In the ‘Gone But Not Forgotten’ series I will be taking a look at those wonderful fragrances that for one reason or another are no longer with us. They are the sadly departed and greatly missed fragrances of yesterday, the ones that despite being innovative, interesting and lovely smelling, didn’t quite make it.
“Two of the most rich and lavish perfumes of all time.”
Gold Woman and Gold Man were the first fragrances to be released by Omani fragrance house Amouage. The house was founded by His Highness Sayyid Hamad bin Hamoud al bu Said and in 1983 Amouage hired famous french perfumer Guy Robert to create two of the most rich and lavish perfumes of all time. His brief? “Put whatever you like in it, no matter how much it costs.” 
Both fragrances showcase silver frankincense, an ingredient the country is famed for, and whilst they have a distinct middle eastern feel they are also undeniably french in their style. Unlike almost everything from the 1980’s, Gold Woman and Gold Man do not feel dated in the slightest, they are both timeless classics that mark an important beginning from a venerable house. They have stood the test of time.
Elie Saab Le Parfum is the first perfume to be released by Lebanese fashion designer Elie Saab. It was composed by Francis Kurkdjian (Jean Paul Gaultier Le Male, Narciso Rodriguez For Her and Juliette Has a Gun Lady Vengeance etc) and is billed as a Woody Floral.
Ellie Saab Le Parfum is described as an ‘ode to light’.
From the Press Release:
“Composed as an ode to light, ELIE SAAB Le Parfum celebrates the splendor and the brilliance of radiant femininity with a floral solar woody theme. The permanent exchange between flowers and wood is what gives the fragrance such captivating resonance.”
How do you like your Jasmine? Do you take it with bright purple lipstick, red patent heels and a smoking attitude? Do you like your Jasmine to be dressed up like Jessica Rabbit in her sparkly red (almost obscene) gown casually popping pink bubblegum?
If your answer to any of the above is ‘Yes’ then Lust by Gorilla Perfume may be the jasmine for you. This fragrance is not for the faint hearted or the shrinking violets. If you consider yourself a wallflower then you are best to move along quickly, you may find what’s in this bottle slightly terrifying.
Lust is a jasmine-and-a-half, the jasmine to end all jasmines. Have I got my point across?
Yuzu Man is the latest masculine release from Caron and personally I feel a bit sorry for it. It can’t be easy being the new guy on the block when your brothers are such highly acclaimed scents as Pour un Homme, Yatagan and Le Troisième Homme. Yuzu Man has a lot to live up to, and the standards for masculines set by the house are very high.
Does Yuzu Man live up to The high standards set by its counterparts?
Esprit d’Oscar is the new fragrance from esteemed fashion house Oscar de la Renta. It is the first new fragrance from the house since Red Satin in 2007.
Esprit d’Oscar was created by perfumer Frank Völki and is meant to be a re-imagining of the original Oscar de la Renta perfume ‘Oscar’ which was created in 1977. According to the brand, the structure of the original has been ‘refreshed’ and made more ‘contemporary’.
I have not tried the original Oscar, so I’m not able to compare the two or comment on whether Esprit d’Oscar is a worthy reinterpretation, however the general consensus in the perfume blogosphere is that it is.
It seems fitting that my initial post on this blog should be a review of the latest edition of Shalimar by Guerlain; Shalimar Parfum Initial.
My first thought when seeing the news about Shalimar Parfum Initial was ‘Nooooooooooo, it’s PINK, you can’t pinkify Shalimar!!’ Well, as it turns out you can, and the end result isn’t half bad at all.
Shalimar Parfum Initial was created by Guerlain’s In-House Perfumer Thierry Wasser and was made for his niece after she requested he make a version of Shalimar for her. The idea behind Parfum Initial is very similar to that of Chanel’s Eau Premiere for No 5 – a modern, lighter version of the perfume for younger customers who are not quite ready for the original. Guerlain describe the scent as an ‘Initiation into Shalimar’  but it also serves as an initiation to the brand, for those who are unfamiliar with or intimidated by the classic Guerlains.