A Gaggle of Perfume Bloggers: Birgit & Tara of Olfactoria’s Travels, Vanessa of Bonkers About Perfume and me, The Candy Perfume Boy.
The Perfume Lovers London events organised by Lila Das Gupta as part of Olfactory Events are a fabulous opportunity to learn about perfume, to talk to and meet with like minded perfumeophiles and discover a plethora of new, exciting perfumes. It’s safe to say that every event is a joy to attend so the news that one of my favourite bloggers, Birgit of Olfactoria’s Travels, was going to be holding her very own event was very exciting indeed!
I’m sure that I’m preaching to the choir here, but Olfactoria’s Travels has become a go-to blog for many perfume lovers and it’s teeming with beautifully written reviews, informed discussion and passion from Birgit and Tara, who have both changed the face of the perfume blogosphere.
For her event, Birgit promised to take us on a journey through the world of amber, a sensible subject choice seeing as she has rightfully earned the title of “Queen of Amber” through her love for the genre. Now, I’ve made it no secret that amber isn’t my favourite genre of perfumes, but that’s not to say that I don’t like it either, I simply haven’t had the right amount of exposure to it, but now thanks to Birgit and Perfume Lovers London I feels as if I am well-versed on the subject!
My love for leather in perfume is certainly a work in progress. It was Lila Das Gupta’s Evening of Leather for Perfume Lovers London that helped me forge a new appreciation for the genre, but I’m very much in the curiosity stage and full blown leather-love (which is not as rude as it sounds) is still a long way off. At Lila’s talk two fragrances in particular caught my attention, and Mona di Orio’s Cuir was one of them.
To say I have been blown away by the fragrances in Mona di Orio’s Les Nombres d’Or collection is a vast understatement. Each one is a fabulous and contemporary take on such well visited notes such as; Oud, Musc, Tuberéuse, Vetiver and Ambre and the collection takes inspiration from the golden ratio, a mathematical theory of proportion which is intelligently showcased in each and every one the perfumes.
All of the other perfumes in the Les Nombres d’Or collection have been very easy for me to love and Cuir is most definitely the exception. I still don’t love it, and I don’t think I ever will. You see, Cuir and I cannot be friends, but I admire its balls. It is an extreme, maverick leather that doesn’t care about being pretty, or even pleasant, it just wants to be wild. The Mona di Orio website says of Cuir “In these days of anodyne scents, trans-fat free lives this is a welcome walk on the wild side that would be wonderful on a man. On a woman? Only one way to put it: Cuir is ruthlessly chic.” 
I have to admit that I’m not the hugest fan of leather in fragrance, mainly because I really haven’t a great deal of exposure to the note, which is why I was particularly interested in attending last week’s ‘Evening of Leather’ organised by Lila Das Gupta of Perfume Lovers London/Olfactory Events. I wanted to explore leather, deconstruct and understand it, but most of all I wanted to find a leather that I loved.
Perfume Lovers London is a Meetup Group run by Olfactory Events in conjunction with Basenotes. They have so far held two events, with many more exciting meet ups in the pipeline. An Evening of Leather was hosted by Lila Das Gupta who has a penchant for leather fragrances, was the perfect captain for our voyage of discovery of a note that is steeped in history and comes in many guises.
An Evening of Leather promised to “map out the geography of leather fragrances from the meaty to the haughty” and I’m please to say that it was an event that delivered on all counts. I may have walked into the event being clueless about, and not really loving leather but I left with a new found appreciation for the genre and a head full of leather fragrances that demanded to be explored further.
The Saturday Poll is a new monthly weekly feature where The Candy Perfume Boy gets to pick your brains about the important things in the world of perfume. Well, I think the term ‘important’ is probably being used relatively loosely here, but your brains will be picked nonetheless.
This month’s week’s poll focuses on Mona di Orio’s Les Nombres d’Or collection which was launched last year to much praise and excitement from the perfume blogosphere. The line currently consists of seven fragrances (Ambre, Cuir, Musc, Oud, Tubéreuse, Vanille and Vetyver), each of which is composed around the aesthetic theory of the Golden Ratio.
Which is your favourite fragrance in Mona di Orio’s Les Nombres d’Or collection? Please vote for your answer above and leave the reasons for your choice and any other comments in the comments box below the jump.
Oud is a note that seems to have had a great deal of popularity over the last few years. Most perfume houses have an ‘oud’ in their line-up, in fact many have several – anybody who’s anyone has got one. Despite it’s prolific presence in today’s perfume landscape, it cannot be denied that oud is a wonderfully powerful material, that when used properly can be one of the most beautiful smells known to man.
Oud is the jigsaw piece that helps fuse European and Eastern styles of perfumery together, and whilst the oud that is used in western perfumery is much cleaner (and largely synthetic) than that used in the east, it has coloured the face of perfumery in bright arabian hues and taken us on exotic voyages to faraway lands.
Oud/Oudh/Aoud/Agarwood is a “dark, resinous heartwood”  that forms in infected Aquilaria trees. The infection is due to a specific type of mould, that changes the colour and density of the wood, leaving a strong, dark resin (the oud) in the core.
Due to its rarity and variation in quality and scent profile, oud is a very difficult and expensive ingredient to work with, hence why the majority of oud fragrances use a synthetic substitute.
Nigel expertly posing in yesterday’s falling snow.
The snow has come to Britain, and in true British style everybody has lost their shiz. Seriously, we knew the snow would be coming this weekend on Thursday and ever since the supermarkets have been packed and the shelves have been emptied. Petrol pumps have been drained and the grit has been stock-piled.
I don’t what it is about us Brits that makes us so panicky when it comes to snow, it’s never really that bad, yet the whole country seems to come to a standstill with the slightest flake of the white stuff. Seriously guys, relax, snow is awesome, yeah it’s cold and it totally SUCKS to drive in, especially if your car is a Matchbox Toy like mine (i.e. a Fiat 500), but there is nothing more fun than taking walks in the snow, making Snow Angels and throwing snowballs at your weedy boyfriend!
In order to make the most out of the snow (which has already started to thaw), I thought I’d compile a list of five scents that are best suited to wearing in the snow. Us Fumeheads do like to match our scents to the occasion, and snow is no exception. The scents that I have picked all have a snowy aura, but they also bring warmth and comfort in a time when those qualities are needed in abundance.
2011 has been a big year for the perfume industry, it has seen a total of 1200  new perfume releases and as expected with such a high volume of perfumes being unleashed onto the market, it was a mixed bag – some were great, some were good and some were downright terrible. Sifting through the plethora of perfume releases this year has been great fun and for this end of year round-up I have picked out those fragrances that I feel are the very best of 2011, my ‘best picks’ if you will. These fragrances are the ones that deserve to be celebrated for their artistic merit, flair and quality, oh and because they smell good too!
There are a four main categories; Best Feminine, Best Masculine, Best Niche and Best Flanker, each with a winner, and because there were quite a high amount of fragrances worth celebrating this year I have also included a number of runners up for most categories. In addition to the first four categories I have included an extra one entitled ‘The Candy Perfume Boy’s Best Discoveries of 2011′ which celebrates three fragrances that I have discovered and fallen in love with this year.
Before moving on to my ‘Best Picks of 2011′ I would like to thank each and every one of you who reads and supports this blog. As The Candy Perfume Boy is just about to reach 50,000 hits in the next day or so, I must take a moment to reflect on how great this experience has been so far. I truly value everyone who visits and interacts with me on this blog and my absolute highlight of this year has been the interactions and friendships I have formed through The Candy Perfume Boy and Twitter (you all know who you are!). They are as important, if not more so, than the perfumes that have brought us all together.
The news of the death of Mona di Orio on Friday was both shocking and incredibly sad, it marked a great loss for the perfume industry and for all within the perfume-loving community. Mona di Orio was an exceptionally talented perfumer, and from all accounts a truly wonderful person, I did not know her personally, nor did I ever have the chance to meet her, I have however, gained a huge sense of enjoyment through her fragrances and I am extremely thankful for her contribution to the perfume industry. The Les Nombres d’Or collection is nothing short of a triumph and her legacy will live on through her perfumes. My thoughts are with her friends, family and co-workers at this very difficult time
I had originally scheduled a review of Tubéreuse for the end of next week, but in light of the recent events I thought it would be fitting to reschedule it and include it here, as a tribute to Mona di Orio’s extraordinary talent.
This week I have been listening to the new Kate Bush album ’50 Words for Snow’, a striking and beautiful conceptual piece centred around falling snow. Kate Bush is a dab hand at creating a landscape with her music and in my mind these landscapes have been reflected in two of the Mona di Orio’s creations from the Les Nombres d’Or collection. Oud is the golden, shimmering sunset depicted in Kate’s conceptual piece ‘A Sky of Honey’ from the album ‘Aerial’ and Musc is the eerily quiet snow covered landscape depicted in ’50 Words for Snow’.
On the album’s title track, Kate encourages Stephen Fry to cite 50 words for snow (it sounds absolutely bonkers, as you would expect from Ms Bush, but it works), some of the words are real, some are made up and they become completely ridiculous & fantastical as the song progresses (‘Faloop’njoompoola’ anyone?). My favourite of these snowy terms is No 47 ‘Blown From Polar Fur’ (honourable mentions go to ‘Wenceslas Air’ and ‘Bad for Trains’) and it perfectly reflects the snowy nature of Musc.
Musc is part of Mona di Orio’s Les Nombres d’Or (The Golden Numbers) collection which refers to the golden ratio, a mathematical theory of proportion that is showcased in the collection via fragrances centred around a single note, masterfully accentuated by other ingredients.
Oud is the latest addition to Mona di Orio’s Les Nombres d’Or collection, which focuses on creating perfumes centred around a single note in an intelligent and creative way. The fragrances within the collection are; Oud, Vanille, Tubereuse, Vetyver, Musc, Ambre and Cuir. The names may lead you to think that these fragrances are typical, single note scents, but that is far from the truth, each one is very much a composition with an interesting take on the eponymous note.
Les Nombres d’Or
“Seven sensational yet easy, relaxed fragrances from the Mistress of Perfumery.
Inspired by the ancient aesthetic theory of the Golden Ratio, Mona has created a suite of eaux de parfumss which have all her signature notes of glamour, mystery and romance but which are constructed with with the ultimate luxury of classic simplicity.” 
Oud in particular has received a lot of positive hype in the perfume blogosphere since it’s release earlier this year. Enthusiastic reviews from the likes of Olfactoria’s Travels and Eyeliner on a Cat, bloggers who’s opinion I hold in high esteem, had raised my hopes for this scent and I couldn’t wait to make my merry little way across to Les Senteurs in London to try it.