For Girls and Boys – Pharrell Williams X Comme des Garçons G I R L Perfume Review

Pharrell Williams X Comme des Garçons

Pharrell Williams X Comme des Garçons

“Fragrance is paint for the nose. People who make fragrances, the air is their canvas.”

- Pharrell Williams

Is there any one person on the planet bigger than Pharrell Williams right now? I think not. He’s either produced, sang or guested on some of the biggest songs of the last few years, not to mention the fact that he’s a fashion icon with a penchant for Vivienne Westwood Buffalo hats from the ’80s and socks with no shoes. In short, Pharrell is a bit of a dude and it was only a matter of time before he branched out from music and fashion, into the world of fragrance.

Thankfully for us (us being the perfume lovers of the world), Pharrell has teamed up with the fragrance arm of unconventional fashion house Comme des Garçons to create his very first perfume. Comme des Garçons are well known for high quality fragrances that approach the art of olfaction with a distinct, and unique viewpoint, celebrating woods, incense and spices in a varied series of artistic olfactory entries. So, it would be correct to say that Mr. Williams made a sensible choice and is in very safe hands.

Pharrell’s debut fragrance is named G I R L, after his 2014 album of the same name, from which it also takes inspiration. G I R L was created by perfumers Antoine Lie (Etat Libre d’Orange’s Sécrétions Magnifiques, Rossy de Palma and Tom of Finland) and Christian Astugeville, and is described as being “a woody scent of high quality and complex construction”. Much like Lady Gaga’s Eau de Gaga, which I reviewed earlier this week, G I R L is a most atypical celebrity fragrance that tries to defy the clichéd conventions of a tired and overexposed genre.

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Gagging for Gaga – Lady Gaga Eau de Gaga Perfume Review

Gagging for Gaga

Gagging for Gaga

If there is any pop icon that has suffered badly from over exposure, it’s Lady Gaga. Bursting onto the scene, in a haze of wild couture, progressive synths and disco sticks, she has quickly gone from the wild child hailed as the new Madonna, to a spectacular fall from pop grace (let’s not talk about ARTPOP…) straight into the arms of a lacklustre jazz album. Now, I’m positive that Gaga will get back on her feet soon enough, after all she is a talented songwriter, singer and musician, not to mention a pop visionary that pushes the boundaries and champions the underdog. I have every faith in her continued success, she just needs to take some time out and reevaluate.

Anyway, on to perfume. As you will be aware, Lady Gaga released her first perfume, Fame in 2012. The fragrance launched with about as much fanfare as the singer’s career did, if not more, and it sold like hot cakes, despite the fact that, in my humble opinion it was all style over substance. A visual masterpiece but an olfactory dud, to say the least. This autumn, Gaga has launched her second fragrance, Eau de Gaga and it would be safe to say that the entire mood of the scent, and its launch has shifted somewhat. Gone are the lavish launch parties and ridiculously over the top tv campaigns, and in with a more paired back approach to vision and smell.

Eau de Gaga is billed as a unisex fragrance that has been created for “the adventurous woman and the man who loves her”, and that’s it, there appears to be absolutely no gimmicks associated with the scent – no special black liquid that sprays clear, no alleged semen note, nothing. So Eau de Gaga is just a unisex fragrance from a fresh-faced Lady Gaga who appears to be comfortable in her own skin, despite the failures or successes of her current standing as pop’s new darling.

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Monochromatic – Mona di Orio Myrrh Casati Perfume Review

Photo: Herb Ritts

Photo: Herb Ritts

It’s a simple fact that the late perfumer, Mona di Orio made beautiful perfumes. Having studied under the great Edmond Roudnitska (Dior’s Eau Sauvage & Diorissimo, and Rochas’ Femme), di Orio had a knack for creating romantic and surprising compositions that often turned a familiar signature on its head. Since her death, Mona’s co-founder, Jeroen Oude Sogtoen has remained faithful to her legacy and has released a number of fragrances from the archives – fragrances created by Mona di Orio before her untimely death. These have included the stunning Eau Absolue and the masterpiece that is Violette Fumée.

It seems that the brand is now turning a corner. There was always going to come a point where di Orio’s back catalogue of unreleased material would run out and an external perfumer would need to be invited in to compose something new. Now is that time and the brand is launching their first fragrance under their new Monogram collection, as well as re-releasing older perfumes (e.g. Nuit Noire and Lux) into the Signature collection. They’re also slowly re-packing the Les Nombres d’Or collection, starting with Oud, which is now called Oudh Osmanthus.

Myrrh Casati is Mona di Orio’s first fragrance composed by an external perfumer. Penned by Melanie Leroux, Myrrh Casati makes a statement as something quite different from the other perfumes within Mona di Orio’s extensive collection. The brand describe this ode to myrrh as being “extravagant, dark, [and] mysterious”, and I’d definitely agree with the latter two descriptors in that sentence – I’m just not entirely convinced that it is extravagant in the same way many of the Mona di Orio fragrances are. Myrrh Casati serves as an interesting diversification for the brand, for sure.

“Inspired by Marchesa Casati, the legendary patron of the arts and muse of eccentricity, known for her extravagant dark fashion and lavish fetes replete with exotic animals, gilded servants, and an infectious waft of incense and mystery that surrounded her.”

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Smelly News: Lady Gaga Teases New Fragrance ‘Eau de Gaga’

Lady Gaga Teases 'Eau de Gaga'

Lady Gaga Teases ‘Eau de Gaga’

Lady Gaga has released a teaser image shot by fashion photographer, Steven Klein for her new fragrance ‘Eau de Gaga‘. Few details have been released at present, but Gaga has stated on Twitter that the fragrance will be unisex, saying that Eau de Gaga is “inspired by the adventurous woman and the man who loves her”. Gaga further revealed that the base will contain notes of “sparkling water, lime and leather”, three ingredients that she claims to use on a daily basis.

Despite the fact that her most recent endeavours have suffered due to over-exposure, Lady Gaga is still an innovative and dynamic artist who likes to push the boundaries of pop music. Unfortunately, her debut perfume, ‘Fame‘, wasn’t anywhere near as avant-garde as Gaga would liked to have thought and in reality was nothing short of a disappointment. Let’s hope that Eau de Gaga delivers, although I cannot say that I hold out much hope…

Below the jump is an image of the rumoured bottle for Eau de Gaga.

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When Chypre Meets Cologne – Editions de Parfums Frédéric Malle Eau de Magnolia Perfume Review

Eau de Magnolia by Carlos Benaim for Editions de Parfums Frederic Malle

Eau de Magnolia by Carlos Benaïm for Editions de Parfums Frederic Malle

It seems that the world’s greatest, and possibly only perfume curator is spoiling us. Last year, after four years of long, painful silence, Frédéric Malle launched the extraordinary Dries van Noten – a perfume that genuinely is like no other, and this summer he is generously treating the world to yet another, brand new fragrance. It seem that, much like buses, Monsieur Malle’s perfumes come in multiples and after a lengthy wait. But who are we to complain?

The new edition to the extensive and wonderful Editions de Parfums library is entitled ‘Eau de Magnolia‘ and is penned by venerable perfumer Carlos Benaïm, the man behind scents such as Viktor & Rolf’s Flowerbomb and Dior’s Pure Poison. The fragrance is billed as both an entirely new take on the classic ‘Eau de Cologne’ as well as a beautiful presentation of the magnolia flower, and one should see it as a perfume that sits somewhere smack bang in the middle of these two things.

“This time the conversation between Frédéric Malle and Carlos Benaïm was on the headspace analysis of the magnolia and the fact that the flower is closer to an Eau de Cologne than to a classic flower. Carlos then suggested to magnify the hesperidic equilibrium of the Magnolia to enhance the Eau effect and to add a woody vibration to give it depth and sensuality. The result is a fresh chypre, an extraordinarily transparent and very natural, smelling note, animated by a somber base (vetiver, patchouli) that gives it a touch of mystery. A timeless summer perfume.”

Magnolia blooms sing with a complex profile of odours that range from the zesty smell of lemons to the waxy and almost cheesy scent of gardenia flowers. It’s a truly versatile bouquet that can radiate with freshness or revel in plush creaminess, depending entirely on how it it used. Frédéric Malle and Carlos Benaïm’s take on magnolia errs on the fresher side of things, creating a perfume that veers from eau de cologne to floral chypre in an incredibly enjoyable manner.

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Eau de Honeymoon – Tom Ford Neroli Portofino Perfume Review

The Neroli Portofino Collection

The Neroli Portofino Collection

Well the wedding has happened and it’s a great big smack bang of a return to normality for my new husband (I just love saying that word) and I. We had a truly wonderful time, the best time in fact, and once we get all of the photos back I will be sharing with you some of the fragrant treats we had during the day, which as you would expect were plentiful, so stay tuned for that!

Now the wedding is over, it’s time to think about the honeymoon and it’s a venture that requires a huge amount of thought. Does one opt for an active city break (I’m thinking Florence or even San Francisco) or a more relaxing trip to a Greek Island (Crete looks fab)? The choices are plentiful and I have to admit that the idea of blue skies, Greek food, sumptuous views and a private pool are most definitely calling my name.

One perfume that seems incredibly befitting of such a honeymoon getaway is Tom Ford’s Neroli Portofino. Launched as part of the original crop of Private Blends in 2007, this ode to azure seas and skies has proved so popular that it has been repackaged, redistributed to a wider audience and evolved into an expansive range of bath and body products. Smelling the fragrance it is easy to understand it’s popularity, after all what is there not to like about a crisp, modern and intense take on the traditional ‘Eau de Cologne’?

[Slightly NSFW image after the jump…]

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The Hot Breath of Jasmine – Amouage Opus VIII Perfume Review

Expect the Unexpected: Opus VIII by Amouage

Expect the Unexpected: Opus VIII by Amouage

I never know what to expect when a new Amouage lands on my doorstep. The entire output from the industry’s most luxurious of houses is complex, intricate and grand beyond much else found in perfume stores. This complexity means that they’re not always the easiest perfumes to pin down and I personally find that one has to spend a fair bit of time with an Amouage before they can truly say they know it.

Amouage’s latest edition to their experimental Library Collection, ‘Opus VIII‘, is no exception and much like the wickedly dangerous, galbanum-soaked leather jacket of Opus VII and the delectably intense, salty amber of Opus VI that have preceded it, this beguiling perfume created by perfumers Pierre Negrin and Richard Herpin in conjunction with Creative Director Christopher Chong, is perhaps the most labyrinthine composition to have ever exited Amouage’s doors.

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