How is it the end of 2015 already? Seriously, I feel like things were only getting started! Anyway, seeing as it is very nearly the end of the year it can only mean one thing: The Candies! That’s right, it’s now time to take a look back at 2015 to identify the good, the bad and the downright ugly perfumes of the year. As always, it has been an active year for the industry and we’ve seen some great stuff. We’ve also seen some pretty dreadful stuff as well. It will make for exciting reading, I’m sure,
This year, I’ve done a bit of tinkering around with the awards we have on offer. Most have stayed the same however, we have said goodbye to the Best Celebuscent Award because really, celebrity fragrances appear to be on the out and I honestly don’t think I’ve even reviewed one this year. We’ve also said goodbye to the Best Advertising Campaign Award which has now been replaced with the Best Top-Down Design Award, an accolade that celebrates those perfumes that get the juice, bottle and advertising spot on. Finally, I’ve also added a new award this year for Best New House, which aims to highlight the best new fragrance brand launched within the year. Other than that all is the same.
So without further ado, ladies and gentleman of the perfume loving community, please take your seats, adjust your undergarments and fix your weaves as we are about to commence The Candies 2015. We require silence within the auditorium, selfies are banned and everyone must be suitably perfumed. Them’s the rules. There will be snark, there will be gushing sentimentality and there will be more hyperbole than you can shake a stick at, so gird your loins, dear readers, and get ready for the alternative perfume awards!
Also, please be sure to head on over to Persolaise’s blog to check out his round-up of perfume in 2015.
There is no perfumery quite like Papillon Artisan Perfumes. Situated within a peaceful lodge tucked just inside the New Forest, this perfumery doesn’t march to the rapid beat of the perfume industry, choosing instead to move at its own pace. “It’s hard not to be inspired here”, says Papillon perfumer, Liz Moores, and I can see what she means. In a space surrounded by the natural beauty of expansive woodland, and a practical menagerie of animals (I counted two cats, two dogs, an owl, an assortment of snakes, a bearded dragon, a tortoise, and a horse, and I’m pretty sure I didn’t catch them all), and not to mention Liz’s very own family clan, one can see that Papillon is very much a unique outfit where fragrances are hand made as and when the inspiration comes.
Working from home, Moores is able to set her own schedule, balancing duties of motherhood with perfume-hood. But Papillon is a growing business. The brand now has four fragrances on the market (Angélique, Anubis, Salome and Tobacco Rose) which can be found at a number of points of sale across the globe, so expectant noses around the world are pointing towards the New Forest hoping for more. On a recent trip to Liz’s home studio, I asked her what he release schedule will be and she firmly says that she will only release another perfume when it’s right and won’t follow a set pattern of a scent or two per year, as is often driven by the industry. It’s admirable to see a perfumer work in such a way and it’s clear from the four fragrances within the Papillon line that this particular nose is a perfectionist who strives to create beautiful and unique fragrances without bowing to market pressure.
Perfume lovers across the world have been watching the New Forest studio of Papillon Artisan Perfumes with bated breath. Last year, Papillon launched with three fragrances; Angelique, Anubis and Tobacco Rose – three perfumes that boldly said that a scent should be beautiful and unique, rather than awash with gimmickry. Papillon Artisan Perfumes have been a refreshing addition to the world of perfume that, along with Sarah McCartney’s hugely important 4160 Tuesdays, has put independent British perfumery on the map – a fact reflected by the nomination of all three Papillon scents for Best New Independent Fragrance at this year’s Fragrance Foundation Awards. It stands to reason then, that Papillon’s latest scent ‘Salome‘, launches in a veritable cloud of fragrant excitement.
You will hear a lot of talk about Salome and her erotic, and animalistic tendencies over the coming months. “Pure filth” is what they’ll call her and perfume lovers here, there and everywhere will revel in her raunchy and primal ways. But there’s more to Salome than meets the eye, and there’s another facet that deserves praise – her golden sheen and glittering sense of movement, to be specific. Salome is a dancing diva moving methodically and mesmerisingly through the many hypnotic motions of the dance of the seven veils.
Salome takes its name from the biblical character – the daughter of Herod and the dancing woman from the New Testament. In a recent interview on The Candy Perfume Boy, Papillon Perfumer Liz Moores explained how a vintage photograph of a 1920s flapper girl was the inspiration for Salome; “I have an original vintage photograph of a 1920’s flapper girl in a state of undress; she’s positioned side on to the camera with her breasts bared and the lower half of her body only slightly covered with ostrich feathers. The woman in this photograph fascinates me; I have often wondered who she was, where she lived in the world and what her name might have been. In my head I called her Salome, a name befitting such a beautiful and daring woman of her time.” This photo, which potrays the seductive dancer partly nude informs Salome’s vintage tones and erotic escapades. This is a fragrance made in a style seldom seen in this modern, post-IFRA age, and it acts as a startling reminder that perfumes can still be richly textured, gloriously complex and absolutely, downright filthy.
“Rubbing Noses is a series, in which I, The Candy Perfume Boy, grill the most important members of the perfume industry – the perfumers. These are the brains and noses behind the perfumes we know and love, and their unrivalled insight into one of the world’s most ancient of arts is something to be treasured, enjoyed and shared.”
In chaos theory, it is said that a butterfly flapping its wings in one part of the world can cause a hurricane in another. Small actions have big repercussions and can cause a domino effect across the globe. With Papillon Artisan Perfumes, perfumer Liz Moores flapped her talented wings and created three fragrances that burst on to the scene and made a big impact on the industry. With her initial trio of scents, a small and muted launch, Liz showed the perfume industry that independent perfumers are a force to be reckoned with.
Liz is soon to be releasing her fourth perfume, the evocatively named Salome (swing by on Wesnesday for a review) and I caught up with her to discuss this new launch, her creative process and her inspirations, amongst other things. During our rubbing noses discussion we talked Flapper Girls, classic Guerlains, and most importantly, we chatted filth, lots and lots of filth. I think you’ll find Liz to be a fun, fascinating and fragrantly talented character who really brings something new and intriguing to the age-old world of perfume!