create, and allowing them artistic carte blanche to create perfumes that are works of art.  It’s quite staggering to think just how many modern classics come from this line – Carnal Flower, Portrait of a Lady, Le Parfum de Therese, Une Fleur de Cassie and Vetiver Extraordinaire – I really could go on, there really isn’t a single ‘dud’ in the collection, and when viewed against the plethora of niche brands on the market, Editions de Parfums de Frederic Malle puts many to shame.

The most iconic, and in my personal opinion, the most beautiful fragrances within the collection are penned by legendary perfumer, Dominique Ropion – a man that conducts fragrant symphonies, rather than simply creates perfumes. He is the nose behind some of the greatest fragrances from the last thirty years. In short, the man is a genius and he seems to be the go-to guy for Malle when the brand wishes to ‘perfect’ a genre, whether that be the greatest tuberose scent (Carnal Flower) or the ideal rose fragrance (Portrait of a Lady), or even the coolest modern fougére (Geranium Pour Monsieur).

With that it mind, it seems appropriate for Ropion to be the nose to take on the humble Eau de Cologne with a view of creating the cologne – a cologne to serve as a reference point for the genre, and blow all others out of the water. The result is ‘Cologne Indélébile’ (‘Permanent Cologne’), a fragrance that is described by the brand as being a “modern yet traditional Eau de Cologne that lasts forever”, which is quite a statement to be making, if you ask me. With this permanent cologne, Malle and Ropion are attempting to redefine an age-old genre and drag it firmly into the 21st century by embracing modern technology (specifically through the use of ‘technical musks’). If that’s not an exciting prospect for a fragrance, then I don’t know what is!

“A clean scent, yet surprisingly magnetic. A modern yet traditional Eau de Cologne that lasts forever. Dominique Ropion embraces musk’s nature as both a quasi-aphrodisiac and a scent of purity to create a very personal interpretation of Eau de Cologne. A splash of the best neroli intertwined with orange blossom, bergamote, and the most technical musks for a scent that endures, and endures, and endures… Cologne Indélébile.”

– Editions de Parfums Frederic Malle

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The Eau de Cologne Edit

The Eau de Cologne Edit

The Eau de Cologne Edit

Here in the bonny isles of the United Kingdom, the weather is flirting with us. For the last couple of weeks, Mother Nature has been coquettishly winking at us, flashing days of sunlight and pure bliss on to these green and pleasant lands. Of course, we’re in that definite transitionary period between seasons. Spring is here, and Summer is waiting in the wings, but the cold and grey of winter is persistent on some days, meaning that the weather’s dalliance with summer love hasn’t quite taken hold – but soon, it will.

I don’t know about you, but these short flashes of summer and glimpses of warmth, and vitamin-enriched days of halcyon make me reach for the lighter things in my fragrance wardrobe (and there are some hidden amongst my show-stopping sillage bombs, as hard as that may be to believe). At this time one craves bracing citrus, the sweet headiness of flowers and the airiness of musk, all of which lead one to think of one perfume genre in particular, a genre that is one of the industry’s oldest and most classic styles – the humble Eau de Cologne.

Eau de Colognes speak of lighter, fresher and more vibrant signatures. They are lighter, usually boasting a concentration between 2%-5% and utilise fresh citrus notes (mandarin, lemon and bergamot etc.) alongside herbs (rosemary and thyme) and florals (neroli, lavender, jasmine, orange blossom). The Eau de Cologne is ephemeral and designed to be splashed on at multiple times throughout the day in order to re-awaken, revitalise and refresh the sense. In short, they are an olfactory jolt to the system.

To celebrate the changing of the seasons, I’ve collected together six of my favourite Eau de Colognes for your reading pleasure. They range from the classics, which really are light and traditional, to more modern and contemporary twists on the genre, that manage to smell both unique and long-lasting. So brace yourself, folks, for ‘The Eau de Cologne Edit’ – six scents that will get your nose positively aching for summer.

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Mastering the World of Citrus – Atelier Cologne Pomélo Paradis Perfume Review

The World of Pomélo Paradis

The World of Pomélo Paradis

Niche cologne brand, Atelier Cologne, seems to have mastered the world of citrus notes. Often seen as the most perky and revitalising notes in perfumery, citrus notes are as enjoyable as they are temperamental, with the idea of a photorealistic citrus painting that is both long lasting and realistic appearing as somewhat of an elusive enigma. Atelier Cologne proves that this ideal isn’t unobtainable, and they offer a whole host of ‘Cologne Absolues’ (colognes in pure parfum strength) that display dazzling, delicious and decidedly good citrus notes.

Out of all of their offerings, last year’s Cédrat Enivrant really struck me as an idealised cologne. It had everything one expects and hopes for from the genre – freshness, lightness  and tartness – with the added bonus of strength and longevity. Cédrat Enivrant is the best example of Atelier Cologne’s penchant for modernising and improving the traditional eau de cologne, and it’s a theme they have continued with the launch of Pomélo Paradis, their latest scent, and the final edition in their Collection Originale.

According to the brand, Pomélo Paradis “marks the inevitable encounter between a man and a woman always destined to be together”. This new “neo-cologne” also marks the brand’s fifth anniversary too, and they’re celebrating with a super-fresh, super-sweet and super-clean taken on the bright, and dazzling citrus tones of pomelo. In the words of Atelier Cologne, Pomélo Paradis “celebrates the elegance of citruses”, and I can’t put it any simpler than that.

“Was he a fool to drive all night just for a chance to see her? Perhaps it was adrenaline and the lack of sleep, but as he pictured moments they had been together, the word destiny stuck in his mind. The coral sunrise burned bright and he drove faster. There was no choice but to see her again.”

– Atelier Cologne

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Gagging for Gaga – Lady Gaga Eau de Gaga Perfume Review

Gagging for Gaga

Gagging for Gaga

If there is any pop icon that has suffered badly from over exposure, it’s Lady Gaga. Bursting onto the scene, in a haze of wild couture, progressive synths and disco sticks, she has quickly gone from the wild child hailed as the new Madonna, to a spectacular fall from pop grace (let’s not talk about ARTPOP…) straight into the arms of a lacklustre jazz album. Now, I’m positive that Gaga will get back on her feet soon enough, after all she is a talented songwriter, singer and musician, not to mention a pop visionary that pushes the boundaries and champions the underdog. I have every faith in her continued success, she just needs to take some time out and reevaluate.

Anyway, on to perfume. As you will be aware, Lady Gaga released her first perfume, Fame in 2012. The fragrance launched with about as much fanfare as the singer’s career did, if not more, and it sold like hot cakes, despite the fact that, in my humble opinion it was all style over substance. A visual masterpiece but an olfactory dud, to say the least. This autumn, Gaga has launched her second fragrance, Eau de Gaga and it would be safe to say that the entire mood of the scent, and its launch has shifted somewhat. Gone are the lavish launch parties and ridiculously over the top tv campaigns, and in with a more paired back approach to vision and smell.

Eau de Gaga is billed as a unisex fragrance that has been created for “the adventurous woman and the man who loves her”, and that’s it, there appears to be absolutely no gimmicks associated with the scent – no special black liquid that sprays clear, no alleged semen note, nothing. So Eau de Gaga is just a unisex fragrance from a fresh-faced Lady Gaga who appears to be comfortable in her own skin, despite the failures or successes of her current standing as pop’s new darling.

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