The Candy Perfume Boy’s Hitlist: Q3 2015
The Candy Perfume Boy’s Hitlist: Q3 2015

It’s that time again. That’s right, we’re at the end of a quarter (specifically quarter three of 2015), which means that it’s time for another instalment of The Candy Perfume Boy’s Hitlist. First things first though, an apology. Over the last month or so I have been more than a bit sporadic with updating this blog and posts have been scarce. Unfortunately, writing about perfume is a passion of mine that sometimes has to take a back seat when work and everyday life gets in the way. Right now, I’ve been going through some stressful home things (nothing bad, in fact it’s good, but still stressful), so please accept my apology for my lackadaisical approach to The Candy Perfume Boy.

Anyway, that’s enough of the apologies. Let’s jump into the hit list for quarter three, with a quick recap what this is all about for those unfamiliar with ‘how we do’. In these posts I take a look back at the fragrances, launches, blogs, books, brands or perfumers that have been taking my fancy over the last quarter. There are no rules. Well, there are three rules with this series; 1) the subjects must be linked to fragrance somehow (a rule that I’m allowed to bend); and 2) the hitlist is to be published towards the end of each quarter; and 3) the list must include my favourite things, as if I were a fragrant sort-of Oprah, which I like to think I am, but for the record, am not.

New from Francis Kurkdjian's Maison: OUD Satin Mood
New from Francis Kurkdjian’s Maison: OUD Satin Mood

Oud fragrances come in all shapes and sizes.  There are the straightforward ouds presented in a vaguely middle-eastern style, uniformed with rose and amber.  There are also the hidden ouds – ouds that are anything but the funky barnyard of the real thing.  Finally, we mustn’t forget the unusual ouds – the ouds that do something a bit different, and a bit daring, with this now plentifully utilised note, and take it to dizzying new heights of olfaction.  One of my favourite ouds that sits firmly in the unique camp is Maison Francis Kurkdjian’s OUD – a scent that colours the usually smoky and animalic odour of the noble tree rot into shades of cerulean blue, with flecks of gold shimmer.  In OUD, Kurkdjian pairs oud from Laos with a metric-f-ton of musk and fresh citrus to create an ethereal, and not to mention, thoroughly modern oud, that is a world away from the oppressive, and dense ouds that attempt to conjure images of a middle eastern bazaar, but ultimately come across as a caricature.

Kurkdjian followed his tremendous OUD with his OUD Mood collection, which consisted of three oud-based fragrances inspired by silk, cashmere and velvet.  My favourite from this particular collection was OUD Velvet Mood, an odd and industrial sort-of-oud that perfectly captures the smell of hot metal skyscrapers  formed from steel and blazing sheets of glass, rising from the sands in Dubai.  To put it simply, when it comes to oud, or the art of perfumery in general, Kurkdjian follows his own set of rules and he always offers up something new, and exciting.  So, if you’re bored with oud (at this point, I’m bored with being bored with oud) Kurkdjian is the man to get you out of that funk.

This spring, Kurkdjian is treating us to yet another oud, and this time he’s ready to paint the town red – ruby red, to be precise.  Joining the OUD Mood collection, this new scent, which is entitled OUD Satin Mood, is a delicious, decadent and daring take on the oud theme that plays with familiar themes, but twists them excitedly on their heads.  It’s a fragrance that one wants to wrap around themselves in a veil of protection – an amulet and a talisman to ward of the greyness of everyday life – a banner that says, back of bitches, I’m fabulous.

“With your eyes closed, you can imagine flowing fabrics delicately draped over bare skin, caressed by intense and dazzling sunlight. You will want to wrap it around you, lose yourself in the depth of the moment and suspend time.”

– Maison Francis Kurkdjian