Amouage has put out some great work under the creative direction of Christopher Chong. With his innate ability to pair the traditions of classic French perfumery with artistic inspirations from the worlds of opera and dance (amongst many others), he has a flair for bringing out the best in the perfumers he works with, drilling down into their talent to create symphonically beautiful fragrances that range from the staggering to the bizarre. Amouage may have started as a house steeped in Middle Eastern tradition, but Chong has made it an international brand that absorbs a multitude of cultures from a wide variety of places.

One of the most intriguing aspects of the brand is the Library Collection, which houses a number of ‘opuses’ (now nine in total) that present compositions that celebrate ingenuity, the search for knowledge and the arts. The range from the wispy and ethereal violet of Opus III, to the harsh cracked, black leather of Opus VII, with a whole world in between. The collection strikes me as a space where all that matters is the composition and the inspiration behind it. The scents don’t need to find a huge audience and can therefore, be as unique and challenging as they need to be. It’s a refreshing direction from such an established house.

This year, Amouage is adding Opus IX to the collection. Inspired by La Traviata, the fragrance is described as a “soulful interpretation of the camellia flower”¹. In all honestly (and I could be being totally ignorant – stranger things have happened), I’ve not known camellias to have much of a fragrance however, they do have a wonderfully showy and flamboyant appearance, and Opus IX captures this bravado in a brightly coloured fragrance that utilises unusual ingredients.