What happens when you mix the ex-Creative Director of Yves Saint Laurent and the ancient perfume ingredient oud? The answer is Terry de Gunzburg’s Terryific Oud Collection. Celebrating oud through spices, fruits, resins and flowers, all of which are very ‘red’ in nature, the Terryific Oud Collection offers up three takes on an accord in varying strengths and presentations. So which is the one you would go for? Would it be the spicy and fruity original, or perhaps the peppery and silky L’Eau, or maybe, just maybe you’d go for the Extreme and it’s blood-red rose. Click here to head on over to Escentual to read my review of the collection.
One could quite easily look at Amouroud, a new niche brand that celebrates oud, perfumery’s note du jour, and feel a little bit skeptical. One might even be inspired to exclaim “oh for the love of oud” in a loud, exasperated tone. But that would be a bit OTT, admittedly. Just ask yourself this question, how many niche houuses out there are offering exclusive oud fragrances, not to mention exclusive oud fragrances in black and gold bottles? Well the answer is many, but Amouroud isn’t just another cynical brand trying to make a quick buck, they are in fact, passionate about perfume.
Amouroud comes from The Perfumer’s Workshop, who have been creating perfume since the 1970s and are most famous for their Tea Rose fragrance. They launch this month in Harrods with an initial collection of six fragrances, each of which showcases or contains oud. Speaking of oud, my good friends Nick and Pia made a valid point in a recent episode of their Vlog Love to Smell (subscribe, goddamit), when they said that oud is now its very own olfactive family, in the way that orientals and chypres are, rather than just an ongoing trend. Anyway, I digress. Amouroud are not the brand that one may think they are and what they have done is really quite intriguing.
I’ll do a bit of a topsy-turvy review here and provide my overall verdict of the collection before I do a scent-by-scent rundown. Amouroud is a very nicely pieced together brand. One can see that years of experience have been poured into each and every single detail. The bottles are heavy and luxurious, the box has a metal plaque appliquéd onto it and the fragrances themselves are well thought out, and exciting. But the best thing about Amouroud is the price. Where other brands think that £300+ is acceptable for any old scent in a blingy bottle, this one is content with marketing 100ml of interesting and enjoyable Eau de Parfum for £145. That’s practically free in this post-niche day and age! One other nice touch is the fact that the brand will give you a generous spray sample of your second favourite scent in the collection, alongside your purchase. How nice is that?
It was reported last week that NASA had found evidence of liquid water flowing on Mars. The red planet is no longer a dry, and arid collection of rock and dust, it seems. In other surprising and space-related news, Thierry Mugler has made the decision to launch a limited edition version of Alien called ‘Alien Oud Majestueux’, an oriental fragrance that sees the hyper-jasmine of the original accompanied by oud, the ever popular heartwood extracted from the Aquilaria tree, and seen so often in modern fragrances over the last few years. Composed by the masterful Dominique Ropion, who co-signed the original with Laurent Bruyere, this new version of Alien promises to tantalise with its opulent spices and sweet flower nectar. Colour me intrigued.
Now, I must confess that the news of an oud-injected version of Mugler’s successful Alien did arouse some titters on Twitter in addition to the usual moans about the over-exposure of everyone’s favourite noble tree rot. Of course, Mugler has all but resisted the oud trend for quite some time (although, they have flirted with the note in their Miroir Miroir! series) and the fact that the last non-oud converted bastion of the industry had finally given in did elicit a sigh or two, from yours truly included. As time progressed however, the idea of an Alien oud grew to be an interesting one. I mean, Alien is a pretty fierce woody jasmine fragrance that lends itself well to remixes (see Alien Essence Absolue & Alien Le Goût du Parfum), and a middle-eastern take on an intense, space-age floral actually seemed like something worth sniffing. At risk of spoiling the rest of this review, I can confirm that it is.
“Cocoon your mind, body and soul in Alien Oud Majestueux, the new oriental fragrance. This scent will transport you to the spice markets of the Middle East where your senses will be tantalised with the fragrant notes of opulent spices and sweet flower nectar.”
– Thierry Mugler
During this review I am going to attempt not to; a) mention; or b) moan about, the perfume industry’s boring obsession with oud. Oh, well that didn’t last very long, did it? In all seriousness, you don’t need to hear me bang on about oud and why we’re all fed up with it, because frankly, I’m fed up with saying it. So onwards and upwards. Oud is popular and it doesn’t seem to be going anywhere anytime soon, despite our collective ennui regarding the subject. Which leads me nicely onto two brand new oud fragrances from luxury brand Robert Piguet…
The Piguet brand has exploded considerably over the last three years and their small capsule collection of a handful, or so of scents has increased significantly with 19 new fragrances created since 2012 (that’s quite the growth, people). In truth, they’ve been a bit of a mixed bag, and whilst I thought that scents such as Petit Fracas were great fun (and really worth sniffing), many haven’t lived up to the greatness of the brand’s classics such as Fracas, Bandit and Visa. Which, let’s face it, must be quite difficult, i mean, not every fragrance are ever going to be as great as Fracas!
This summer, Piguet have launched Oud Divin and Oud Délice, two follow-ups to their Oud, which was launched in 2012, and was a pretty big and funky take on the note. These two ouds take the signature of the original and turn it into something a little bit more palatable. They flirt with the gourmand and present the signature Oud Piguet, the “proprietary blend of resins and woods” that was the core of 2012’s stinky (in a good way) Oud, in two strikingly different ways – one is robust, shocking and intriguing, whilst the other pleases with softness and familiarity.
Niche brand Juliette Has a Gun seems to be spoiling us with a bevy of launches this summer. We get not one, but two pillar fragrances from the house and style-wise these launches play to two completely different styles, with both opting to defy conventions in different ways. That said, they both sit comfortably into Juliette’s ever-growing oeuvre, which is a distinct mix of the oriental and strong, and the musky with intent. They make for an interesting mix, that’s for sure.
First up we have Gentlewoman, a fragrance inspired by a traditional eau de cologne but given a feminine twist. Of Gentlewoman, brand creator Romano Ricci said he wanted to “give women a dash of dandy”, creating a ‘gentlewoman’s code’ outlining a “citrus woody musky” fragrance that according to the brand, possesses, amongst other things, dandyism, impertinence, audacity, look and freedom. The result is a modern eau de cologne that strips away the gender barriers, favouring androgyny over tired notions of what is appropriate for men, women and anyone that identifies as in-between.
We also have Another Oud. That’s to say that the name of the fragrance is in fact, ‘Another Oud’, not that the launch is another oud fragrance, which it is, actually – an oud, that is. To clarify, this is another oud fragrance cheekily entitled ‘Another Oud’, which is all a bit of a riot if you ask me. Juliette Has a Gun say that this is actually “just the opposite” of a traditional oud fragrance and is, “Version 2.0.” as they quite nifty describe it. You’ve got to give credit to a house that says what we’re all thinking and does so deliberately in order to inspire curiosity. What’s more, this particular oud is actually rather sniff-worthy, and not just because of the name.
Oud fragrances come in all shapes and sizes. There are the straightforward ouds presented in a vaguely middle-eastern style, uniformed with rose and amber. There are also the hidden ouds – ouds that are anything but the funky barnyard of the real thing. Finally, we mustn’t forget the unusual ouds – the ouds that do something a bit different, and a bit daring, with this now plentifully utilised note, and take it to dizzying new heights of olfaction. One of my favourite ouds that sits firmly in the unique camp is Maison Francis Kurkdjian’s OUD – a scent that colours the usually smoky and animalic odour of the noble tree rot into shades of cerulean blue, with flecks of gold shimmer. In OUD, Kurkdjian pairs oud from Laos with a metric-f-ton of musk and fresh citrus to create an ethereal, and not to mention, thoroughly modern oud, that is a world away from the oppressive, and dense ouds that attempt to conjure images of a middle eastern bazaar, but ultimately come across as a caricature.
Kurkdjian followed his tremendous OUD with his OUD Mood collection, which consisted of three oud-based fragrances inspired by silk, cashmere and velvet. My favourite from this particular collection was OUD Velvet Mood, an odd and industrial sort-of-oud that perfectly captures the smell of hot metal skyscrapers formed from steel and blazing sheets of glass, rising from the sands in Dubai. To put it simply, when it comes to oud, or the art of perfumery in general, Kurkdjian follows his own set of rules and he always offers up something new, and exciting. So, if you’re bored with oud (at this point, I’m bored with being bored with oud) Kurkdjian is the man to get you out of that funk.
This spring, Kurkdjian is treating us to yet another oud, and this time he’s ready to paint the town red – ruby red, to be precise. Joining the OUD Mood collection, this new scent, which is entitled OUD Satin Mood, is a delicious, decadent and daring take on the oud theme that plays with familiar themes, but twists them excitedly on their heads. It’s a fragrance that one wants to wrap around themselves in a veil of protection – an amulet and a talisman to ward of the greyness of everyday life – a banner that says, back of bitches, I’m fabulous.
“With your eyes closed, you can imagine flowing fabrics delicately draped over bare skin, caressed by intense and dazzling sunlight. You will want to wrap it around you, lose yourself in the depth of the moment and suspend time.”
– Maison Francis Kurkdjian
I realise that linking Sex Pistols’ lyrics with perfume in the title of this post is a tenuous connection at best, but if perfume brand Atkinsons is allowed to have fun with titles and monikers, then I’ll be darned if I’m can’t join in too. On the subject of names, the latest fragrance from Atkinsons has such a wonderfully hilarious name I genuinely could not pass up givin it a shot. I mean, you’ve got to admire the audacity of a brand who bestows a perfume with the name ‘Oud Save the Queen‘.
Atkinsons is a recently-revived British brand that started in London in 1799 and is self-described as being “the original London Society fragrance house and the first official Perfumer to the Royal court”. This royal connection is explored further by Atkinsons, who claim to have “created the first British Oud fragrance, Prince Ibraham Bouquet, for Crown Prince Mohammed Ali Ibrahim of Egypt” upon the request of Queen Mary, during the roaring twenties.
The Oud Collection, which consists of Oud Save the Queen and her masculine counterpart ‘Oud Save the King‘, celebrates the brand’s royal connections to Britain and Egypt. Atkinsons calls their feminine oud (created by perfumer Francis Deleamont of Firmenich) a “majestic fragrance of sublimely sovereign beauty” that boasts notes of tea, flowers and rich woods. The result is something that is a little bit too sturdy to be truly “majestic”, but majesty can be overrated if you ask me.