The Original Candy Perfume Girl – Scenting Madonna’s Greatest Albums

H.R.H. The Queen of Pop

Madonna; no other name is more instantly recognisable, no person is more likley to divide opinion. Arguably the most famous woman on the planet, Madonna is a force that is hard to define; singer, dancer, performer, entertainer, provocateur, feminist, business woman, calculating she-devil, love her or hate her, whatever moniker you throw at her will most likely apply.

The fascinating thing about Madonna is that her ratio of talent to fame is perhaps slightly off balance. She’s not the greatest singer or dancer in the world, or even the best looking, but she has that je ne sais quoi that makes a person a star. Some say that she’s just a good business woman and I’m sure she is but that does not make for such longevity. By pushing people’s buttons and having something to say (and saying it rather noisily) Madonna has ensured that she is more than a just a star, she’s that rare commodity: an icon.

Madonna is well-known to be a lover of perfume and is reported to be a loyal wearer of Fracas and practically anything containing tuberose, including her very own (and rather good) fragrance ‘Truth or Dare’ which was released earlier this year. A diva needs her diva-fumes y’all and in honour of the Queen of Pop and her love for perfume I present to you some of my favourite Madonna albums, each with their very own olfactory accompaniment that captures the spirit of the music and all that is ‘Madonna’.

[Please also head over to Persolaise, Eyeliner on a Cat and Fragrant Moments to see their takes on Madonna and perfume]

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Hot Summer Nights – L’Artisan Parfumeur Séville à L’Aube Perfume Review

Seville - One incredibly fragrant city

Seville – One incredibly fragrant city

Séville à L’Aube (Seville at Dawn), the lastest fragrance from renegade niche house L’Artisan Parfumeur, is a fragrance like no other. It is a fragrance born from a chance encounter between fragrance writer/blogger Denyse Beaulieu (of Grain de Musc) and renegade perfumer Bertrand Duchaufour who, after hearing Denyse’s story of a hot summer night in Seville during the holy week said the magic phrase: “Now that would make a very good perfume!” [1]. Thus Séville à L’Aube was born.

Well obviously that was after roughly 130 mods and a whole lot of to-ing-and-fro-ing between perfumer and muse. The devil, as they say, is in the detail and I would suggest that anyone interested in the creation of Sévile à L’Aube should pick up a copy of Denyse’s book The Perfume Lover (you can read my review here) and immerse yourself in the full story of Séville à L’Aube’s birth. It really is fascinating.

For Séville à L’Aube Bertrand Duchaufour had the mammoth task of capturing the sights, sounds and most importantly the smells of one of Denyse Beaulieu’s most unforgettable nights. Neither being known to shy away from a challenge they have managed to create an orange blossom soliflore that one does not hesitate in decreeing as being the absolute best of its kind. That’s right, you heard me: the best!

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Essays in Purity and Austerity – Serge Lutens L’Eau & L’Eau Froide Perfume Reviews

Lutense

In 2010 the king of dark, brooding orientals and baroque florals, Serge Lutens, decided to launch an ‘anti-perfume’, a perfume that was designed to give you “a lasting sensation of wearing a ‘clean’ scent” [1]. Cue a huge outcry from the perfume community and hardcore Lutens fanboys (and girls); “He’s doing WHAT?! A clean scent?! Looks like Uncle Serge has finally lost it” they said.

Aristotle said “There is no great genius without a mixture of madness” and It is clear to me that Uncle Serge hasn’t lost it, instead it seems that he has quite the sense of humour. I can just see him sat in his office above his flagship boutique in the Palais Royal, chuckling away at the thought of the die-hard Lutenites trying L’Eau for the very first time. In my head he utters Miranda Hart’s catchphrase “such fun” as he tries to stifle his giggles.

This year Lutens has decided to take the joke that little bit further with the addition of L’Eau Froide, and as the name suggests, this time the water he is playing around with is is cold. Where L’Eau is described as a new kind of clean, L’Eau Froide is “Some fresh air in the rusty old water pipes.” [2] I told you he had a sense of humour! L’Eau was an essay in cleanliness and purity but L’Eau Froide is an essay in austerity and is just as gothic and Lutensien as you would hope it to be.

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