The Candies 2013: The Very Best and the Very Worst Perfumes of the Year
The Candies 2013: The Very Best and the Very Worst Perfumes of the Year

Can you believe that 2013 is coming to a close already? I certainly can’t! It only feels like yesterday that I was sat at my laptop, tapping away at the first reviews of the year and looking forward to the exciting new smells that next 365 days would bring. It has, all-in-all, been a very good year, with lots of interesting new perfumes launched, and on a more personal note too, as this year I took on the exciting role of Fragrance Expert for Escentual.com.

The perfumes have come thick and fast over the year, and once again the industry has seen an increase in the overall number of perfumes launched. Over the year we’ve seen our fair share of masterpieces, duds, flankers and celebrity money makers in, and as with any other year it has been a roller coaster ride of an experience sifting through just a tiny portion of what has been released.

In this post – my annual perfume awards (‘The Candies’) – I’m taking a look at my fragrant highlights of the year and those perfumes that have impressed, moved and surprised me. I’m also highlighting the specific scents that have failed to meet the mark this year and are disappointing enough to warrant naming and shaming. So sit back, don your red carpet gown (or suit), pop the champagne and enjoy The Candies 2013.

[Please also head over to my fragrant brothers and sisters who are sharing their very best perfumes of 2013; Persolaise, Olfactoria’s Travels, Eyeliner on a Cat, Fragrant Moments, Perfume Shrine, I Smell Therefore I Am, SmellyBlog and The Fragrant Man.]

Sahara Noir
Sahara Noir by Tom Ford

I like Tom Ford – not because he is incredibly handsome (although I’m not denying that he is more than a little bit dishy) – but because when it comes to perfume he has a keen sense of volume and seems to favour that which is rich, sturdy and loud. To put it simply he is the king of what I like to call ‘perfume writ large’.

His signature collection (Black Orchid et al) in particular displays satisfyingly loud levels of sillage and many are bold, divisive creations that provoke nothing but strong reactions. The latest addition to the collection – Sahara Noir – is no exception and it is perhaps one of Ford’s loudest and dare I say butchest fragrances to date.

Taking inspiration from “the mystery and luxury of the Middle East” and “evoking the untamed beauty of the arabic peninsula” Sahara Noir speaks of an exotic and wealthy world where bold statements in both fashion and perfume are the norm. This is Tom Ford’s domain and if there is one thing the man knows how to do more than anything else it is make a bold statement.