“Here we are today, lamenting a long lost comic book hero who was my favourite fragrant superhero – B*Men.”
In the Thierry Mugler universe there used to be two superheroes who defended us perfume-loving civilians against the banality and lack of quality & creativity within the perfume industry. These superheroes were; A*men, whose superpower was the ability to shock and stun any villain with his audacious blend of lavender, mint, cocoa, coffee, patchouli & tar and B*Men, whose superpower was the ability to leave villains in awe of his intriguing, addictive odour.
Unfortunately one of these superheroes was defeated by his arch enemy ‘General Perfume-Consumer’, who knew that the hero’s kryptonite was to ignore him, and with that knowledge the evil villain made it their mission to destroy our beloved hero. So, here we are today, lamenting a long lost comic book hero who was my favourite fragrant superman – B*Men.
B*Men was released in 2004 and followed A*Men (or Angel Men as it sometimes known) as the second superhero themed masculine fragrance from the world-renowned couturier, and un-confirmed extra terrestrial – Thierry Mugler. Whilst it wasn’t presented as a flanker to A*Men, B*Men does showcase Mugler’s gourmand signature and can be seen as a lighter, less extreme version which would appeal to those who like their fragrances slightly less ‘over the top’.
“Theseus sits within that genre of confident and comfortable masculine fragrances that feel like they could be worn with the most casual or the smartest of clothing.”
Lorenzo Villoresi, the fragrance house by the Italian perfumer of the same name, is a brand that I have to admit that I haven’t had a great deal of exposure to. My experience with the house extends to a quite disastrous encounter with their most popular fragrance – Teint de Neige, a baby powder mess that really isn’t me at all. But, I won’t let one bad experience taint my idea of a brand, and I have heard positive things about the rest of the line, so it is with great interest that I try their latest release – Theseus.
Theseus, which takes it’s name from Greek mythology (he was the dude that killed the Minotaur), is the latest addition to Lorenzo Villoresi’s ‘Fantasy Fragrances’, a collection consisting of fragrances which “recall exotic and dreaming worlds, atmospheres and landscapes.” Theseus is described as:
“A fresh, radiant, sunny fragrance, evocative of ancient adventures over strange countries and seas, in the search of mythological lands. An elegant fragrance, noble and timeless, deep and velvety, full of rare, intense and precious scents. Citrus fruits, herbs, spices and mysterious resins. The seductive aroma of ancient wood and flowers, overflowing with delicate fragrances.”
I am a great admirer of Jean-Claude Ellena, I find his ‘minimalist’ style of perfumery intriguing, and I think he has done some great scents for Hermès’ (there is a ‘but’ coming) but I have to admit that I struggle slightly with the Hermessence Collection. I know that this confession may serve as some form of perfume heresy but I can’t help it. It’s not that I actively dislike the collection at all, I just find the ‘barely there’ approach frustrating and I’ve only come across one or two that I really like. That said, any new Jean-Claude Ellena fragrance is worth a sniff and I can appreciate his style (and talent) without being madly in love with it.
The Hermessence Collection, which Hermès describes as “A collection of olfactory poems, with sobriety and intensity, which freely explore new facets of emotion.”  is a line of fragrant watercolours, of which Santal Massoïa is the latest addition. Like others in the collection, Santal Massoïa is a light, transparent interpretation of one of perfumery’s most glorious ingredients – sandalwood.
Lady Gaga’s got the drinks, but does she have the right scent to match that party outfit?
Tis the season to be jolly, or completely merry, or if you’re British – absolutely trashed. The best thing about the holiday season is the many soirées, parties (office or otherwise), dinners and gatherings that we all inevitably get invited to, and for me this is the fun part, because after all the holidays are about seeing friends & family and having fun.
I don’t know about you, but when I’m going out I sometimes spend more time thinking about the fragrance I’m going to wear rather than the clothes. I very often find myself trying to match my fragrance to the outfit that I am wearing as well as the occasion. As far as I am concerned, there is nothing worse than not being able to find something that matches , but fear ye not – The Candy Perfume Boys is here to help you pick the perfect scent for the party season.
Mona di Orio
The news of the death of Mona di Orio on Friday was both shocking and incredibly sad, it marked a great loss for the perfume industry and for all within the perfume-loving community. Mona di Orio was an exceptionally talented perfumer, and from all accounts a truly wonderful person, I did not know her personally, nor did I ever have the chance to meet her, I have however, gained a huge sense of enjoyment through her fragrances and I am extremely thankful for her contribution to the perfume industry. The Les Nombres d’Or collection is nothing short of a triumph and her legacy will live on through her perfumes. My thoughts are with her friends, family and co-workers at this very difficult time
I had originally scheduled a review of Tubéreuse for the end of next week, but in light of the recent events I thought it would be fitting to reschedule it and include it here, as a tribute to Mona di Orio’s extraordinary talent.
I’m not entirely sure why, but ever since the news of Kokorico started hitting the Blogosphere I have been absolutely desperate to try it. Perhaps it’s the fact that Jean Paul Gaultier, despite being somewhat over-exposed, is a solid line of well-made fragrances or, perhaps it’s the fact that I’m a sucker for a quirky bottle, and Kokorico’s bottle is definitely full of quirk. Whatever the reason, I was very glad when esteemed perfume blogger Persolaise gifted me a sample of Kokorico to try.
Kokorico (isn’t the name fun to say?!) is the latest masculine release by Jean Paul Gaultier and it has big shoes to fill. Following in the footsteps of such a colossal bestseller as Gaultier’s Le Mâle is no mean feat, and after the discontinuation of Gaultier’s second masculine release Fleur du Mâle, the pressure is on for the brand to have a success.
This latest addition to the Jean Paul Gaultier line is composed by the olfactory dream team of Annick Menardo (Lolita Lempicka, Hypnotic Poison and Bvlgari Black) and Olivier Cresp (Angel, Kenzo Amour and Juniper Sling) and is described as “a powerful and explosive aphrodisiac, emphasising woody and cocoa notes”  and the name ‘Kokorico’ comes from the french name for the rooster’s cry, their version of ‘Cock-a-Doodle-Doo’. Everything about the marketing of this fragrance; the bright red ‘graffiti’, the pushed up feathers and the confident strutting of Jon Kortajarena in the tv/print ad screams cockiness and masculine confidence, I’m just not entirely sure the fragrance is on board with the idea.
“Une Rose Chyprée is a fragrant time capsule that transports you back to a sepia-toned past.”
I am continuing this week’s rose theme with a review of yet another rose fragrance from Andy Tauer. Following Andy’s Master Class on Roses, I discussed the divinely edible Une Rose Vermeille, now it’s time for me to focus on the wonderfully retro Une Rose Chyprée.
Une Rose Chyprée is like no other modern perfume, it is a fragrant time capsule which transports you back to a sepia-toned past, when perfume was bold and perfumers didn’t shy away from deep, rich mossy notes with a masculine edge. Andy Tauer describes Une Rose Chyprée as a “modern vintage perfume”  and that is exactly what he delivers, a throwback rose chypre with a modern twist.