The ‘Candy’ in my pseudonym may be a glaring link to the fact that I have a huge sweet tooth. I’m being deadly serious here – when it comes to sugar there is no time for humour. From food to fragrance I must admit that I enjoy a bit of the sweet stuff and no brand does sugar more prolifically than Lolita Lempicka. With their latest launch, the appropriately named ‘Sweet‘, they have gone sugar and cuteness overload with a fragrance based on a “cherry-cocoa lipgloss accord”. Need I say more? Click here to check out my review in this week’s Escentual column.
Criticise Paco Rabanne all you want, but you can never say that they don’t have a knack for tapping into the zeitgeist. Their fragrance launches are a perfect example of how marketing drives the success of a modern perfume, with irresistible packaging and expensive advertising campaigns drawing the consumer in. Take 1 Million for instance – a perfectly decent woody amber fragrance that most likely wouldn’t have had the phenomenal success it has if it weren’t packaged inside a faux piece of gold bullion and marketed with a club-culture inspired ad that tapped into the image and money-obsessed nature of modern youth. They are anything, if not clever.
Their latest launch for women, ‘Olympēa‘, which arrives as the feminine counterpart to 2013’s Invictus, comes with all of the trappings of a typical Paco Rabanne launch right from the show-stopping bottle shaped like a laurel crown to the high-budget visuals, but the scent itself appears to have a bit more depth than one would usually expect. Created by perfumers Anne Flipo, Dominique Ropion and Loc Dong, Olympēa is described as the “fragrance of a modern day goddess” and a “statuesque idol of conquest and victory”. That is quite the description, I must say, and in truth, the fragrance is more intimate and cuddly than the concept would lead one to expect, but that’s not to say that Olympēa is without interest, in fact, it’s really quite intriguing.
“The fragrance of a modern day goddess, Paco Rabanne Olympea Eau de Parfum makes a statement of strength, power and seduction. Between myth and reality is where you’ll find Olympēa, a statuesque idol of conquest and victory. Her fragrance is just as commanding as she is, featuring a legend-inspiring salted vanilla accord that elevates her above the clouds.”
– Paco Rabanne
This summer could easily be divided into two for me, with one side being my craze for cologne (and the industry’s for that matter), a fairly standard staple of the summer months, with the other being devoted to something a little bit less obvious – the gourmand. That’s right, just when one thinks it’s entirely inappropriate to rock the sugary, the delicious and the edible, the world of perfume brings forth some interesting olfactory treats that are extremely palatable as the mercury rises.
As the opposite of my Eau de Cologne Edit from a while back, consider this my ‘Gourmand Scents for Summer Edit’, albeit with a much catchier name. Below the jump, you will find four fabulously delicious fragrances that are perfect for summer, whether that be due to their lighter approach to sugary treats, or their more drinkable nature. So, prepare to munch on meringues, party with pineapples, reminisce with raspberry jam and get mashed on mojitos, oh and get bored of my irresponsible use of alliteration too…
Thierry Mugler’s annual reimagining of their flagship masculine fragrance, A*Men (the counterpart to the iconic Angel) is pretty much a tradition at this point. Each and every year the brand treats us to the signature of Angel Men zhuzzed up into something new and exciting. So far, we’ve seen our mate, A*Men; smoke tobacco (Pure Havane), drink whisky (Pure Malt), chase some chilli (A*Men Le Goût du Parfum) and even dabble in the world of lumberjackery (Pure Wood). The A*Men family is made up of a bunch of fraternal twins that all have a different sense of style – and what a great bunch they are.
For 2015, Mugler is doing something a little bit different with A*Men by putting it into a citrus setting. The bottle has been dyed a fabulous shade of neon orange, as has the fragrance for that matter. This new edition (penned by Jacques Huclier and Quentin Bisch) is entitled A*Men Ultra Zest, and as the name would suggest, it focuses on an array of mouthwatering citrus notes to accentuate A*Men’s cosmic cocktail of gourmand treats. Unlike many other citrus fragrances, Ultra Zest is bold and daring. What else could we expect from Mugler?
“A*Men brings you a new twist on the original: Ultra Zest. Shaken, not stirred, this new male fragrance will tantalise the senses as it burst with fresh, citrus, spicy and woody notes. This refreshing cocktail dares you to stand out from the crowd, be bold and go where most won’t dare to go”
– Thierry Mugler
When it comes to perfume, Tom Ford knows what he’s doing. Not that he doesn’t know what he’s doing in the worlds of fashion and film, mind – he definitely seems pretty good in those fields too, but with perfume it is undeniable that he is a man of extraordinary style and taste. Since the launch of his flagship fragrance, Black Orchid, in 2006, Ford has crafted himself a fragrant empire that has seen the creation of over 50 fragrances. His output is prolific, varied, grand, opulent and fascinating, courting with true luxury through his unique aesthetic. Everything he does is unmistakably ‘Tom Ford’ and therefore, also pretty darn good.
Tom Ford’s fragrance line consists of two collections; the Private Blends and the Signature Collection, the latter of which showcases a more accessible range of masculine and feminine fragrances in that inimitable Tom Ford style. What strikes me as particularly intriguing about the Signature Collection is the excellent quality of the masculine offerings. When fragrances for men are so often dull, tired and unpleasant, Tom Ford’s act as a refreshing surprise that can restore one’s faith in fragrant humanity. They are handsome, stylish, classic and modern, as all masculine fragrances should be.
My favourite of Ford’s masculine fragrances is Noir – a plush, resinous and powdery scent that bears a striking resemblance to the style of the Guerlain classics, but with a modern twist. In a world of ‘fresh this’ and ‘sport that’, Noir is a bastion of hope for those that demand more from their masculine fragrance. Because it is such a breath of fresh air (not literally), Noir has deservedly been very popular, and for 2015 Tom Ford is launching a brand new interpretation of the fragrance (joining the original Eau de Parfum and Eau de Toilette), entitled ‘Noir Extreme’ – a new chapter in the Noir story that “reveals a new dimension of the “Noir Man”.
“Dare the French Kiss! But watch out, this glossy floral fragrance is highly addictive”
One could never accuse Guerlain of being inconsistent in terms of their olfactory output. For nearly 200 years the Parisian Patisserie has crafted some of the greatest olfactory delicacies in the world, and they show no signs of stopping. With La Petite Robe Noire (a cherry liqourice folly) and L’Homme Ideal (a robust masculine with an almond twist), i.e., their recent gourmand output, Guerlain have shown, not only their uniquely French sense of humour, frivolity and style, but also their penchant for all that is edible. They’ve taken it to the mainstream and shown the lesser mortals in the industry just how a gourmand is done, and by all accounts it has been a very successful move for them.
It is no surprise, then, that the latest addition to their Les Élixirs Charnels collection, ‘French Kiss’, displays the exact same sense of fun, foody humour and style as their mainstream launches however, this one is entirely more decadent and over the top in comparison. Created by in-house perfumer, Thierry Wasser, Guerlain’s French Kiss, which has been launched to celebrate 20 years of Guerlain KissKiss lipsticks, is described as a “glossy floral that celebrates the French art of kissing” and an “elixir as spellbinding as a sensuous kiss.” Ooh err, Mrs.
“An olfactory dedication to the woody note. [..] A*Men Pure Wood is an invitation to a journey to the heart of the woody note, an elegant yet rugged accent in masculine perfumes, boldly revisited for this occasion.”
– Thierry Mugler
Not a day goes by on this blog without me making some sort-of reference to the house of Thierry Mugler. It’s no secret that I am the Mugler fan boy and I consider his fragrances to be as much a part of my DNA as my blue eyes and brown hair. The Mugler fragrances speak to me because they are bold, edgy and entirely over the top – everything that I want to be, and I revel in their distinct and challenging olfactory signatures, the way Mugler’s muses lavished themselves in his structured couture.
A*Men (also known as ‘Angel Men’) is the house’s flagship masculine fragrance. Actually, it’s the brand’s only fragrance solely for men (not that that stops many women from wearing it) and as one would expect from the man that brought the world the motorcycle corset, it’s a bold and daring one. I love A*Men, it manages to throw in just about every note possible (peppermint, tar, lavender, chocolate, coffee, caramel, patchouli and vanilla), including the kitchen sink and manages to somehow work as a fragrance that is wearable. The problem is that I just don’t reach for it that much anymore, perhaps because it is so unique and demanding.
Each year, Thierry Mugler launches a limited edition version of A*Men that showcases one note or theme. Unofficially named the ‘Pure’ series, previous instalments have included; A*Men Pure Coffee, A*Men Pure Malt, A*Men Pure Leather and A*Men Pure Shot, and for this season, Mugler is launching an ode to the ruggedness of wood, cheekily entitled A*Men Pure Wood. Created by perfumer, Jacques Huclier (the man behind the original A*Men in 1996), Pure Wood is one of the most commercial interpretations of A*Men, and dare I say, one of the sexiest.