Moving Forward – Amouage Journey Woman & Journey Man Perfume Reviews

Amouage's Journey Man & Journey Woman

Amouage’s Journey Man & Journey Woman

I may be a bit behind on the Amouage-front, but I still cannot believe that the time has come (and now passed) for the house to launch their annual pair of fragrances. Last year’s duo, Fate Woman and Fate Man, were definitely a divisive pair, with some perfume lovers falling madly in love with the scents and others finding themselves not too impressed. My feelings were somewhere in the middle of this spectrum, seeing them as high quality outings, but perhaps not the most stimulating offerings from such a dynamic brand.

This year Amouage is launching Journey Woman and Journey Man, two perfumes inspired by “Shanghai deco, Chinese cinema and film noir” and for the first time, housed in striking two-tone bottles of rich red and gold. These new fragrances mark the end of the first cycle of the Amouage narrative and as much as they smell like Amouage fragrances, they don’t appear to be as noticeably bold as the perfumes that have proceeded them.

Journey Woman and Journey Man mark a change in the Amouage aesthetic, not only with the two-toned bottles, but also with their fragrant signatures, both of which are unusual takes on the house’s staple oriental opulence. With this new duo, Amouage moves forward into unchartered territory, speaking in the language of subtlety and scenting the air with an understated sense of panache.

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Blue Skies – Marc Jacobs Daisy Dream Perfume Review

Daisy Dream

Daisy Dream

It’s hard to deny the power of Marc Jacobs’ popular fragrance, Daisy. Since its launch in 2007, the wispy floral has become a best seller and has found many fans, thanks in part to the super-cute vinyl flowers that adorn its bottle. It has spawned a family of spin offs and most of Jacobs’ fragrances since have tried to recapture the magic of the original, resulting in a family of vinyl clad bottles and airy juices.

For 2014, Marc Jacobs is launching the latest instalment in the Daisy narrative, the languid-sounding ‘Daisy Dream‘. Created by venerable perfumers, Alberto Morillas (the gent behind the original Daisy, Amouge’s Opus VII and Salvador Dali) and Ann Gottlieb (responsible for Marc Jacobs’ Lola and Sarah Jessica Parker’s Covet), Daisy Dream is a wistful and pastel-shaded perfume that seems to be made for long summer days under blue skies.

Created to present “an airy and ethereal new chapter in the story of Marc Jacob’s free-spirited Daisy”, Daisy Dream is a fruity floral fragrance with a subtle touch of gourmand. It’s accompanying film, directed by Jacobs’ friend, Sofia Coppola, is an otherworldy affair inspired by Coppola’s cult indie film ‘The Virgin Suicides’ and presents this fragrance as something surprisingly light and ghostly.

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Perfume as Art – Maison Francis Kurkdjian féminin & masculin Pluriel Perfume Review

Pluriel

“Mirror Image” – féminin Pluriel & masculin Pluriel by Maison Francis Kurkdjian

“Perfume is not art.”

- Francis Kurkdjian

At the recent launch event for Maison Francis Kurkdjian’s latest duo of fragrances there was a lot of discussion around art and its relation to the world of perfume. Kurkdjian, who is ever a frank and fascinating speaker, asserted that perfume is not art because it is created to please consumers and where art is given a value by the market, perfume prices are set by their creators. This isn’t to say that Kurkdjian is belittling perfume by any means, in fact it seems that he takes a purely practical view of the subject, comparing his collection to an olfactory wardrobe, containing a plethora of pieces ranging from the everyday staple of the white T-Shirt (Aqua Universalis) to the more occasionally worn leather trousers (Absolue Pour le Soir).

Also at the event, Art Curator, Karine Giannamore spoke at length about what constitutes a masterpiece, piecing together simplicity, hard work, innovation and emotion, as the key ingredients that create a timeless work of art. Giannamore states that a masterpiece “has to be new [and] has to be original” but also must be “cemented in tradition”. This collision of the innovative and the traditional is exactly what Francis Kurkdjian has played with for his two new fragrances – féminin Pluriel and masculin Pluriel.

“What makes a work of art? A masterpiece? A Timeless work of art? Something so good or beautiful that it cannot be affected by changes in society or fashion.”

- Karine Giannamore

The Pluriel (Plural) duo has been created as a mirror image – two fragrances that perfectly capture the essence of femininity and masculinity, or as the brand puts it; “the eternal feminine and masculine.” With each fragrance, Kurkdjian takes a traditional theme and adds a contemporary twist to create a pair of perfumes that feel thoroughly modern and very much in keeping with his clear and radiant style. For féminin Pluriel and masculin Pluriel, Kurkdjian has crafted two new pieces for his olfactory wardrobe – two fragrant garments that are as modern, chic, timeless and elegant as anything a couturier could construct.

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The Evolution of Tom Ford’s Signature – Tom Ford Velvet Orchid Perfume Review

Gigi Hadid for Tom Ford Velvet Orchid

Gigi Hadid for Tom Ford Velvet Orchid [Photographed by Mario Sorrenti]

Tom Ford’s Signature Collection houses a vast array of bold, wearable fragrances that are of exceptional high quality, but are also entirely more accessible than those within his Private Blend collection. They are statement pieces, right from the oriental opulence of Sahara Noir to the casual elegance of Violet Blonde, and as with all things ‘Tom Ford’ they exude a richness that is very much in keeping with the brand’s luxurious and contemporary-classic aesthetic.

Perhaps the most iconic fragrance within M. Ford’s oeuvre is the dramatic Black Orchid (released in 2006) – the brand’s first and most daring outing. With this perfume, Tom Ford sent a strong message, shouting that he wasn’t going to approach the world of fragrance in a typical or boring way, he was going to create divisive perfumes that make their presence know and celebrate all that is fashionable and glamorous. And that, my friends, is what the man has done ever since.

For 2014, Tom Ford has worked with perfumers Yann Vasnier, Antoine Maisondieu, Calice Asancheyev-Becker and Shyamala Maisondieu (a practical dream team of noses, if you ask me), to create a new riff on his incredibly successful debut perfume. Housed within a royal purple flacon and bestowed with the name ‘Velvet Orchid‘, this perfume is seen as an evolution of the legendary Black Orchid and is promoted by the brand as a new signature fragrance within Ford’s wonderful Signature Collection.

“Velvet Orchid lives in a glamorous world of mystique, evolving the carnal grandeur and seductive power of Tom Ford’s original Black Orchid into a harmonious an uber-feminine fragrance. Lavished with cool freshness, dramatic petals, honey and rum, Tom Ford Velvet Orchid is an oriental floral fragrance that teases and caresses with enveloping and brilliant warmth.”

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Cali-Floral Dreamin’ – Van Cleef & Arpels California Rêverie

Paysage d'Opale - A Shining Piece from the Van Cleef & Arpels California Rêverie Collection

Paysage d’Opale – A Shining Piece from the Van Cleef & Arpels California Rêverie Collection

If I was forced to pick my favourite fragrance genre, I would be able to answer with “floral” without a moment’s hesitation. My love for all things fragrant and flowery knows no end and I find myself drawn to a wide range of flower based fancies, ranging from supreme aldehydic floral bouquets to soliflores, and all that is in between. So yes, I love it when flowers and perfume come together, but I especially adore the heady tones of white floral perfumes based on the notes of; jasmine, tuberose or orange blossom.

Not all florals are symphonic beauties however, and it is often tricky to strike the right balance between something that is evocative of nature and something that is more abstract. Many attempts at capturing the hypnotic melody of flowers end up being too thin, due in part to the perfumers not being given enough money to work with, or in many cases they can fall into the trap of simply being ‘too much’ – one wants to revel in these flowers, not be devoured by them. Some however, get this balance absolutely right and this leads me quite nicely on to today’s subject: California Rêverie by Van Cleef & Arpels.

Created by perfumer Antoine Maisondieu (the man responsible for Etat Libre d’Orange’s Jasmin et Cigarette and Comme des Garçons Stephen Jones etc.), California Rêverie is the latest addition to Van Cleef & Arpels’ Collection Extraordinaire – a collection that follows one rule, and one rule only – the rule of “excellence”. Taking inspiration from the brand’s jewellery collection of the same name (a sample of which can be seen above), this fragrance picks the note of jasmine to evoke Californian landscapes. California Rêverie is described by Van Cleef & Arpels as a “dizzying state of sensuality” that allows one to “drift off on a dreamlike voyage to the heart of Californian nature”. That all sounds rather good, doesn’t it?

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Roseate – Jo Malone Silk Blossom Cologne Perfume Review

Pretty in Pink - Silk Blossom Cologne by Jo Malone

Pretty in Pink – Silk Blossom Cologne by Jo Malone

It has been a busy year for British perfume brand, Jo Malone. So far in 2014 they have launched four deluge-inspired colognes as part of their London Rain Collection, a new addition to their Cologne Intense series ‘Tuberose Angelica‘ and they’re set to launch the very intriguing ‘Wood Sage & Sea Salt Cologne’ in September. So yes, the perfumers over at one of Britain’s most popular fragrance brands have been working very hard indeed.

In amongst these new launches is a limited edition fragrance, and the subject of today’s review, entitled ‘Silk Blossom Cologne‘. Created by perfumer Marie Salamagne (Vivienne Westwood’s Let it Rock and Guerlain’s Aqua Allegoria Mandarine Basilic) and inspired by the “pink-fringed pompoms” of the flower, from which it takes its name, Silk Blossom is an airy, roseate fragrance that celebrates pale, powdery and blush tones of pink.

“Nature’s blooms at their most tempting.
The pink-fringed pompoms of Silk Blossom.
Irresistible to hummingbirds and butterflies.
Apricot-fresh with a touch of spice.
Airy with clouds of powder-soft heliotrope,
nestling on a bed of moss.
Fruity and enticing.”

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The Candy Perfume Boy’s Guide to Lily

The Candy Perfume Boy's Guide to Lily

The Candy Perfume Boy’s Guide to Lily

The Candy Perfume Boy’s ‘Guide to…‘ series is an award winning fragrant exploration of the individual notes that make up the vast and multi-dimensional spectrum that is the world of perfume. In each episode, we take a detailed look at a particular ingredient, analysing its odour profile and the ‘must sniff’ perfumes that serve as reference examples within the genre.

Last time we took a look at the humble Violet, and other excursions in the series have seen us delve into the worlds of; the vampish Tuberose, the dreamy Lavender, the prolific Oud, the delicious Chocolate and the incandescent Orange Blossom. If you have any suggestions of what notes or genres you would like to see next then please let me know in the comments box below.

For this latest instalment in the ‘Guide to…’ series, we will be exploring the universe of the lily. I have always felt a great sense of warmth towards lilies – they’re a flamboyant flower, decked out in unmissable colours and usually exuding a ‘knock you off your feet’ volume, and range of smell. These are flowers that demand to be noticed and thrive off attention. They share with you their beauty and all they ask in return is that you sit up and take notice.

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When Chypre Meets Cologne – Editions de Parfums Frédéric Malle Eau de Magnolia Perfume Review

Eau de Magnolia by Carlos Benaim for Editions de Parfums Frederic Malle

Eau de Magnolia by Carlos Benaïm for Editions de Parfums Frederic Malle

It seems that the world’s greatest, and possibly only perfume curator is spoiling us. Last year, after four years of long, painful silence, Frédéric Malle launched the extraordinary Dries van Noten – a perfume that genuinely is like no other, and this summer he is generously treating the world to yet another, brand new fragrance. It seem that, much like buses, Monsieur Malle’s perfumes come in multiples and after a lengthy wait. But who are we to complain?

The new edition to the extensive and wonderful Editions de Parfums library is entitled ‘Eau de Magnolia‘ and is penned by venerable perfumer Carlos Benaïm, the man behind scents such as Viktor & Rolf’s Flowerbomb and Dior’s Pure Poison. The fragrance is billed as both an entirely new take on the classic ‘Eau de Cologne’ as well as a beautiful presentation of the magnolia flower, and one should see it as a perfume that sits somewhere smack bang in the middle of these two things.

“This time the conversation between Frédéric Malle and Carlos Benaïm was on the headspace analysis of the magnolia and the fact that the flower is closer to an Eau de Cologne than to a classic flower. Carlos then suggested to magnify the hesperidic equilibrium of the Magnolia to enhance the Eau effect and to add a woody vibration to give it depth and sensuality. The result is a fresh chypre, an extraordinarily transparent and very natural, smelling note, animated by a somber base (vetiver, patchouli) that gives it a touch of mystery. A timeless summer perfume.”

Magnolia blooms sing with a complex profile of odours that range from the zesty smell of lemons to the waxy and almost cheesy scent of gardenia flowers. It’s a truly versatile bouquet that can radiate with freshness or revel in plush creaminess, depending entirely on how it it used. Frédéric Malle and Carlos Benaïm’s take on magnolia errs on the fresher side of things, creating a perfume that veers from eau de cologne to floral chypre in an incredibly enjoyable manner.

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The Hot Breath of Jasmine – Amouage Opus VIII Perfume Review

Expect the Unexpected: Opus VIII by Amouage

Expect the Unexpected: Opus VIII by Amouage

I never know what to expect when a new Amouage lands on my doorstep. The entire output from the industry’s most luxurious of houses is complex, intricate and grand beyond much else found in perfume stores. This complexity means that they’re not always the easiest perfumes to pin down and I personally find that one has to spend a fair bit of time with an Amouage before they can truly say they know it.

Amouage’s latest edition to their experimental Library Collection, ‘Opus VIII‘, is no exception and much like the wickedly dangerous, galbanum-soaked leather jacket of Opus VII and the delectably intense, salty amber of Opus VI that have preceded it, this beguiling perfume created by perfumers Pierre Negrin and Richard Herpin in conjunction with Creative Director Christopher Chong, is perhaps the most labyrinthine composition to have ever exited Amouage’s doors.

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A Modern Type of Joy – Jean Patou Joy Forever Perfume Review

Joy Forever

JOY FOREVER – A Modern Type of Joy

French couturier Jean Patou launched his iconic flagship fragrance ‘JOY‘ in 1930, almost immediately after the Wall Street Crash of 1929. Patou created his signature fragrance with a view of making it an affordable luxury for those that were no longer able to shroud themselves in the couture of the day. Quite ironically however, the fragrance was known as the ‘most expensive perfume in the world’ for quite some time, due in part to its prominent use of natural jasmine which, as you will all know, doesn’t come cheap.

It seems poignant almost that the house of Patou should launch a new interpretation of JOY in 2014, whilst the world is in the midst (and hopefully at the back end of) a global financial crisis. This new version of Patou’s classic is entitled ‘JOY FOREVER‘ and is described by the house as being a “stunning floral perfume that unveils a new chapter in continuing story of JOY“. Created by perfumer Thomas Fontaine for “today’s discerning woman”, JOY FOREVER is a more translucent, radiant and vibrant take on one of perfumery’s most iconic and timeless perfumes.

“Her mother may have worn JOY for its sheer luxury but she will choose JOY FOREVER for its natural quality and scent. She lives for the moment….she lives for today!”

JOY FOREVER joins the likes of Chanel’s Nº5 Eau Première and Guerlain’s Shalimar Parfum Initial as entry level fragrances for those that aren’t quite ready to commit to the classics. Perhaps the most surprising thing about it is the fact that, whilst it doesn’t smell anywhere near as heady, intense or timeless as the original JOY, it does look back to the past, not quite as far back as 1930 mind you, but instead it looks to the aldehydic florals of the 1980s, from which it takes more than a few olfactory cues.

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