Tis the last day of Movember and so ends a month of mighty moustache cultivation and manly celebrations. More importantly than the mo-growing and showcasing of masculine fragrances however, is the money raised for an important cause that supports the research and awareness of men’s health issues. This month I have raised £207 for Movember and my team – #TeamPenhaligons – have raised a staggering £2,000, with the total continuing to rise. [On that note, should you wish to make a donation, please do so here]
In tribute to my awesome Mo Bros and Mo Sisters in #TeamPenhaligons and as a final nod to the masculine fragrances of Movember, today I’m reviewing one of my favourite masculine scents from Penhaligon’s, the most quintessentially British of perfume brands. That scent is Extract of Limes, andwhilst it technically counts as a unisex scent (I’m allowed to cheat a little) I definitely feel that it is one of Penhaligon’s most enjoyable fragrances and is a great scent for dapper and fashionable gents to wear.
Originally launched in 1963 and currently residing within Penhaligon’s Anthology Collection, Extract of Limes is a fusion of mouthwatering citrus and clean floral notes that is both bracing and surprisingly contemporary. Having been resurrected in 2009 by perfumer Mike Parrott, this lime-centric scent is one of the more overlooked scents in the brand’s stable, but it’s also one of the most delectable and is very much worth a sniff for anyone who wants a unique citrus fragrance.
So Movember comes to an end and as another week of mo-growing passes my column over at Escentual takes a lot at another important masculine fragrance that represents just one facet of the modern man. This week’s scent is Dior Homme, a scent that many readers will be familiar with and whilst it may seem like an obvious choice, due in part to its high critical acclaim, it is most definitely worthy of the spotlight.
Dior Homme represents the sensitive man of today. It’s a highly stylish fragrance that speaks of well-groomed and sharply dressed young chaps, but it is by no means a vapid fashion scent for the masses. The softness of feminine notes makes Homme a truly interesting and comfortable fragrance amongst a sea of dull aquatics and faux-wood affairs. It is simply remarkable. Do click on the image above to read this week’s column.
In addition to this, for the very final week I’ve taken a look at the more contemporary and more than a little bit unusual ‘Fat Electrician’by Etat Libre d’Orange. This is a John Waters, pencil-thin moustache of a fragrance and is also one of the most intriguing vetivers one can buy. Please click on the image just below the jump to view.
It was only a few weeks ago that I was moaning on Twitter about the lack of decent niche masculines this year, remarking that there has been fluffing tons of beautiful, wonderful and masterful feminine and unisex fragrances in 2013 but very few impressive things on the male side of the fence. Perhaps creating decent perfumes for men is less of a priority for perfume companies nowadays. Who knows?
So yes, I was having a moan when the ever-knowledgeable Nick Gilbert said that I absolutely had to try (I’m paraphrasing, of course) the latest fragrance from Huitième Art – ‘Monsieur‘. Knowing that any recommendation from M. Gilbert is worth listening to I trotted off to Les Senteurs, one of my favourite perfume boutiques, to procure a sample of the latest scent from perfumer Pierre Guillaume.
Monsieur is billed as a “harmonious blend of eight woody notes” and is inspired by the Massif de Bois Noirs, where “torrents and waterfalls from Auvergne’s mountains carry along scents of moss, bark, wood, earth, humus and stone”. What one finds with Monsieur, is that it is a fragrance that is not afraid to be bold and whilst it may not be the most unique interpretation of woods, it does showcase an interesting sense of balance that is something entirely new.
Seeing as it the very last week of Movember, a month in which we celebrate all aspects of masculinity, it’s only fair that we also take time to look at some pretty epic masculine fragrances. Over the course of the month I’ve been featuring classic masculine scents on Escentual, but this week I’d like to focus on two new and very well executed fragrances for 2013 – one designer and one ‘niche’ – starting with the newly launched Bottega Veneta Pour Homme.
The astute amongst you will know that Bottega Veneta have already proved that they take the world of perfume seriously with their debut feminine fragrance launch of the same name. The feminine was a masterfully composed (if perhaps a little too whispery) ode to the leather goods for which the brand is famous for and it appears that its masculine counterpart has been subject to the same degree of thought and quality control.
Created by perfumers Daniela Andrier (Prada’s Infusion d’Iris, Candy and basically everything else good they’ve done) and Antoine Maisondieu (Etat Libre d’Orange’s Fat Electrician and Comme des Garçons Stephen Jones), Bottega Veneta Pour Homme feels very much like an extension of the luxury leather feel of the feminine Eau de Parfum but in a more outdoorsy, nature-filled and relaxed manner.
Movember Masculines Part 2 – Kouros by Yves Saint Laurent
When picking the four scents for my ‘Movember Masculines’ series at Escentual, I knew that I simply had to include something from Yves Saint Laurent. This house, which is a shadow of its former glory for sure, is responsible for three of the most exceptional masculine fragrances out there – Kouros, M7 and Rive Gauche Pour Homme – and when it came to choosing the most iconic of this impressive bunch, Monsieur Kouros was difficult to ignore.
So this week I’ve taken a look at one of the most distinct, unique and divisive masculine scents one can buy. To add to that, Kouros is also one of the most unashamedly manly, conjuring up images of overly-tanned and smooth-chested lotharios who are as exuberant as they are audacious. Kouros is the king of the ’80s, and whilst he may seem a little bit dated now, he still reigns supreme.
It’s officially the first day of November which means one thing and one thing only – dodgy moustaches. That’s right dear readers, Movember is upon us and all throughout the month many a man will be sporting questionable facial foliage all for a very wonderful and worthy cause. The aim is that, through the medium of fanciful tashes we will change the face of men’s health.
The Candy Perfume Boy isn’t exempt from all of this madness and even though he looks utterly ridiculous with a moustache (and I mean UTTERLY ridiculous) he is willing to offer his face up for ridicule in order to raise money for the good of his fellow ‘mo bros’. This means that this year I will once again be joining Team Penhaligon’s in their crusade to raise one heck of a lot of dough for men’s health.
Throughout the month I shall be posting regular ‘mo updates’ on Moustache Mondays and The Candy Perfume Boy (the blog that is) will be focusing on all things masculine, with reviews of a number of manly fragrances, a man-focused edition of the Scent a Celebrity series, plus a whole host of other masculine things (grr). In addition to all of this I’ll also be looking at some classic men’s fragrances on Escentual in a series I’m ingeniously dubbing ‘Movember Masculines’. All-in-all it’s going to be a fun month!
Last year Tom Ford released his third signature masculine fragrance under the very Tom Ford-esque moniker ‘Noir‘. This Eau de Parfum was one of 2012′s more impressive launches, so splendid it was in fact that it won a Candy (my annual awards) for Best Mainstream Masculine, beating out the likes of Viktor & Rolf’s Spicebomb and Guerlain’s Homme L’Eau Boisée.
New for 2013 is the Noir Eau de Toilette, a lighter and fresher version of the Noir signature. Tom Ford describes it as being ”inspired by a mysterious duality of elegance and sensuality” and as far as masculine fragrances go it definitely feels elegant enough to fulfill the smart, suit-clad aesthetic of the brand, albeit in a much more ‘dressed-down’ manner.
“An oriental, sensual fragrance that captures the twin facets of the Tom Ford man; the refined, urbane sophisticate who the world gets to see and the intriguingly sensuous, private man they don’t.”
Where Noir Eau de Parfum is a contemporary and masculine take on Guerlain’s flagship fragrance Shalimar, the Eau de Toilette is more akin to a ‘légère’ or ‘light’ version. To put it another way, the EDP is best worn with a super-smart suit (or trench coat and massive scarf) and the EDT is more suited for a clean white shirt and chinos – its the difference between day and night.
I make no bones about the fact that Thierry Mugler is one of my all-time favourite perfume brands. Their signature perfumes – Angel, Alien, Womanity, Cologne and A*Men – all have a very special place in my collection and are so befitting of the style of perfume I love, they almost feel as if they were created for me – although I am entirely aware that they were not.
Once a year Mugler treats us all to a special collection of fragrances – four unique takes on their existing signature fragrances. The familiar accords of these perfumes are twisted and remixed to include an ‘enhancer’ that presents them in an entirely new light. Over the last few years the likes of Angel et al have been reshaped by leather and gourmet ingredients to name just a few.
This year’s collection – ‘Les Liqueurs de Parfums‘ – sees the famous Mugler fragrances imbued with equally well-known liqueurs and is a sidestep for the brand, having already released alcohol-inspired versions of Angel, Alien and A*Men in 2009. The difference with this collection, however is that the wooden casks each fragrance has been aged in were warmed up and toasted to add a brand new facet to these boozy ‘fumes.
This week Escentual.com has been taken over by the launch of Paco Rabanne’s brand new fragrance ‘Invictus’. Unlike most sports-based fragrances, Invictus has one or two interesting nuances which you can read all about in my review by simply clicking on the image above to head over to Escentual’s blog.
Whilst your there please feel free to share your thoughts and impressions of Invictus as well as your favourite sports scents. I look forward to reading your comments! Oh and don’t forget to ogle Australian Rugby Star/Hunk Nick Youngquest in the Invictus TV spot – it really is not to be missed…
As a fashion brand I have the greatest respect for Versace (admittedly less-so with Donatella at the helm) – they know how to make gaudy look glamorous and are at their very best when they are being as showy as possible. As a perfume brand Versace is less attractive, again their older stuff is good (I’ll always have a soft spot for Blue Jeans and Versace Woman, and Blonde is pretty awesome) but their newer stuff is very much lacklustre at best.
So it was with mixed expectations that I approached the brand’s latest masculine offering ‘Eros’. On the surface Eros appears to have everything you would want in a Versace fragrance – tacky bottle (it’s positively wonderful in its tackiness), ridiculous, over-the-top advertising (see here) and a Tanorexic muscly adonis fronting the whole thing – but as we all know in the world of fragrance, appearances can be deceiving.
Eros takes its name from Greek mythology, specifically the Greek God of Love. Created by perfumer Aurélien Guichard (Bond No 9 Chinatown and all of the new Robert Piguet fragrances and re-issues) Eros is described by Donatella Versace as being for “a man who is own master and who defends his own ideas and goals. He is a hero.” We know exactly what Donatella’s idea of a hero looks like but what does he smell like?