Ahh the 80’s, a time of excess where everything was big; the clothes, the music, the hair and of course the perfume.
The perfume in the 80’s was loud, proud and would announce it’s arrival a long time before you entered a room, and stay a long time after you left. There were big bouquets of aldehydic florals and massive oriental spice bombs. I shouldn’t forget the HUGE jammy roses and the loud syrupy tuberoses either.
These fragrances, affectionately known as ‘Perfumes with Shoulder Pads’ by the #fumechat Tweeters are representative of the era, and whilst they may not be entirely popular today I have a real soft spot for them.
This week my good friend Cara and I will be teaming up to create a special fragrant event as part of her Instability-in-Stability project. During the event we will both be discussing our scented memories as teenagers. Thinking about the subject matter I thought it would be apt to review the first fragrance that I fell in love with, the one that started the obsession; Kingdom by Alexander McQueen.
At the tender age of 16 (it feels so long ago now), I wasn’t really fussed about fragrance, I would wear generic ‘boy’ fragrances such as Hugo Boss and Paul Smith and the fragrances I wore were normally gifted to me by relatives. That was, until Kingdom came along…
Honour Woman and Honour Man are the latest duo of fragrances from Omani niche house Amouage. Both fragrances are inspired by Giacomo Puccini’s famous Madame Butterfly and are said to ‘unfold the tale of love and betrayal, hope and despair’ and are ‘as rich and commanding as Puccini’s score’. 
Both fragrances were created under the direction of Christopher Chong (if you don’t follow him on Twitter you absolutely should, he can be found @cchonguk), and as usual they are both similar in the grand Amouage style, but at the same time they are both remarkably different.
How do you like your Jasmine? Do you take it with bright purple lipstick, red patent heels and a smoking attitude? Do you like your Jasmine to be dressed up like Jessica Rabbit in her sparkly red (almost obscene) gown casually popping pink bubblegum?
If your answer to any of the above is ‘Yes’ then Lust by Gorilla Perfume may be the jasmine for you. This fragrance is not for the faint hearted or the shrinking violets. If you consider yourself a wallflower then you are best to move along quickly, you may find what’s in this bottle slightly terrifying.
Lust is a jasmine-and-a-half, the jasmine to end all jasmines. Have I got my point across?
Esprit d’Oscar is the new fragrance from esteemed fashion house Oscar de la Renta. It is the first new fragrance from the house since Red Satin in 2007.
Esprit d’Oscar was created by perfumer Frank Völki and is meant to be a re-imagining of the original Oscar de la Renta perfume ‘Oscar’ which was created in 1977. According to the brand, the structure of the original has been ‘refreshed’ and made more ‘contemporary’.
I have not tried the original Oscar, so I’m not able to compare the two or comment on whether Esprit d’Oscar is a worthy reinterpretation, however the general consensus in the perfume blogosphere is that it is.
It seems fitting that my initial post on this blog should be a review of the latest edition of Shalimar by Guerlain; Shalimar Parfum Initial.
My first thought when seeing the news about Shalimar Parfum Initial was ‘Nooooooooooo, it’s PINK, you can’t pinkify Shalimar!!’ Well, as it turns out you can, and the end result isn’t half bad at all.
Shalimar Parfum Initial was created by Guerlain’s In-House Perfumer Thierry Wasser and was made for his niece after she requested he make a version of Shalimar for her. The idea behind Parfum Initial is very similar to that of Chanel’s Eau Premiere for No 5 – a modern, lighter version of the perfume for younger customers who are not quite ready for the original. Guerlain describe the scent as an ‘Initiation into Shalimar’  but it also serves as an initiation to the brand, for those who are unfamiliar with or intimidated by the classic Guerlains.