I haven’t entirely worked my way through the entirety of Dior’s La Collection Privée (their ultra-exclusive line limited only to high-end department stores and Dior boutiques) but I know that I’m already in love with it. Out of the five that I have tried so far I would be happy with bottles of three. Not a bad success rate huh?
Two of my latest La Collection Lemmings are courtesy of Birgit of Olfactoria’s Travels, who introduced them to myself, and a number of others at her Evening of Amber back in April. I don’t know whether to curse Birgit or kiss her, the kisses would be for allowing me to explore two wonderful fragrances and the curses would be coming straight from my wallet…
The two Dior Ambers that I am falling for are an interesting pair; one doesn’t have amber in the name but definitely is an amber and the other does have amber in the name but isn’t technically an amber. Trust Dior to throw an olfactory curveball (or two) at me. Whether they are true ambers or not, both Mitzah and Ambre Nuit are truly enjoyable fragrances that will make the most die-hard amber-cynic rethink their stance.
Last week’s Saturday Poll focused on the age-old debate of natural vs synthetic perfumery. I find this to be a really interesting topic because opinions really vary and people can have very strong feelings about what goes into their perfumes.
The results of the poll were quite interesting; as I would have expected the majority (56%) voted for a mixture of natural and synthetic ingredients with 35% saying that they weren’t fussed either way. What I found most fascinating about the results was that a very small number of people opted for either solely natural (7%) or solely synthetic (2%) ingredients, which goes to show that a mixture is favoured.
On to this week’s poll….
A couple of polls ago I pitched the two perfume-behemoths that are Guerlain and Chanel against each other and I thought it would be good fun to do this again but with two different houses.
Sticking with the designer theme, I would like to know which you prefer; Dior or Yves Saint Laurent? Both have their fair share of classics and their fair share of duds, but which one floats your boat?
So c’mon, who do you prefer? I want to know! Register your vote and let me know your thoughts in the comments box below!
The Perfume Lovers London events organised by Lila Das Gupta as part of Olfactory Events are a fabulous opportunity to learn about perfume, to talk to and meet with like minded perfumeophiles and discover a plethora of new, exciting perfumes. It’s safe to say that every event is a joy to attend so the news that one of my favourite bloggers, Birgit of Olfactoria’s Travels, was going to be holding her very own event was very exciting indeed!
I’m sure that I’m preaching to the choir here, but Olfactoria’s Travels has become a go-to blog for many perfume lovers and it’s teeming with beautifully written reviews, informed discussion and passion from Birgit and Tara, who have both changed the face of the perfume blogosphere.
For her event, Birgit promised to take us on a journey through the world of amber, a sensible subject choice seeing as she has rightfully earned the title of “Queen of Amber” through her love for the genre. Now, I’ve made it no secret that amber isn’t my favourite genre of perfumes, but that’s not to say that I don’t like it either, I simply haven’t had the right amount of exposure to it, but now thanks to Birgit and Perfume Lovers London I feels as if I am well-versed on the subject!
We all have a lot to be grumpy about when it comes to Christian Dior Parfums. Not only must we be giving them the evil eye for the dwindling quality in classics such as Diorissimo, we must also be narked about the shoddy reformulations of modern classics like Hypnotic Poison, Pure Poison and Dior Homme/Homme Intense. So yes, it may just be me, but Dior could do a lot more to get in to many a fumehead’s good books.
One area where Dior isn’t letting us down is in their relatively recently launched (2010) “La Collection Privée”, which saw the original Dior Homme Cologne collection (Eau Noire, Bois d’Argent and Ambre Nuit) bumped up to a total of 9 fragrances, before being joined by two new fragrances; Leather Oud and Patchouli Imperial. My interest in in the former was officially piqued at Perfume Lovers London “Evening of Leather“, in which it was described by Lila as a “Sex God”, a moniker which is not to be ignored!
Leather Oud is definitely a stand out within La Collection, and I would argue that it is also a stand out amongst the onslaught of oud based fragrances that populate the market. On the creation of Leather Oud, Dior says: “Christian Dior searched the world, looking for the most beautiful fabrics that exist. Like the designer, the Perfumer (François Demachy) chooses the most beautiful raw materials, one of which is oud wood from Indonesia.”  It is this haute couture approach that makes Leather Oud such a success, it is a wonderful example of what happens when quality and artistry collide.
I have to admit that I’m not the hugest fan of leather in fragrance, mainly because I really haven’t a great deal of exposure to the note, which is why I was particularly interested in attending last week’s ‘Evening of Leather’ organised by Lila Das Gupta of Perfume Lovers London/Olfactory Events. I wanted to explore leather, deconstruct and understand it, but most of all I wanted to find a leather that I loved.
Perfume Lovers London is a Meetup Group run by Olfactory Events in conjunction with Basenotes. They have so far held two events, with many more exciting meet ups in the pipeline. An Evening of Leather was hosted by Lila Das Gupta who has a penchant for leather fragrances, was the perfect captain for our voyage of discovery of a note that is steeped in history and comes in many guises.
An Evening of Leather promised to “map out the geography of leather fragrances from the meaty to the haughty” and I’m please to say that it was an event that delivered on all counts. I may have walked into the event being clueless about, and not really loving leather but I left with a new found appreciation for the genre and a head full of leather fragrances that demanded to be explored further.
The best thing about sharing samples with other perfumistas is that every now and then you will receive one that stops you dead in your tracks and makes you call out to the heavens. I like to call this moment the ‘Eau My God’ moment – that moment where you are literally blown away by the smell wafting out of the sample vial. My most recent, and probably my strongest ‘Eau My God’ moment happened only last week.
Following my Guide to Lavender, the lovely of Tara from Olfactoria’s Travels insisted that she send me a sample of Eau Noire because she thought it might be something I would like. Well, I think we can safely say that Tara knows her stuff because I absolutely love Eau Noire, so much in fact that my love for it is currently bordering on full-blown obsession.
Eau Noire was released in 2004 (I’m late to the party as always) and started out as part of a trio of exclusive Dior Homme colognes, it was created by the über-talented Francis Kurkdjian (one of my favourite perfumers no less) and now sits within Dior’s ‘La Collection Privée’. Dior describe Eau Noire as “an elegant gala spirit in an intense evening fragrance” , and if any fragrance screams ‘evening’ it’s Eau Noire. This dark, brooding beauty wears a coat of emerald green and bewitches you with a sense of intrigue, mystery and danger.
‘Layering’ – the practice of layering two fragrance compositions to create weird and wonderful combinations, has always seemed completely alien to me. I have always enjoyed the fragrances in my collection exactly the way they were created (I wouldn’t have bought them otherwise) and have never felt the need to try and improve or change them by adding something new.
Despite my skepticism, layering seems to be something that a lot of perfume-lovers do and enjoy. Some brands, such as Jo Malone, even actively encourage the practice of layering with their fragrances. These ‘layering’ combinations are designed to enhance the perfume experience, but I can’t help but feel that they are just a cheap ploy with the sole intent of convincing consumers to buy extra bottles.
Despite my skepticism, this layering malarky got me thinking (a dangerous habit, I know); is there any real merit to mixing perfumes? and; Can you actually enhance a perfume by layering it with another? So, in the interest of science I thought that I would conduct a few layering experiments to see whether there is any merit to it, or whether it’s just a bunch of phooey.