The concept behind Carat, Cartier’s latest feminine launch, is really beautiful. Cartier’s perfumer Mathilde Laurent was inspired by the light of diamonds, specifically how a beam of brilliant light hits the precious stone and is refracted into a full spectrum of colour. With this inspiration she chose to create a floral rainbow – a composition of seven flowers, each of which has been chosen to represent each colour of the rainbow. Isn’t that beautiful? So beautiful, in fact, that I’m not going to say anything more about the fragrance before I jump into the review, simply because nothing could sum it up better.
Parle Moi de Parfum translates as ‘speak to me about perfume’ and it’s a name that I, as a writer of perfumer, can certainly get on board with. The brand is a family affair – created by Benjamin Almairac who, with his mother and brother, created a retail space in Paris that is also a functioning perfume lab, making perfumes created by his famous perfumer father, Michel Almairac (Gucci Rush, L’Artisan Parfumeur Voleur de Roses and Dior Fahrenheit, to name but a few). Perfumery is in the DNA of the brand it seems!
There are currently ten fragrances in the line, each of which is presented without gimmick. The idea of talking about perfume extends past the lab into the fragrance names, each of which contains a number that represents the number of modifications each formula went through before the final composition was agreed upon. One of the brand’s newest fragrances is Orris Tattoo / 29 – a perfume that centres on an icon of perfumery: the iris root. Parle Moi de Parfum describe the scent as being a “permanent scented reminder, a universal symbol, a unique self-expression like an invisible tattoo that withstands the test of time”, utilising a legendary material as olfactory ink. Colour me intrigued.
I’ve been a bit naff at putting my Escentual columns up here over the last few weeks, so here’s a quick update!
Miller Harris Forage
Miller Harris have just launched a new collection of three scents that celebrate the clash between the botanical and the urban found in London. The collection is called Forage and consists of three fragrances; Wander Through the Parks, Lost in the City and Hidden on the Roof Tops. You can read my review of ALL THREE by clicking here and heading over to the Escentual blog. Enjoy.
I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.
So these CHANEL Candy Crushes are becoming somewhat of a habit. Don’t blame me though, blame CHANEL – it’s them who keep releasing beautifully scented ancillary products based on some of their most iconic fragrances – I’m just a boy with a greedy nose who cannot resist their charms. What’s more, these two latest gems from CHANEL are scented with Nº5 L’EAU, which consequently is one of my favourite CHANEL fragrances, so I really couldn’t resist. You can’t keep doing this to me CHANEL. Who am I kidding – I’m not ready to quit the brand – keep ’em coming!
Nº5 L’EAU stands out because it manages to strike the perfect balance between the classic and the modern. It takes the inimitable structure of the most iconic fragrance in the world and creates a new, very current twist on it whilst remaining faithful to all that makes Nº5 good and great. To celebrate the popularity of Nº5 L’EAU, CHANEL has launched two new ‘essentials’ to the collection – an enveloping ALL-OVER BODY SPRAY and a tactile ON HAND CREAM. I am obsessed with both.
The great thing about luxury brands such as BVLGARI is that, regardless of what they make, whether it be clothing, leather goods, jewellery or fragrance, they truly care about the end product. They want to create a luxury item – a thing of beauty that demonstrates the quality of materials and craftsmanship that makes these brands so luxurious. It’s brands like these that make truly beautiful, accessible fragrances, because they care enough to get it right. They mark art with everything else they do, so their thinking is why not apply that to fragrance as well? BVLGARI is perhaps one of the best examples of this and they dedicate time, care, attention, quality and artistry to all of their fragrances, making for some absolutely beautiful perfumes.
In the Splendida collection, BVLGARI celebrates “the most iconic flowers in the history of perfumery”, namely the iris, the rose and the jasmine. For 2018, BVLGARI is adding to the collection and this time it is the magnolia that gets to take centre stage in the guise of Magnolia Sensuel. Created by perfumer Jacques Cavallier (who has made too many good perfumes to list) who calls the magnolia “an unforgettable note”, Magnolia Sensuel aims to showcase the “supreme beauty” of the flower and by extension, the BVLGARI woman who wears it. Having been a big fan of the Splendida collection (Iris d’Or is heaven, y’all) and a life-time addict of white florals, Magnolia Sensuel definitely caught my attention. But does it live up to my high, BVLGARI-loving expectations? Well, read on and you shall find out!
By now we all know my thoughts on the House of MUGLER. I am and always will be, a lifelong MUGLER fanboy. I am indoctrinated in their ideology. I am a card-carrying member of the Muglerati. If you ask me where I’m from, I will tell you that I was born from a star in the far reaches of the Muglerverse. The brand is my favourite and their fragrances are some of my most-beloved. I am MUGLER, smell me roar.
So it’s always exciting for me when MUGLER launch a new fragrance and this year hasn’t been short in terms of output from my favourite brand. So far we’ve had two Alien flankers (Musc Mysterieux and Eau Sublime), some delicious Angel-flavoured chocolates, oh we can’t forget the entirely brand new feminine pillar fragrance in the form of Aura. It’s been a busy year on Planet Mugler, for sure, and there’s no let up yet, because the brand has just added the ninth fragrance to their exclusive Les Exceptions range: the intriguingly named Wonder Bouquet.
Magnolia, much like Mimosa, is a floral note not commonly used in perfumery. Sure, there are magnolia scents out there but for every one magnolia there is a thousand tuberoses, a million orange blossoms and a billion jasmines, give or take a few. The strange thing about this is the fact that magnolias smell bloody fantastic, more so than many other white flowers. They’re an easy breezy white flower with wonderful citrus accents and a whole heap of headiness. So yes, we need more magnolia please.
Always ones to answer my cries of fragrant pain, Jo Malone London have just launched a limited edition fragrance called Star Magnolia. Woohoo! Bathed in white, the bottle comes complete a soft collar of white floral petals in an unusual display of exuberance from a brand that is so normally classic and paired back. They describe Star Magnolia as being flirtatious and what could be more apt than a flirtatious floral for spring? Nothing! Let’s sniff…
If you read my Iris Deconstruction recently, you will already know that I have a ‘thing’ for Les Infusions de Prada. What’s more, if you’ve heard me waxing lyrical about one of my all time favourite scents over the last 18 months, the wonderful Mimosa & Cardamom by Jo Malone London, you’ll also be aware that mimosa is very much my jam right now. And if you didn’t know either of these things well, I’ve just told you so now consider yourself informed! With all of this in mind, it’s no surprise that it took little coercing for me to fall head over heels for Prada’s Infusion de Mimosa. In fact, all it took was one sniff…
If you’re not familiar with Les Infusions de Prada, then you’re in for treat. In essence, the collection explores the fantasy of single notes dissolved as infusions to create fragrances that fuse the modern with the classic and explore the diverse facets of their titular ingredient. Like all scented things ‘Prada’ the fragrances are composed by Perfumer Daniela Andrier and Mimosa is the latest note to get the ‘infusion’ treatment. Prada describe the scent as follows:
“It is the smell of the tree in full bloom, late in summer perhaps in the South of France. Powdery, floral, with a yellow-velvet softness that is almost tactile.”