For the first few years of my life, my siblings and I were subjected to appalling hair cuts. I’ll put it simply: we rocked the ‘bowl cut’, so much so in fact, that my older brother and I earned the nicknames ‘Bobby Bowler’ and ‘Baby Bowler’ respectively. Good times. Our dear parents hired a family friend to cut our hair at home and she was lovely however, her one sticking point was that she wasn’t particularly good at hairdressing and my parents didn’t have the heart to seek alternative services in hairography for their ever-growing brood. Blast them!
As we got older, bowl cuts simply would not do and we berated our parents into allowing us to attend a proper hairdressers – a hairdressers I should note, that my mother had been frequenting for years. No bowl cuts for mummy, no sir. So off we went to the local hairdressers to find a hairstyle that was a little less, well, horrifying, and we were wowed by the sensory overload that was to be found there: the sound of hairdryers and chatter, and many a strange smell (I now know that one of these smells was the gloriously eggy and cat wee-redolent perming solution). It was brilliant.
If you’re ever feeling bored with the state of modern perfumery or exhausted by the endless onslaught of (often underwhelming) launches, I recommend that you take a few minutes out to explore the fascinating fragrant offerings from Olfactive Studio. This French-based niche house creates scents inspired by photography, specifically the images and techniques associated with the prevalent medium, and their range covers a vast number of olfactory styles, from smoky florals to strange spice creations. In short, Olfactive Studio is an exciting brand with an entirely unique viewpoint.
The studio have just launched their seventh fragrance – the Clement Gavarry-penned ‘Panorama’. Inspired by the Miguel Sandinha photograph of the legendary Sheats Goldstein house in Los Angeles, California (see below), Panorama is a green fragrance that boasts an unconventional note of wasabi. In keeping with the photograph from which it takes inspiration, Panorama contrasts urban and modern landscapes with verdant vegetation to create a fragrance that is large and expansive, with a plethora of nuances that are all intensely green. Get ready to be fascinated, folks, because this scent is one heck of a green wonder.
As I’m sure you are aware, the Fragrance Foundation in the UK held their 23rd awards in London last Thursday. The Fragrance Foundation Awards, formerly known as the FiFi’s, celebrate the good and great of the fragrance industry, handing out trophies to the perfumes, home fragrances, ad campaigns and retailers that are the nuts and bolts, and cogs of the fragrance world.
I was lucky enough to be invite to attend the awards this year. So on Thursday evening, I put on my tux, specially selected socks and some Butler & Wilson sparkle (as standard), and headed out to rainy London for the biggest, and most fragrant night of the year. The awards, which were compered by the masterful Natasha Kaplinsky, were as fun as ever and it was great to catch up with my perfume buddies such as Liam Moore of ODOU magazine, Liz Moores of Papillon Artisan Perfumes and Persolaise.
Below you’ll find a slideshow detailing the night’s winners. Personally, I was happy to see Jo Malone’s Wood Sage & Sea Salt and Guerlain’s L’Homme Idéal pick up awards, but I was sad to see that Papillon didn’t scoop the award for Best Independent Fragrance (although, all three of the PP perfumes being shortlisted is a massive achievement), and I don’t think that Black Opium deserves anything other than an eye roll accompanied by a series of tuts. But that’s just my opinion, and I think you’ll find that the winners are a varied and interesting bunch to behold.
Do you ever get the impression that you’re going to love a perfume before you’ve even tried it? It’s an odd feeling. You read all of the reviews online, study the marketing bumf and ogle pictures of the bottle, whilst all the time feeding your inner perfume demon who is quietly whispering how “they wants it, they needs it”. Only when one actually gets their hands on the precious is the demon satisfied. Lalique’s latest feminine fragrance, ‘Living Lalique‘ was one such case of demonic perfume lust. All it took was one scan of the press release and I was hooked – I knew I needed it in my life.
Living Lalique, like all-things Lalique, looks to the past for its inspirations (see the Noir Premier Collection for further evidence). The fragrance takes cues from the flight of the swallow, Lalique’s house emblem, whilst the bottle is inspired by the ‘Carnette Fleur’, a bottle designed by founder, René Lalique in 1911, not to mention the fact that the ad campaign focuses on an art deco window inspired by the brands aesthetics. It’s definitely a Lalique affair and one has to feel positive about the brand’s love and respect for their heritage.
The fragrance itself is penned by Richard Ibanez of Robertet (Andrea Maack Coal & Divine L’Inspiratrice) and is described as being a “soaring fragrance” that “follows the Lalique woman from metropolis to metropolis and from emotion to emotion”. To evoke the spirit of the Lalique lifestyle, the brand and Ibanez have chosen to focus on perfumery’s richest and most divine ingredient – orris butter (iris). The result is a sumptuous, pillowy fragrance that, through subtlety and a paired-back warmth, evokes beauty with every fibre of its orris-soaked being.
“A moment of emotion. A flight of swallows. A window opening into a world of timeless luxury. The quintessence of the Lalique lifestyle is expressed in a new perfume, Living Lalique. A bold fragrance, reflecting the urban, contemporary, active life of the Lalique woman. A dream-like fragrance, sculpted from materials as luminous as crystal. A soaring fragrance, inspired by the elegant swallow, Lalique has chosen as its emblem.”
Lalique is a name that is inextricably linked with quality, artistry and beauty. Their glassware is unrivalled, pairing sculptures from nature with more abstract visions to create a brand that is contemporary yet traditional. I’ve always seen their perfumes as hidden gems. In fact, the house of Lalique is probably better known for the flacons they have created for other fragrance companies, rather than their own perfumes. But Lalique’s fragrance collection is executed with a finesse and a paired-back simplicity that is refreshing in the fog-horn world of perfumery, where everyone is trying to shout each other down. Fragrances like Amethyst Éclat and Hommage à l’homme Voyageur, both flankers to other Lalique pillar fragrances, demonstrate familiar themes in unfamiliar guises, opting for long-lasting quality rather than ephemeral showmanship.
This year, the house of Lalique is taking their knack for artistry and spinning it into a brand new collection of six exclusive fragrances. Of course, anybody who’s anybody is doing an ‘exclusive collection’ of sorts nowadays, and one cannot blame Lalique for joining the fray (there’s a bundle of money in it). But how do their offerings compare with the likes of Guerlain, Chanel and Dior et al, who have walked this path so successfully before them? Well, the answer to that question is complex and entirely depends on one’s tastes, and also one’s patience for high-end luxury fragrances, what I will say however, is that Lalique have created these six fragrances with the exact same attention to detail, and precision that they have famously applied to just about everything their hands, or noses have touched, and for that, they should be commended.
The collection is entitled ‘Noir Premier’ and consists of six fragrances (one of which is exclusive to London department store, Harrods) that celebrate Lalique’s “history and milestones” in fragrant form. The names and inspirations of each fragrance come from the brand’s rich heritage and history, honouring the creators, styles and individual pieces that have made Lalique a world renowned name in the fields of glass and crystal. Each fragrance is housed within an exceptionally crafted bottle that harks back to the “very first black perfume bottle designed by René Lalique in 1911: the Quatre Aigles bottle” and forms the Roman numeral “I”. For the brand, Noir Premier is a personal collection steeped in history and for that reason, each of the six fragrances within this series, serves as a poignant landmark on the rich timeline of the house of Lalique.
Quintessentially British fragrance house, Penhaligon’s have been busy this year. Not only they have release Bayolea, an entire male grooming collection complete with accompanying Eau de Toilette, they’ve even teamed up with quirky fashion house Meadham Kirchoff to launch Tralala, an unsettling and whimsical fragrance that certainly lives up to it singsongy name. That’s not to mention the fact that they’re already gearing up for next year’s launch, Ostara! Not content with all of that, they’ve launched the Trade Routes Collection, which consists of three new fragrances inspired by London’s rich maritime history.
The Trade Routes collection takes the “luxurious and decadent commodities which were traded through London’s historic docks at the turn of the 19th century” and turns them into three contemporary fragrances that are decidedly modern in their style. Consisting of Empressa (Mike Parrot), Levantium (Christian de Provenzano) and Lothair (Bertrand Duchaufour), this collection is a perfect example of Penhaligon’s knack for taking the historic and bringing it bang up to date, making for something subversive, and a little bit different.
“Piled high on the quaysides and arriving daily from the farthest flung corners of the globe in a burst of exoticism; the rarest treasures in dizzying abundance; London was the Warehouse of the World.”