Since being bitten by the Amouage bug last year thanks to Honour Woman (there is no cure BTW) the wait for the next annual Woman/Man duo has almost been a bit too much. Luckily since then we have had the wonderful Opus VI and Beloved to keep us busy, but still the anticipation has been growing. The problem with such a strong hunger for a new fragrance launch and the high expectations that inevitably accompany such an appetite is the fact that so often the final result is disappointing. This is not something that can be said of the this year’s fragrance duo from Amouage.
For 2012 Amouage is releasing Interlude Woman and Interlude Man, both inspired by the “interlude moment [...] a reflection of all the trials and tribulations one overcomes to attain personal satisfaction and achievement”  Encased in Amouage’s signature bottles, hued in pure midnight blue, the Interlude duo has been created to “evoke an air of disorder while maintaining a sense of balance and tranquility”  Both encompass the chaos of life and offer moments of desperately needed escapism in the form of unique, contemporary fragrances.
I’m at a point now where I have tried the majority of the fragrances in the Amouage stable (although not all have been reviewed, yet) and Interlude Woman & Man are easily the most unique, and perhaps the most daring to date. The multi-coloured graffiti of the packaging gives a mere hint of the high-scale chaos that each fragrance adds to the Amouage line. Where they don’t differ however is in quality and sheer artistry, they are 100% Amouage in those respects.
Well, it looks like Nigel really came through on the old birthday front (thank you all for your kind wishes btw) deciding much against his better judgement to generously give me a big ole bottle of L’Artisan Parfumeur’s Al Oudh as his gift. Al Oudh has been sat on my wish list for quite some time now (which makes me wonder why I haven’t reviewed it already) and out of the slew of ouds available I believe that it is one of the few thatt brings something new to the party.
Al Oudh now joins my three other L’Artisans (Vanille Absolument/Havana Vanille, Traversée du Bosphore and Nuit de Tuberéuse) all of which, Al Oudh included, just so happen to be Bertrand Duchafour creations, thus proving that I really do have a “thing” for le Duchafour, and who can blame me? The dude is clearly a genius and with Al Oudh his skill of turning common accords entirely on their head is in full swing.
Bertrand Duchaufour created Al Oudh for L’Artisan Parfumeur in 2009. It’s billed as an exotic, spicy and woody oud with accents of rose and dried fruits. L’Artisan describe it as “the elixir of sensuality itself”, which is a very fluffy way of saying that it is in fact sex on a stick, or sex in a bottle to be more accurate. Al Oudh may not be what you’re expecting from an oud but that is exactly what makes it so captivating.
As Autumn and Winter draw in, it becomes time for us Perfumistas to have a wardrobe reshuffle. We put away our lighter, airier perfumes and drag out our rich orientals, warm woody florals, mouthwatering gourmands and our musks. In autumn and winter we look for those fragrances that bring us comfort when it’s cold and those that match the colours and festivities of the cooler seasons.
Muscs Koublaï Khän (Serge Lutens) and Musc Ravageur (Editions de Parfums Frederic Malle) are two of the most popular musk fragrances on the market, in fact they have reached cult status amongst Perfumistas and love them or hate them, nobody can deny that they are both formidable characters.
Despite the fact that they are both so popular and are both musk fragrances, Muscs Koublaï Khän and Musc Ravageur are two very different fragrances, in fact the similarity stops with the ‘Musc’ in both of their names. In this review I’m going to put pitch these two ‘Titans’ head to head to see which will be the victor and earn the accolade of ‘King of Musks’.
I’ve had a vase of purple carnations sat in my hallway for about two weeks now, they are suitably cheerful and they smell spicy and gorgeous. The problem with carnations is that they tend to hang around. Yes, they’re very beautiful but I’m at the point where I want them to move along so that I can refresh the vase with something else.
This is also how I feel about Vitriol d’Oeillet.
Serge Lutens has described Vitriol d’Oeillet as an ‘angry carnation’ and on the Serge Lutens website the description simply says “What is it, Doctor Jekyll?”  These descriptions lead me to believe that my tiny spray vial was going to unleash a huge, evil carnation monster that was going to eat me and ransack my house. A little farfetched I know, but I do have an active imagination.
What did come flying out of my little spray vial was something completely unexpected; A pretty and realistic spicy bunch of carnations. Just like the ones currently lurking in my hallway.