“This may be death by chocolate but what a way to go…”
Thierry Mugler’s latest collection of limited editions ‘Le Goût du Parfum’ (The Taste of Fragrance) has proved to be one of the best collection of flankers ever released, Mugler has taken the signature of four of his perfumes (Angel, Alien, A*Men and Womanity) and has added a taste enhancer that either adds or amplifies a gourmand facet, this is where haute cuisine meets haute perfumery.
For more on the series please click here.
Angel is Thierry Mugler’s flagship fragrance, she is already infamous for being the first gourmand oriental and one of the first perfumes to use a chocolate note. For Angel Le Goût du Parfum, Mugler has used a taste enhancer of pure cocoa powder (what else?) to emphasise the chocolate notes, the end result promises to be “more gourmand than gourmand”  – and it is!
Angel Le Goût du Parfum is a worthy addition to the Angel lineage and whilst it doesn’t replace the original, it does fill a particular void in my collection – a true chocolate fragrance.
If you had mentioned the name Bottega Veneta to me a month ago I would have stared at you blankly and wondered who the hell you were talking about. My interest in fashion is more of a passing interest, I can appreciate excellent design and I have a good few fashion books for my coffee table (despite the fact that I don’t actually have a coffee table, sad I know) and I’m more than slightly addicted to Project Runway, but I would never describe myself as a fashionista, hence my somewhat unfashionable ignorance of Bottega Veneta.
So, for those of you, like me, who aren’t aware of Bottega Veneta (which is Italian for ‘Venitian Workshop’), they are an Italian luxury goods house that specialises in leather goods . Like many fashion and luxury goods houses they are diversifying their brand and stepping in to the world of fragrance, every house needs a fragrance these days and if you don’t have one then you are quite behind the times (see Louis Vuitton, although they are going to release something next year).
Their first fragrance, “Bottega Veneta, the Eau de Parfum, evokes the suppleness and sensuality of the house’s renowned leather goods”  and is described as a “leathery floral chypre”.
BREAKING NEWS: THE CANDY PERFUME BOY IN TUBEROSE LOVING SCANDAL
OK, OK, so the fact that I love tuberose is hardly a scandal, in fact it is hardly news at all (see The Candy Perfume Boy’s Guide to Tuberose), what is news is the fact that until very recently I had never really paid attention to a tuberose fragrance that goes by the name of ‘Scandal’.
As you probably know, tuberose has a bit of a reputation, she is the bad girl of white florals, she wears bright red stilettos, stays out all night and doesn’t give a damn what you think. So if I love tuberose it is pretty shameful of me not to have paid attention to Scandal, but I do have an excuse, the nearest place I can try Scandal is London and whenever I visit the ‘Old Smoke’ I tend to have a list of about a million things that I need to try, I have tried Scandal but only in passing. Thanks to the lovely Vanessa from Bonkers About Perfume I have had the opportunity to spend some time with Scandal to see what makes it so scandalous.
Scandal is one of three original perfumes created by “fragrance specialist, historian, perfumer”  and the man behind Harrods’ Haute Parfumerie – Roja Dove, the others being Enslaved and Unspoken (great names all round). Scandal was released in 2007, and as the name suggests, this perfume is a shocking floral.
Oud is the latest addition to Mona di Orio’s Les Nombres d’Or collection, which focuses on creating perfumes centred around a single note in an intelligent and creative way. The fragrances within the collection are; Oud, Vanille, Tubereuse, Vetyver, Musc, Ambre and Cuir. The names may lead you to think that these fragrances are typical, single note scents, but that is far from the truth, each one is very much a composition with an interesting take on the eponymous note.
Les Nombres d’Or
“Seven sensational yet easy, relaxed fragrances from the Mistress of Perfumery.
Inspired by the ancient aesthetic theory of the Golden Ratio, Mona has created a suite of eaux de parfumss which have all her signature notes of glamour, mystery and romance but which are constructed with with the ultimate luxury of classic simplicity.” 
Oud in particular has received a lot of positive hype in the perfume blogosphere since it’s release earlier this year. Enthusiastic reviews from the likes of Olfactoria’s Travels and Eyeliner on a Cat, bloggers who’s opinion I hold in high esteem, had raised my hopes for this scent and I couldn’t wait to make my merry little way across to Les Senteurs in London to try it.
“My general impression of Le Feu d’Issey is that it’s an ‘everything but the kitchen sink’ scent, in the sense that there is just so much going on, in fact, I would go as far as saying that the kitchen sink has probably been thrown in as well.”
When I first thought about the Gone, But Not Forgotten Series there were a few perfumes which I knew absolutely had to be added and some that I thought I would explore after receiving suggestions from my readers. Le Feu d’Issey is one of those fragrances that I knew had to be part of this series, but there was one little snag – I had never smelled it and it’s nigh on impossible to get hold of.
Luckily for me Perfumeland is full of lovely, wonderful and generous people and none are lovelier than the ultra-lovely Birgit of Olfactoria’s Travels who came to my rescue and very kindly donated a sample of Le Feu d’Issey so that I could review it for this series. Thanks B!
Despite being discontinued, Le Feu d’Issey was given a five star rating by Luca Turin in Perfumes The Guide and is also included in Sanchez and Turin’s latest book ‘The Little Book of Perfumes’ as one of the top 100 perfumes of all time. It also has quite the cult following and a reputation for being wonderfully weird. All of these facts have ensured that Le Feu d’Issey has stayed at the top of my ‘Must Test’ list (a list that gets longer and longer by the day) for a good few years, and when I did eventually get to try it I certainly wasn’t disappointed.
My introduction to Parfumerie Générale has been somewhat of a baptism of fire. Up until very recently I had ignored the line completely, not because I didn’t like the sound of the fragrances, in fact I have read lots of positive reviews, there are just so many lines to keep up with and sometimes my brain has to skim over some just to keep up with the rest.
Anyway, as I was saying, I had an interesting introduction to the brand. Firstly, I received some samples from the lovely Birgit of Olfactoria’s Travels which I have been slowly exploring over the last couple of weeks. I also had the pleasure of being talked through the line by my good friend Nick who works in the specialist perfumery – Les Senteurs. Having smelled most of the scents from the line (albeit briefly), I have to say that I am really pleasantly surprised and I owe Pierre Guillaume a massive apology for ignoring the line for so long.
I hope to review a few of the Parfumerie Générale scents over the next couple of weeks, but I thought I would start with one of the most interesting fragrances in the collection, PG04 Musc Maori.