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The Luxury Collection is where rebellious niche house Juliette Has a Gun stretches its olfactory legs. Their other offerings sit comfortably between mainstream and niche – they’re made with good quality materials and bring unique twists to very accessible, affable fragrances. The Luxury Collection however, is a bit more serious and has a touch more of an abstract feel to it, bringing a strong sense of niche-ness. It’s where Juliette Has a Gun ditches the cool air and the fun names in exchange for some serious perfumery.

Liquid Illusion (good name – after all, perfume is just a liquid illusion) is the latest addition to the Luxury Collection. It takes its inspiration from heliotropin – a fragrant material that is also found in the drug ecstasy. The idea here, is to present a stimulating fragrance that pairs heliotropin with the luxurious note of iris – something as intense and electrifying as the inky-blue bottle it comes in. The result is something quite intriguing indeed.

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Miller Harris has had a very busy year – they’ve launched two capsule collections of fragrances: Scherzo x Tender and Forage (Lost, Wander & Hidden), and to complete the hat trick, they now presents their third collection of fragrances this year: Peau Santal and Powdered Veil. Housed in bottles coated in intriguing shades of pink (baby pink for Powdered Veil and a more ‘nude’ (not a word I like to use because it only represents one type of skin colour, but other descriptors escape me, ‘blush’ maybe?) shade for Peau Santal), these two fragrances celebrate the intimacy and the ritual of glamming up – the lace of dresses, the powder of make-up, and the wood of dressing tables, and wardrobes. They are fragrances with distinct textures, of powder and skin, that arrive perfectly in time for winter. Let’s check them out.

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Leather is just not my vibe. I can just about rock a leather jacket (I have a very casual John Varvatos one that I feel comfortable in) but anything else feels like a stretch outside of my personality. So you’ll never catch me at the Folsom Street Fair rocking a harness, as cool as that would be. My discomfort with leather also covers fragrances and I’m about as likely to wear Cuir de Russie as I am leather chaps – it’s just not gonna happen. For me, leather in fragrance is often too overwhelming – too dry, too meaty, too smoky. But every now and then I find a palatable leather that I can get on with – OMBRÉ LEATHER, the latest from TOM FORD, is one such fragrance.

 

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Parle Moi de Parfum translates as ‘speak to me about perfume’ and it’s a name that I, as a writer of perfumer, can certainly get on board with. The brand is a family affair – created by Benjamin Almairac who, with his mother and brother, created a retail space in Paris that is also a functioning perfume lab, making perfumes created by his famous perfumer father, Michel Almairac (Gucci Rush, L’Artisan Parfumeur Voleur de Roses and Dior Fahrenheit, to name but a few). Perfumery is in the DNA of the brand it seems!

There are currently ten fragrances in the line, each of which is presented without gimmick. The idea of talking about perfume extends past the lab into the fragrance names, each of which contains a number that represents the number of modifications each formula went through before the final composition was agreed upon. One of the brand’s newest fragrances is Orris Tattoo / 29 – a perfume that centres on an icon of perfumery: the iris root. Parle Moi de Parfum describe the scent as being a “permanent scented reminder, a universal symbol, a unique self-expression like an invisible tattoo that withstands the test of time”, utilising a legendary material as olfactory ink. Colour me intrigued.

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In the Welsh language “hwyl” is a “stirring feeling of emotional motivation and energy” but it is the solace of Japanese forests that Aēsop cite as inspiration for their latest fragrance that carries this Welsh name. Now, if you don’t know Aēsop you are missing out. They make the most beautiful skincare and body products, fusing together nature and science for a range of treats for the face, body, hands and more! What’s more, all of the Aēsop products smell heavenly, not to mention their actual fragrances which are much better than the offerings from most brands of a similar ilk. In fact, they’re really rather good!

I must admit that the inspirations for Hwyl are somewhat confusing. When I smell the fragrance I can see the Japanese hinoki woods but I can’t reconcile that with the Welsh name, especially when the brand appears to think of isolation and solace, whilst the name suggests enthusiasm and energy. It all seems a little bit muddled, almost as if Aēsop just liked the sound of the name, rather than any of its deeper meanings. That said, Hwyl the fragrance is anything but muddled and it is made entirely in the manner of the brand, which is to say that it is a thoroughly exacting piece of work presented with little fuss.

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There’s a simplicity and cleanliness to the Tom Daxon brand that really appeals to me. It feels unfussy and uncomplicated in presentation, with clean, structural lines favoured over anything remotely eye-catching or gimmicky. It’s a brand where the fragrances are allowed to speak for themselves and whilst the presentation may be simple (and elegantly so) the composition of each of the fragrances is anything but. Tom Daxon presents a collection with remarkable range, offering beautiful twists on familiar themes, creating fragrances that really don’t smell like anything else. If you haven’t sniffed anything from Tom Daxon then you absolutely must rectify that fact immediately.

The latest addition to the Tom Daxon collection is Riven Oak, and if you’re in to woods in a big way, then your interest should most definitely be piqued right now. Tom Daxon describes this oak-centric fragrance as “layers of smooth woods” and without giving away too much in advance of this review (because I’d quite like you to read on!), I’d say that’s a pretty spot on description. Riven Oak is no ordinary wood fragrance (see more on wood fragrances here) – it’s a multifaceted essay on the complexity of wood, with an entirely unique signature. Interest still piqued? Good, because it should be.

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I have a lot of time for Atelier Cologne. They’re a brand with a very clear direction and whilst they have an absolutely massive range (over 30 fragrances!!), which includes an impressive number of fragrances across many sub-collections, they don’t feel as if they are overdoing it. Whether it’s the glorious never-ending citrus tones of their neo-colognes or the unconventional exoticism of their oriental collection, Atelier Cologne are making beautiful, well-composed fragrances high on the wearability factory. Absolutely nobody can fault them for that!

So we’ve established that Atelier Cologne know how to make perfumes that smell good, but are they actually adding anything new to the world of perfumery? There is so much scent out there and the big question is whether Atelier Cologne are making anything particularly unique. The short answer is ‘yes’ and the perfect example of this is their latest offering, the intriguing, nay, surprising ‘Café Tuberosa‘ – a fragrance that pairs two completely polar opposite materials together: coffee and tuberose. How’s that for new and unique?