In the UK we’re all walking around in a daze. The sun is out, it’s warm and there hasn’t been any rain in at least 48 hours. People are whispering to each other; “could it be?”, they ask; “I’m not sure”, they say. The ‘s’ word is on everybody’s lips but no-one dare say it. Could it really be summer? Maybe. The sun is out and the temperature is rising, but we did have rain, snow and hail last week, so perhaps we should wait before cracking out the shorts and sunscreen. I’m not ready to call it quite yet, folks, but I have an inkling that ‘s’ may be on its way…
For me, the summer season mean one thing: cologne. There is nothing better on a hot day than a generous spritz of a refreshing eau de cologne, except a water fight perhaps, but those are harder to come by in one’s old age. As far as colognes go, there is no beating Cologne Indélébile, the everlasting cyber-cologne created by perfumer Dominique Ropion for Editions de Parfums Frederic Malle. Cologne Indélébile squeezes lemons the size of the sun into its bottle, boasting metallic freshness, hay-like neroli and a whirlwind of technical musks to keep it going up & up, and on & on. It’s a marvel of perfumery and now there’s a new way to make it last even longer.
This summer Editions de Parfums Frederic Malle are launching an accompanying Body Wash and Body Milk to the Cologne Indélébile, promoting the idea that to make your cologne truly everlasting, it’s best to layer up! So before spritzing on twenty sprays of Cologne Indélébile (something I am often guilty of), one can lather up in a deluge of delicately soft bubbles scented with Malle’s neo-cologne, before then smoothing on a moisturising layer of the Body Milk and then finally, spraying on the fragrance to finish. By building layers of the scent on the skin, one can dial back on the sprayer a bit so that Cologne Indélébile really can last longer than the average British summer.
How is it the end of 2015 already? Seriously, I feel like things were only getting started! Anyway, seeing as it is very nearly the end of the year it can only mean one thing: The Candies! That’s right, it’s now time to take a look back at 2015 to identify the good, the bad and the downright ugly perfumes of the year. As always, it has been an active year for the industry and we’ve seen some great stuff. We’ve also seen some pretty dreadful stuff as well. It will make for exciting reading, I’m sure,
This year, I’ve done a bit of tinkering around with the awards we have on offer. Most have stayed the same however, we have said goodbye to the Best Celebuscent Award because really, celebrity fragrances appear to be on the out and I honestly don’t think I’ve even reviewed one this year. We’ve also said goodbye to the Best Advertising Campaign Award which has now been replaced with the Best Top-Down Design Award, an accolade that celebrates those perfumes that get the juice, bottle and advertising spot on. Finally, I’ve also added a new award this year for Best New House, which aims to highlight the best new fragrance brand launched within the year. Other than that all is the same.
So without further ado, ladies and gentleman of the perfume loving community, please take your seats, adjust your undergarments and fix your weaves as we are about to commence The Candies 2015. We require silence within the auditorium, selfies are banned and everyone must be suitably perfumed. Them’s the rules. There will be snark, there will be gushing sentimentality and there will be more hyperbole than you can shake a stick at, so gird your loins, dear readers, and get ready for the alternative perfume awards!
Also, please be sure to head on over to Persolaise’s blog to check out his round-up of perfume in 2015.
Can you believe that we’re already heading towards the completion of quarter two of 2015? I certainly can’t! Time seems to be moving so fast and it’s staggering to think that we’re halfway through the year already – it’ll be Christmas before you know it (sorry)! As you may, or may not know, for 2015 I’ve started a new quarterly round-up of all my favourite things which I’ve entitled ‘The Candy Perfume Boy’s Hitlist’. In these posts I take a look back at the fragrances, launches, blogs, books, brands or perfumers that have been taking my fancy over the last quarter.
There are no rules. Well, there are three rules with this series; 1) the subjects must be linked to fragrance somehow (a rule that I’m allowed to bend); and 2) the hitlist is to be published towards the end of each quarter; and 3) the list must include my favourite things, as if I were a fragrant sort-of Oprah (which I like to think I am). So, now we’re heading towards the end of June (my birthday month – just throwing that out there), let’s take a gander at what’s topping my hitlist for quarter two of 2015.
Editions de Parfums Frederic Malle is a unique brand. Positioning himself somewhere between Creative Directory and Fragrance Curator, Malle is responsible for putting the perfumer centre stage, famously slapping their names on the bottles of the fragrances they create, and allowing them artistic carte blanche to create perfumes that are works of art. It’s quite staggering to think just how many modern classics come from this line – Carnal Flower,Portrait of a Lady, Le Parfum de Therese, Une Fleur de Cassie and Vetiver Extraordinaire – I really could go on, there really isn’t a single ‘dud’ in the collection, and when viewed against the plethora of niche brands on the market, Editions de Parfums de Frederic Malle puts many to shame.
The most iconic, and in my personal opinion, the most beautiful fragrances within the collection are penned by legendary perfumer, Dominique Ropion – a man that conducts fragrant symphonies, rather than simply creates perfumes. He is the nose behind some of the greatest fragrances from the last thirty years. In short, the man is a genius and he seems to be the go-to guy for Malle when the brand wishes to ‘perfect’ a genre, whether that be the greatest tuberose scent (Carnal Flower) or the ideal rose fragrance (Portrait of a Lady), or even the coolest modern fougére (Geranium Pour Monsieur).
With that it mind, it seems appropriate for Ropion to be the nose to take on the humble Eau de Cologne with a view of creating the cologne – a cologne to serve as a reference point for the genre, and blow all others out of the water. The result is ‘Cologne Indélébile’ (‘Permanent Cologne’), a fragrance that is described by the brand as being a “modern yet traditional Eau de Cologne that lasts forever”, which is quite a statement to be making, if you ask me. With this permanent cologne, Malle and Ropion are attempting to redefine an age-old genre and drag it firmly into the 21st century by embracing modern technology (specifically through the use of ‘technical musks’). If that’s not an exciting prospect for a fragrance, then I don’t know what is!
“A clean scent, yet surprisingly magnetic. A modern yet traditional Eau de Cologne that lasts forever. Dominique Ropion embraces musk’s nature as both a quasi-aphrodisiac and a scent of purity to create a very personal interpretation of Eau de Cologne. A splash of the best neroli intertwined with orange blossom, bergamote, and the most technical musks for a scent that endures, and endures, and endures… Cologne Indélébile.”
Here in the bonny isles of the United Kingdom, the weather is flirting with us. For the last couple of weeks, Mother Nature has been coquettishly winking at us, flashing days of sunlight and pure bliss on to these green and pleasant lands. Of course, we’re in that definite transitionary period between seasons. Spring is here, and Summer is waiting in the wings, but the cold and grey of winter is persistent on some days, meaning that the weather’s dalliance with summer love hasn’t quite taken hold – but soon, it will.
I don’t know about you, but these short flashes of summer and glimpses of warmth, and vitamin-enriched days of halcyon make me reach for the lighter things in my fragrance wardrobe (and there are some hidden amongst my show-stopping sillage bombs, as hard as that may be to believe). At this time one craves bracing citrus, the sweet headiness of flowers and the airiness of musk, all of which lead one to think of one perfume genre in particular, a genre that is one of the industry’s oldest and most classic styles – the humble Eau de Cologne.
Eau de Colognes speak of lighter, fresher and more vibrant signatures. They are lighter, usually boasting a concentration between 2%-5% and utilise fresh citrus notes (mandarin, lemon and bergamot etc.) alongside herbs (rosemary and thyme) and florals (neroli, lavender, jasmine, orange blossom). The Eau de Cologne is ephemeral and designed to be splashed on at multiple times throughout the day in order to re-awaken, revitalise and refresh the sense. In short, they are an olfactory jolt to the system.
To celebrate the changing of the seasons, I’ve collected together six of my favourite Eau de Colognes for your reading pleasure. They range from the classics, which really are light and traditional, to more modern and contemporary twists on the genre, that manage to smell both unique and long-lasting. So brace yourself, folks, for ‘The Eau de Cologne Edit’ – six scents that will get your nose positively aching for summer.