Blue is the colour that is most likely to send perfume lovers into a fit of fragrant fear. It is, after all, the hue that is ultimately associated with thousands of dodgy aquatic and oceanic fragrances that populate the plentiful shelves of one’s local department stores. These scents sell by the bucket load and more often than not they play to the lowest common denominator, evoking a sense of cleanliness and not much else.
But that isn’t always the case and there are a number of notable occasions where a perfumer or brand has taken the idea of ‘blue’ and done something intriguing with it. One particular standout is Maison Francis Kurkdjian’s superlative OUD (a perfume that I officially refuse to stop banging on about because it is just so mighty good), an oud that is unlike no other and cast in a wonderful shade of cerulean. So yes, blue isn’t necessarily all bad.
For 2014 the houses of Lalique and Bentley are launching blue-themed flankers for two of their masculine fragrances. Lalique are presenting Hommage à l’Homme Voyageur, a follow-up to 2011′s Hommage à l’Homme and an ode to “the art of travel” inspired by the “sumptuous decor” designed by René Lalique for the luxurious liner – the Normandie. British car manufacturer, Bentley, on the other hand, are launching Bentley For Men Azure, a flanker to last year’s Bentley For Men that “appeals to sporty, smart and style conscious men.”
One of these blue masculines is a wonderfully crafted take on ashen spices, that feels utterly smart and luxurious (and has this blogger completely and utterly hooked, FYI) whereas the other isn’t much more than a typically cobalt execution of a fresh aquatic masculine with a hint of something salty-fresh for added measure. Have you guessed which is which yet?
Perfume Pic of the Week No.12: Ombre Indigo by Olfactive Studio
A while back I reviewed the entire Olfactive Studio collection for my column at Escentual. All-in-all I found the concept of photography-inspired perfume to be well executed (the bottles look fab and the whole idea is refreshingly un-gimmicky) resulting in five intriguing and nicely crafted fragrances that most definitely get two thumbs up from me, especially the incredibly unique Autoportrait.
This September Olfactive Studio will be adding a sixth perfume to the collection – ‘Ombre Indigo‘. The brand have recently debuted the scent at Esxence, Italy’s art fragrance fair and the juice is coloured in such an awe-inspiring shade of blue that I simply had to share it as this week’s perfume pic of the week. Just look at that colour, isn’t it just every kind of awesome?
So if you’re just recovering from Christmas Day and New Year (personally, I’m still trying to shed that darn turkey-weight) you’ll be shocked to know that Valentine’s Day is just around the corner. That’s right, you blinked and missed January so now it’s time to think about showering that special someone in your life with lots of lovely gifts to say those important three words.
Of course you don’t have to give gifts to say “I love you” and you don’t need one special day in the year to do so – I for one try to make an effort to profess my undying adoration for my beau at least once a day (normally just after I’ve been served dinner). But if you’re looking for a little token for your love, then what better way to show your love than with the gift of perfume?
Roses are the traditional flower to gift on the day of Saint Valentine, so for my Escentual column this week I have pieced together a veritable bouquet of beautiful rose scents for you to give as lovely fragrant gifts. They range from the straight-up photorealistic rose to the hedonistic oriental rose via a brief stop at the raunchy bedroom rose. So, please click here to head on over to the Escentual blog and read ‘A Gift of Roses’.
For my Escentual column this week I was tasked with selecting some of my favourite ‘winter warmers’ for men and with the weather being as turbulent and dreadful as it is, I was definitely up for the challenge! My picks include; a new classic from Amouage, a wild card from Dior and a severely underrated scent from Jean Paul Gaultier – to name just a few.
So boys and girls (because, unsurprisingly, the list is pretty unisex), if you’re in the mood for some olfactory comfort blankets, head on over to Escentual by clicking the image above to read all about my favourite manly fragrances for winter. Don’t forget to tell me what winter warmers you’ll be rocking this season, too!
I’m finishing this week as I started with another Christmas post. For my Escentual column this week I thought about the colours of the festive season (red, green and gold) and perfumes that captured these hues in unique ways that were in keeping with the spirit of the yuletide season. These 6 perfumes represent all that is Christmas from the rouge of winter spices to the golden gleam of bejeweled gifts. Please click on the image above to read.
I’ll be back next week with one or two more reviews and the 2013 edition of ‘The Candies’ – my annual perfume awards.
I don’t understand Juliette Has a Gun. They started out as a rebellious niche brand boasting a number of intriguing fragrances evoking the spirit of fierce women with daring characters (scents such as Calamity J and Lady Vengeance) – all at designer prices. But with the brand’s most recent launches it seems that Juliette has lost her nerve and decided to throw away the pistol that made her so spunky and dangerous.
This decline in boldness can be seen in the increasing lack of ingenuity in scents such as Mad Madame (a collage of just about every scent in the line) and Not a Perfume (at least they got the name right with this one), both of which felt very safe and not in keeping with the punky spirit of the brand. An over reliance on ambroxan has also ensured that these new offerings are all very similar in both odour and style.
The brand’s latest fragrance ‘Anyway‘ runs very much along the same lines as its recent stable mates and presents an airy, relaxed style of perfume that tries its absolute best not to offend or make an impression. The brand proclaim it to be a “simple and original formula” boasting “only fifteen ingredients” – a fragrance that has been designed to be a signature scent and anything but “anonymous”.
It’s that time of year where we all start to put together our Christmas wish lists for Santa, or as I like to call him – ‘Nigel’. Being the perfume nuts that we are means that beloved family and friends can sometimes struggle to pick fragrances out as gifts for us, after all we’re a selective (read: ‘picky’) bunch by nature and nobody would want us to open up a gift that we would deem as unsuitable on the big day.
To mitigate the chances of a botched perfume purchase at Christmas I supply a perfume wish list to my partner and my father every year. The other members of my family family flatly refuses to buy me any perfume, stating that I have “too much” and it’s “bordering on an obsession”. Who knows what they’re smoking, but I can always rely on my dad and Nigel (if he’s in a good mood) to pick something from my carefully selected list.
I’m on a Serge Lutens kick at the moment, which is funny considering that I was considerably late to the Lutens party and it took me quite some time to ‘get’ the brand’s aesthetic. This is due in part to the fact that much of what Uncle Serge puts out is truly hedonistic and oriental, and can often feel thick and oppressive. This style is attractive to many but for years I failed to see the beauty amongst the spices, resins and balsams.
Unsurprisingly, it was the florals (specifically the incandescent Fleurs d’Oranger) within Lutens’ stable that served as a gateway to understanding perfume’s most highly respected, reclusive and artistic individual. But why the florals? What does Lutens do to nature’s blooms that others don’t? What does he see amongst the petals, the stems and the pollen that many perfumers and creative directors cannot?
The answer is simple – Serge Lutens sees the darker side of flowers and he’s not afraid to present the beautiful amongst the downright terrifying. Within his exclusive collection of fragrances housed inside his Palais Royal shop in Paris (a purple-tinted perfume Mecca), Lutens has three of the most deadly, carnivorous and fatal florals ever to have graced the noses of the human species, they are; the maniacal tuberose - Tubéreuse Criminelle, the viper jasmine - Sarrasins and the ghostly iris - Iris Silver Mist.
It was only a few weeks ago that I was moaning on Twitter about the lack of decent niche masculines this year, remarking that there has been fluffing tons of beautiful, wonderful and masterful feminine and unisex fragrances in 2013 but very few impressive things on the male side of the fence. Perhaps creating decent perfumes for men is less of a priority for perfume companies nowadays. Who knows?
So yes, I was having a moan when the ever-knowledgeable Nick Gilbert said that I absolutely had to try (I’m paraphrasing, of course) the latest fragrance from Huitième Art – ‘Monsieur‘. Knowing that any recommendation from M. Gilbert is worth listening to I trotted off to Les Senteurs, one of my favourite perfume boutiques, to procure a sample of the latest scent from perfumer Pierre Guillaume.
Monsieur is billed as a “harmonious blend of eight woody notes” and is inspired by the Massif de Bois Noirs, where “torrents and waterfalls from Auvergne’s mountains carry along scents of moss, bark, wood, earth, humus and stone”. What one finds with Monsieur, is that it is a fragrance that is not afraid to be bold and whilst it may not be the most unique interpretation of woods, it does showcase an interesting sense of balance that is something entirely new.
Seeing as it the very last week of Movember, a month in which we celebrate all aspects of masculinity, it’s only fair that we also take time to look at some pretty epic masculine fragrances. Over the course of the month I’ve been featuring classic masculine scents on Escentual, but this week I’d like to focus on two new and very well executed fragrances for 2013 – one designer and one ‘niche’ – starting with the newly launched Bottega Veneta Pour Homme.
The astute amongst you will know that Bottega Veneta have already proved that they take the world of perfume seriously with their debut feminine fragrance launch of the same name. The feminine was a masterfully composed (if perhaps a little too whispery) ode to the leather goods for which the brand is famous for and it appears that its masculine counterpart has been subject to the same degree of thought and quality control.
Created by perfumers Daniela Andrier (Prada’s Infusion d’Iris, Candy and basically everything else good they’ve done) and Antoine Maisondieu (Etat Libre d’Orange’s Fat Electrician and Comme des Garçons Stephen Jones), Bottega Veneta Pour Homme feels very much like an extension of the luxury leather feel of the feminine Eau de Parfum but in a more outdoorsy, nature-filled and relaxed manner.