Parfums Houbigant may not be as iconic a fragrance house as Guerlain, Caron or L’Artisan Parfumeur, but they have certainly earned their place as one of the greats in the annals of fragrance history. Their fragrances, even the ones from the late 1800s and early 1900s are incredibly innovative, sporting never before used materials at the time or presenting accords that were entirely unique. For my Escentual post I’ve taken a look at the history of the house in addition to reviewing their current line of fragrances. Click here to check it out.
Movember Madness has struck me this month and as well as attempting to cultivate a handsome portion of facial hair upon my top lip things have been a bit more man-focused on The Candy Perfume Boy. Sometimes one must remember that it’s important not to forget the boys and this month I am honouring my fellow Mobros in true Candy Perfume Boy style.
Those of you who read The Candy Perfume Boy regularly will know that I wear a mixture of feminine and masculine scents, with the ratio skewed much more to the former rather than the latter. That’s not to say I don’t like masculine fragrances at all, quite the opposite in fact, it just so happens that my favourite style of fragrances (earth shattering florals) tend to lurk on the feminine side of the perfume shelves.
When I wear a masculine fragrance I tend to go for something classic with a modern twist. I often find myself drawn to the floral-sweet yet dandified style of fragrances that can be classified as barbershop. For me there’s just something attractive about smelling well-groomed and well-oiled.
In this post I would like to showcase my top four barbershop scents, presented in the form of my Movember Barbershop Quartet. So without further adieu I present you The Lead, The Tenor, The Bass and The Baritone.