Summer may be but a distant memory now, but that doesn’t mean that we should forget about it entirely! With the mercury heading downwards and the knitwear usage on the up, it’s a good time to be a little bit nostalgic about summer or, if that’s not the case for you, it’s at least a perfect opportunity to rock something warm and delightful. Amouage’s tremendously delightful lavender, Sunshine Man is just the scent and it’s certainly got my olfactory senses running in overdrive. Check out my review on Escentual.com here.
I like vetiver but I don’t own many vetiver fragrances. A brief sweep of my collection highlights the truth that I only own four vetiver-centric scents; Grey Vetiver by Tom Ford in Eau de Parfum and Eau de Toilette concentrations, Carven’s reissued Vetiver and a bottle of Guerlain’s Vetiver (a must for any card carrying perfume nut). In fact, that’s not the truth at all because all four of these technically belong to my husband who, for the record, does enjoy a good vetiver. So why the vetiver snubbing at Candy Perfume Towers? In all honesty, I do not know. Perhaps I’m too busy focusing on my florals and macerating over my Muglers to really allowed vetiver to show me its veritas. Who knows?!
There is a new vetiver in town though, that may just sway my opinion. Well, I say new, but once again I am being creative with the truth. This vetiver is a flanker to a cult vetiver and I have to admit that it’s rather blinking good. Most of you will be familiar with Lalique’s famous Encre Noire (Nathalie Lorson; 2006), a dark and brooding vetiver that is often regarded as one of the very best the genre has to offer. Well now, Encre Noire has spawned a child – an intense and more raw version of itself that has one mission, and one mission only: to smell damn good.
The scent is called Encre Noire À L’Extrême and it is pretty much what you would expect from a fragrance boasting that sort of name: a richer, more intense and more extreme version of the original. To celebrate the tenth anniversary of Encre Noire, perfumer Nathalie Lorson has reinterpreted the iconic vetiver fragrance, or as Lalique put it Lorson pens “a new chapter in the saga”. Pushing the signature of the original “to its limits”, Encre Noire À L’Extrême is a fragrance that “plays on contrasts to express every facet of masculinity through powerful, seductive accords.” I’d say that it does a pretty good job of it too!
I’m starting to really get into Acqua di Parma as a fragrance brand. Their classic Colonia is an iconic eau de cologne that’s difficult not to love and last year’s Rosa Nobile has quickly made its way into my regular rotation. There’s an effortless simplicity to all things Acqua di Parma that appeals to my calmer and more refined sides. Of course, they may be a paired-back brand, but that doesn’t mean that Acqua di Parma is exempt from releasing lots of flankers, and their famous Colonia is available in a number of interpretations, ranging from intense versions to oud and leather fusions.
This summer, Acqua di Parma are extending their fragrant wardrobe by launching Colonia Club, a new twist on Colonia that is inspired by the idea of an private members sports club. The result is a surprisingly complex eau de cologne that is somewhere between a salty marine scent and a minty fougére. I think its great and it also proves that sporty fragrances don’t have to smell like sweaty Lynx-soaked boys (or Axe-soaked for my American buddies). Click here to head over to Escentual to check out my full review.
What do you get when to you take Jean Paul Gaultier’s Le Mâle to the gym and tell him to avoid manscaping for a few weeks? Well, you get Ultra Mâle, that’s what. Ultra Mâle is the latest incarnation of Gaultier’s beautifully buffed sailor boy, and this time our beloved seafarer has gone rogue. Launched to celebrate the 20th anniversary of Le Mâle, and created by the perfumer Francis Kurkdjian (the same dude behind the original) Ultra Mâle brings the (timeless) barbershop fougére bang up to date and places it in a more oriental setting, and a thoroughly rugged one at that. To read my full review on Escentual, simply click here!
An army of amorous brides chase a practically terrified Jon Kortajarena through city streets in the advert for Guerlain’s latest fragrance, L’Homme Idéal Cologne, and who can blame them? After all, Kortajarena isn’t exactly harsh on the eyes now, is he? But these ladies (who are all Guerlain employees, FYI, and include a few Guerlain gents in the mix too because marriage equality is real, people) aren’t really chasing the handsome model, they are after the ideal husband and, more importantly, his fragrance.
With last year’s L’Homme Idéal, Guerlain presented their idea of the ideal man – a cheeky yet suave woody gourmand that boasted more than a small nod to the house’s extremely successful La Petite Robe Noire. This time around, and for L’Homme Ideal’s first flanker, that naughty little scamp of a man has grown up a bit, gone on a diet and switched out his black tux for white linen. The result is a lighter version of the original that still maintains the almond signature that is integral to ‘L’Homme Idéal’. Click here to check out my review over at Escentual.
Thierry Mugler’s annual reimagining of their flagship masculine fragrance, A*Men (the counterpart to the iconic Angel) is pretty much a tradition at this point. Each and every year the brand treats us to the signature of Angel Men zhuzzed up into something new and exciting. So far, we’ve seen our mate, A*Men; smoke tobacco (Pure Havane), drink whisky (Pure Malt), chase some chilli (A*Men Le Goût du Parfum) and even dabble in the world of lumberjackery (Pure Wood). The A*Men family is made up of a bunch of fraternal twins that all have a different sense of style – and what a great bunch they are.
For 2015, Mugler is doing something a little bit different with A*Men by putting it into a citrus setting. The bottle has been dyed a fabulous shade of neon orange, as has the fragrance for that matter. This new edition (penned by Jacques Huclier and Quentin Bisch) is entitled A*Men Ultra Zest, and as the name would suggest, it focuses on an array of mouthwatering citrus notes to accentuate A*Men’s cosmic cocktail of gourmand treats. Unlike many other citrus fragrances, Ultra Zest is bold and daring. What else could we expect from Mugler?
“A*Men brings you a new twist on the original: Ultra Zest. Shaken, not stirred, this new male fragrance will tantalise the senses as it burst with fresh, citrus, spicy and woody notes. This refreshing cocktail dares you to stand out from the crowd, be bold and go where most won’t dare to go”
– Thierry Mugler
Legends are born and not made, they say, but when it comes to perfume the icons of scent are most definitely crafted by someone, somewhere. Whether they become a classic or not however, is solely down to time, popularity and more often than not, quality. We may say something is iconic upon launch, but only when a scent has spent time circulating the necks and wrists of the perfume-hungry public, can one tell whether it is destined to survive or not. Many do not.
I speak of iconic fragrances because luxury goods brand, Dunhill’s latest launch, the optimistically named ‘ICON‘, is being positioned as a “signature masculine scent” for the brand and courts with the idea of being a modern classic within the genre. Created by perfumer Carlos Benaïm (click here to read my recent interview with Carlos re ICON) in conjunction with Dunhill’s Creative Director, John Ray, ICON is designed to portray “an integrally refined style that reflects the dunhill ethos of a self-assured, sophisticated urban gentleman”, capturing the ethos of the brand and the man who partakes in its offerings. Does that make the scent iconic? Only time will tell!