Marc Jacobs

I don’t know about you, but when I wear fragrance I wear it for myself and myself alone. Sure, I love to share my passion with others, that is a huge part of my hobby, but when I wear perfume, I wear it because I enjoy it.

And I wear what I like!

Ever since I bought my first proper perfume (Kingdom by Alexander McQueen) I have loved ‘feminine’ fragrances. Looking through my collection it’s obvious that the ratio of feminine and masculine is weighted considerably towards the feminine. To this day I find myself drawn to the feminine releases much more than masculines. Don’t get me wrong I do enjoy wearing masculine fragrances but they just don’t wow me the way a lot of the feminines do.

I guess that I’m the King/Queen of fragrant gender bending.

Belle

Sometimes I just want to smell like a hooker. I accept that this may be somewhat of a sensational overstatement, but what I really mean is that when it comes to perfume, despite loving the classics, the symphonic florals and the exotic orientals, what I really love is the trashy, brash and over the top.

Sometimes it’s great to wear something that is loud, proud and ultra girly, I also find that these ultra-trashy scents work really well on a man, I have no fear of smelling ‘cheap’.

If you want cheap and trashy you cannot go wrong with Rush by Gucci.

N°19 Poudré is the latest fragrance release from Chanel and is the first flanker to the original N°19 fragrance which was released in 1971.

As the name suggests N°19 Poudré is intended as a softer, more powdery version of the original and is an attempt by the brand to rejuvenate and modernise the image of the N°19 line.

Chanel describes N°19 Poudré as:

“A Floral-Powdery-Green fragrance that reveals a new powdery-musky facet.

The voluptuous scent of a bouquet of Iris blends with the freshness of a breeze of Vetiver roots: an enveloping, powdery fullness softened by White Musk notes.

N°19 POUDRÉ: within the smoothest, silkiest whisper lies the boldness of a legendary accord.” [1]

OK, I may not be ‘woman’ but Womanity most certainly is, she is all woman and she definitely knows how to roar.

Womanity was released in 2010 and is the latest feminine fragrance by renegade fashion house Thierry Mugler. It is the house’s first major feminine release (i.e. not a flanker) since Alien in 2005. The fragrances is described as a woody oriental and is based around a juxtaposition of sweet and savoury notes

To coincide with the release of Womanity, Mugler also created a social network site womanity.com which, just like the fragrance, celebrates ‘the invisible bond between women’. I have to admit that I find the concept more than a little bit tedious…

Honour Woman and Honour Man are the latest duo of fragrances from Omani niche house Amouage. Both fragrances are inspired by Giacomo Puccini’s famous Madame Butterfly and are said to ‘unfold the tale of love and betrayal, hope and despair’ and are ‘as rich and commanding as Puccini’s score’. [1]

Both fragrances were created under the direction of Christopher Chong (if you don’t follow him on Twitter you absolutely should, he can be found @cchonguk), and as usual they are both similar in the grand Amouage style, but at the same time they are both remarkably different.

I have a confession to make:  I am unashamed to admit that I am an Etat Libre d’Orange fanboy. I enjoy their fun, pop art-like scents with wacky names and over-the-top marketing, which in my opinion needs to be taken with a rather large pinch of salt.

Tom of Finland was released by Etat Libre d’Orange in 2008 and was created by perfumer Antoine Lie who has created a number of other ELDO scents such as; Rien, Vierges et Toreros, Rossy de Palma Eau de Protection and the Infamous Sécrétions Magnifiques.

The fragrance is inspired by the drawings of Finnish erotic artist Touko Laaksonen who is more famously known as Tom of Finland. Tom of Finland’s drawings usually depict leather clad, muscular men in overtly sexual poses. Only Etat Libre d’Orange would even consider creating a scent for such an artist.