How is it the end of 2015 already? Seriously, I feel like things were only getting started! Anyway, seeing as it is very nearly the end of the year it can only mean one thing: The Candies! That’s right, it’s now time to take a look back at 2015 to identify the good, the bad and the downright ugly perfumes of the year. As always, it has been an active year for the industry and we’ve seen some great stuff. We’ve also seen some pretty dreadful stuff as well. It will make for exciting reading, I’m sure,
This year, I’ve done a bit of tinkering around with the awards we have on offer. Most have stayed the same however, we have said goodbye to the Best Celebuscent Award because really, celebrity fragrances appear to be on the out and I honestly don’t think I’ve even reviewed one this year. We’ve also said goodbye to the Best Advertising Campaign Award which has now been replaced with the Best Top-Down Design Award, an accolade that celebrates those perfumes that get the juice, bottle and advertising spot on. Finally, I’ve also added a new award this year for Best New House, which aims to highlight the best new fragrance brand launched within the year. Other than that all is the same.
So without further ado, ladies and gentleman of the perfume loving community, please take your seats, adjust your undergarments and fix your weaves as we are about to commence The Candies 2015. We require silence within the auditorium, selfies are banned and everyone must be suitably perfumed. Them’s the rules. There will be snark, there will be gushing sentimentality and there will be more hyperbole than you can shake a stick at, so gird your loins, dear readers, and get ready for the alternative perfume awards!
Also, please be sure to head on over to Persolaise’s blog to check out his round-up of perfume in 2015.
It honestly does not take much convincing to get me on board with a fragrance called ‘The Orchid Man’. I am, after all, a well-documented lover of all things floral and I always feel encouraged by a modern launch that gears a floral towards men. As a man, or a boy (The Candy Perfume Man just sounds a bit creepy, doesn’t it?), whichever fits, I get tired of the industry’s attempts to encourage me to wear brutish things with burly ingredients, solid things like cedarwood, amber and oud. I like all of these things, but sometimes a guy wants to sissy things up with a great big whack of indolic jasmine, do you feel me? I am confident enough in my sexuality to not care about labels so a masculine floral, or a floral of any kind for that matter, is a no-brainer.
So yes, I was very intrigued when a bottle of Frapin’s latest fragrance, ‘The Orchid Man’, arrived on my doorstep, partly due to the fact that I’ve never really tried anything from the brand before. Without giving too much away, I must say that after spending some time with The Orchid Man, I certainly feel motivated to spend more the with the brand. Inspired by the life and fashions of French boxer, Georges Carpentier, The Orchid Man takes its name from his nickname, which is a reference to the orchid corsage he often wore with his suits. As a man of many talents, Carpentier was than just a boxer, he also was a star of stage and in film, a dabbler with the sport of Rugby and even the proprietor of the first cocktail bar in Paris. It’s no wonder then, that Frapin’s The Orchid Man is a complex and nuanced perfume.
Created by perfumer Jérôme Epinette (Byredo M/Mink & Atelier Cologne Rose Anonyme etc.), The Orchid Man strives to capture both the “elegance” and “violence” found within the spirit of such a contrasting man. Jérôme Epinette took inspiration from a boxing gym, centring the fragrance around “an animal leather accord that gives the scent its signature, power, elegance and the iconic aspects of boxing gloves” adding patchouli, which “brings the hot and humid tones that conjure up the atmosphere in a boxing gym”. The result is a kinetic spritz of energy full of juxtapositions that speaks of contact sport as much as it does gentlemanly elegance.