New Escentual Post: Caron Parfum Sacré

Caron Parfum Sacré - My Winter Warmer

Caron Parfum Sacré – The Scent of Cold Winter Nights

I am in full-on winter mode, and just as well really, seeing as the temperature dials have been twisted firmly towards the blue and the season of frost has started. As you may have noticed from Monday’s post, I’m rocking as many scarves as I can, but I’ve also got myself a snazzy new coat and the heated seats in my car have never seen so much use. In short: it’s officially winter.

At this time of year, I tend to pull out much warmer and heavier perfumes, as I’m sure many of you also do. One of my absolute favorites is Caron’s Parfum Sacré, a most beautiful floral incense that sits somewhere smack bang in the middle of France and Oman. Parfum Sacré is the olfactory equivalent of a hot water bottle, or a purring feline on the lap. It’s simply divine and for that reason, I’ve dedicated this week’s Escentual column to it. Click here to read about one of my favourite winter fragrances.

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Do Teddy Bears Smell in the Woods? – Moschino TOY Perfume Review

THIS IS NOT A MOSCHINO TOY

THIS IS NOT A MOSCHINO TOY

It’s impossible to look at TOY, the latest fragrance from Italian fashion brand, Moschino and not smile. I mean, the perfume is packaged inside a cuddly little teddy bear, so one’s initial encounter with the fragrance will usually involve the utterance of noises such as “aww” and “squee” and cries of “OH. MY. GOD. IT’S. SO. BLOOMING. CUTE” and “IT’SSOFLUFFYI’MGONNA’DIE”. It is after all, incredibly cute and that gorgeous little face is adorably cheeky, and impossible to resist.

TOY is the brainchild of Moschino’s Creative Director, Jeremy Scott, who has worked with the likes or Rihanna, Katy Perry, Björk, Madonna, Miley Cyrus and Lady Gaga, just to name a small sample of the upper echelon of pop divas that he has collaborated with. The scent is being positioned by the brand as a “revolutionary product launch” that offers “a completely innovative way to package, show and sell fragrance”, posing the question whether this bear is a perfume or a toy. It also serves as a nice nod back to Moschino’s founder, Franco Moschino, who famously used stuffed animals on garments in his 1988 Fall-Winter collection.

Created by perfumer Alexandra Kosinski (Etat Libre d’Orange Cologne), TOY displays woody, floral and citrus notes that are intended to be evocative of the bear’s forest home. Whether TOY is exactly that, a toy, or a perfume, or a teddy bear, or all of the above depends on how you approach it. What cannot be denied however, is that this is an attention-grabbing launch that breathes new life into the world of Moschino parfums, and an incredibly cute one at that.

“From the depths of the wild, stuffed animal kingdom comes TOY, Moschino’s latest fragrance. Conceived by Moschino Creative Director Jeremy Scott, TOY smashes every fragrance preconception to bits, boldly redrawing its form, function and fabulousness.”

- Moschino

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Smelly News: Penhaligon’s to Launch Ostara

New from Penhaligon's: Ostara Eau de Toilette

New from Penhaligon’s: Ostara Eau de Toilette (Illustration: Melissa Bailey)

This spring, quintessentially British perfume house, Penhaligon’s will launch ‘Ostara’, the brand’s latest collaboration with venerable perfumer, Bertrand Duchaufour. Charting a fragrant journey of daffodil from “bulb to bud to bloom”, Ostara is described by the brand as a “modern interpretation” of an “incandescent flower”.

“An iconic feature of the British countryside, the daffodil symbolises the optimism and revival of spring. In 1802, the distinguished poet William Wordsworth wrote about a sea of daffodils in his poem, ‘I Wandered Lonely as a Cloud’. Excerpts have been included on the outer packaging of the fragrance to reflect the radiance of the flower.”

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New Escentual Post: Life on the Left Bank – YSL Rive Gauche Perfume Review

Yves Saint Laurent's Rive Gauche - Life on the Left Bank

Yves Saint Laurent’s Rive Gauche – Life on the Left Bank

Consider me behind the times, but I’ve very recently fallen head-over-heels in love with Yves Saint Laurent’s Rive Gauche. Yes, I know it was launched way back in 1971, long before I was in short trousers, and yes, I’m well aware that its current formulation is a pale shadow of its former self, but I love it and I make no apologies. To me, Rive Gauche does the whole aldehydic floral thing in a way that is not over the top, nor is it viciously boardroom bitch-esque – its simply high fashion floralcy in a bottle.

Seeing as I’ve got a bit excited over my new found love, and I’ve also been taking an informal look at some of the classics over on Escentual recently (see Opium & Arpège), I took the time to dedicate my column this week to the glory of Rive Gauche. So, if you’re a fan of the scent, or if you just want to hear what all of the fuss is about (I do like a bit of hyperbole, it must be said), then simply click here to take a stroll down Paris’ wonderful left bank.

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The Prettiness of Rose – Acqua di Parma Rosa Nobile Perfume Review

The Prettiness of Rose - Acqua di Parma Rosa Nobile

The Prettiness of Rose – Acqua di Parma Rosa Nobile

A few weeks back I reviewed Essence Nº1: Rose, one of the latest fragrances from Elie Saab and by all accounts a beautifully gourmand take on the humble rose. I love rose, in perfume and in pretty much everything else, and I admire the fact that one flower can be used so diversely, due mainly to the man wonderful nuances it displays as a material. It’s a true fact that not all roses are the same, and for every gourmand rose there’s an oriental rose or a photorealistic one, or even a ton of oud-soaked roses, creating a wide range of olfactory signatures that stem from one flower. The humble rose is anything if not impressive in this respect.

If Elie’s Saab new creation celebrates the gourmand facets of the rose, Rosa Nobile, the latest launch from Acqua di Parma, honours the beauty of rose in a simple, yet utterly satisfying manner. Rosa Nobile is an olfactory performance that celebrates the prettiness of rose in a dance of purity and simplicity. It speaks in pastel shades of pink and with a lightness of touch that is almost coy, but most of all, serves as an incredibly beautiful take on the queen of flowers.

“Strolling in the shade of centuries-old trees, among lodges and staircases, a sensuous fragrance drifts – the strong notes of the rose. Its scent forms part of Italy’s noble gardens which, like a queen, it pervades with natural elegance. Acqua di Parma takes their unequalled charm to give life to an Eau de Parfum introducing new touches into the universe of Le Nobili, a collection of women’s fragrances inspired by the most beautiful flowers of exclusive and private Italian gardens, where art and beauty blend in perfect balance. Each one a unique fragrance, selected for its noble femininity, for its fine perfumed essence, and for its quality. Compositions designed by Acqua di Parma using precious ingredients. Each one is unforgettable. Iris, Magnolia, Gelsomino and the new Rosa Nobile.”

- Acqua di Parma

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New Escentual Post: Jean Paul Gaultier Classique Intense Review

Classique Intense

Classique Intense

I’m still alive! Due to being away for work this week, I haven’t been able to turn my attention to The Candy Perfume Boy. I assure you that normal service will resume next week, with more reviews and news from the perfume world. Whilst I may not have had time to put together a post for the blog this week, I have still written for my weekly Escentual column, and this week’s subject is the fabulous, glamorous and radiant new fragrance from Jean Paul Gaultier – ‘Classique Intense‘.

This new scent, penned by none other than Francis Kurkdjian, isn’t your typical ‘intense’ version that amps up the heavier notes and makes for a thicker and long-lasting experience. No, this is Classique with the glamour dials turned right up – a radiant floral vanilla that is the shows topping starlet to the original’s backstage boudoir. Between all that glitter and gold lies a beautifully composed fragrance that is a worthy addition to the Classique lineup. Read my review here.

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Pretty in Purple – Lalique Amethyst Éclat Perfume Review

Dita Von Teese in Vivienne Westwood

Dita Von Teese in Christian Lacroix Bridal

No perfume genre is more scorned than the humble fruity floral. Well, actually the world of oud raises a few eyebrows too, but that’s another matter. Fruity florals however, thanks to a billion and one dreadful celebrity fragrant messes, have received a lot of bad press and tend to present themselves as ditzy-sweet hazes (Miss Dior) or sticky-syrup disasters (Lady Gaga’s Fame) rather than anything interesting or well-constructed. But the truth is that, with a degree of intelligence and the application of a sense of humour (see Insolence), a fruity floral can be a very good thing indeed.

Without giving too much away in advance of this review, Lalique’s new flanker to 2007’s Amethyst, ‘Amethyst Éclat‘, is a good fruity floral that feels intelligently composed, and perhaps more importantly, is just so effortlessly pretty in its execution that one cannot help but fall for its delicate charm. And charm is something that this fragrance certainly has by the bucket load.

Created by perfumer Nathalie Lorson (also responsible for the original Amethyst), Amethyst Éclat, is different from the original in the sense that it reportedly “sparkles with the pure, bright exhilarating scent of peony”, taking on a much more radiant and refined character. I’ve only tried the original Amethyst in passing, so what follows is not a comparison of the two scents, but rather a look at Amethyst Éclat in isolation and entirely on its own merits. The result is rather surprising!

“Between Amethyst and Amethyst Éclat, the raspberry, blackcurrant and blackberry accord runs like a red thread… Or rather, like the succulent trickle of juice that seeps between your fingers when you pick sun-gorged berries between the brambles. It is from this luscious garden that Nathalie Lorson, who authored both fragrances, plucked the radiant peony which lights up the heart of her new offering.”

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