Let’s talk Juliette Has a Gun. This is a brand that sits at the intersection of mainstream and niche, with a novel olfactory output that is luxurious yet accessible, presented at a relatively reasonable price point (in niche terms, let’s be real). The brand, which was started by Romano Ricci, Nina Ricci’s great-grandson, launched in 2006 and has since unleashed a number of rebellious perfume characters that don’t take themselves too seriously. Scents like Miss Charming, with her innocent smile of strawberries and rose, and Lady Vengeance with her velvet claws painted in a deep shade of red, each showcased Juliette as a brand with a punky attitude and a unique approach to perfume. Juliette Has a Gun is an irreverent brand that may not take itself too seriously, but certainly is serious when it comes to perfumery.
I’ll admit that some of the more recent launches from Juliette Has a Gun have been a bit lacklustre. They’re always pleasant and wearable, but scents like Vanilla Vibes, Lipstick Fever (all lippie, no ‘fever’, that one) and Not a Perfume Superdose haven’t, in my opinion, lived up to the excitement of the brand’s earlier scents. It seems like they’ve moved away from creating distinct olfactory characters to something more straightforward – the quality is still there, but the playfulness isn’t as vivid. Anyway, that said, I am always keen to see what Juliette is up to and always happy to get involved with whatever mischief she may have got herself into.
With that in mind, Juliette’s latest, the intriguingly named ‘Musc Invisible‘, caught my eye. Described as “a soft, warm and cosy composition, as comfortable and unfussy as your favourite pair of jeans”, Musc Invisible showcases Juliette at her most casual. She’s taken off her heels and replaced that killer red lip with a ballerina pink gloss, thrown on a super fashionable street look and is off to take a number of posed pictures for the gram, boyfriend in tow (someone’s gotta take the shot, right?) This is Juliette dressed down but is it interesting? You’ll have to read on to find out!
We’re just over a week into 2021 and we already have the first big perfume launch of the year, which means this is my first perfume review of the year (exciting!) and it’s for a brand new CHANEL fragrance (very exciting!!) – a CHANEL Exclusif, no less (ARGH SO EXCITING!!!). This CHANEL fanboy is very please to be kicking off the year with something so wonderful – so, let’s take a few moments away from the world and enjoy a spot of scented beauty.
The latest addition to Les Exclusifs is Le Lion and it’s a long-awaited one, having launched in some territories almost one year ago! But now it’s here! As with all of the Exclusifs, Le Lion takes inspiration from the house itself, and this time the lion, the fifth sign of the zodiac and Gabrielle ‘Coco’ Chanel’s astrological sign, is the theme. In the 1920s, Coco fell in love with the city of Venice, being inspired by its art and culture, and like Chanel herself, the city existed under the guardian sign of the lion. The lion became an emblem for Chanel, both in her personal spaces (her apartment at 31 Rue Cambon was filled with lions crafted from marble, bronze and wood), but also in her clothing, with the symbol engraved on the buttons of tweed suits or the clasps of bags. The lion is a symbol of Chanel’s tenacity and endurance and this is the theme that the fragrance explores.
Le Lion the perfume, seeks to capture this tenacious personality but also the rich and exotic spirit of Venice, the city of the lion that Coco loved. CHANEL perfumer Olivier Polge was intrigued by the emblem of the lion rather than the animal itself, crafting a warm amber fragrance (I’m not using the “O” word, this is my replacement) with a “solar aura” and a “gentle strength”. Le Lion stands out as a uniquely intense and warm fragrance within Les Exclusifs, which tend to lean light, ethereal, abstract, and it is quite surprising in its richness. The big question though, is whether it was worth the wait? Well, read on and you shall see!
Carine Roitfeld is the former Editor-in-Chief of French Vogue and if her debut collection of perfumes are anything to go by, she is clearly someone who enjoys perfume. The idea behind the collection is seven fragrances inspired by seven lovers in seven different cities. In all honesty, I’m a bit ‘meh’ about the concept, and I’m certainly more than a bit ‘meh’ about the bottle which, despite its hefty weight and magnetic cap (we love a magnetic cap, we do), is just, dare I say…..ugly? 😐
Anyway, aesthetically challenging packaging aside, the Seven Lovers Collection shows that Carine Roitfeld certainly has taste when it comes to perfume and she has used it wisely when collaborating with perfumers Aurélien Guichard, Yann Vasnier and Pascal Gaurin, to create her collection. Out of the seven, I’d say four were interesting (George, Lawrence, Har-Wai and Orson), which isn’t a bad hit rate, let’s be honest. My favourite by far was George, which is inspired by an encounter in a bookshop in London. I must ask Carine which bookshops she’s been visiting because they certainly sound like a lot more fun than your average Waterstones! George is a modern chypre that harks back to some wonderful green scents from the past. I’m obsessed – so much so, in fact, I can forgive that bloody bottle (I promise not to mention it again)…..well, almost.
Comme des Garçons is a brand that gets a pretty regular rotation in my wardrobe. In fact, I’d go as far saying that it would would quite be odd for a week to go by without me picking out one of their scents to wear. For me, they strike that perfect balance between novel and innovative, and pleasant and wearable, which means that I reach for them quite a lot, mostly for those in the regular lineup such as the original Parfum, 2, 2 Man (I just topped up on my bottles of both the 2s, in fact), Amazingreen and Blackpepper. Long story short, I enjoy the brand and the scents are staples for me.
With that in mind, a new Comme des Garçons fragrance is somewhat of an event for me – I’m always intrigued to see what they do and whilst not all are ones I adore (see Floriental, Copper and Concrete), I do always enjoy how they subvert expectations. A Comme des Garçons fragrance always has something to say and their latest launch, Rouge (currently exclusive to Dover Street Market and launching nationwide next year), is no exception. Described, in typical CdG style as an “encounter between religious fervour and earthen reality”Rouge attacks the the colour red from surprising angles, using a central note of beetroot to present something so familiar in an entirely unfamiliar way. To say it’s interesting and unique is somewhat of an understatement…
Through deliberate overdose and rapturous expression, Rouge presents an unexpected unison. an olfactive congregation of desire archetypal associations of the colour Rouge seen and subverted through the distinctly disruptive gaze of Comme des Garçons.
It’s not often that I experience love at first sniff, but in the case of Oak Wood, my immediate thought upon spraying it on my skin was “oh, I love this” and my secondary thought was “I’m going to wear the heck out of this”. Spoiler alert: I do and I did. But hold up, let’s talk a bit about this fragrance before we go right into the nitty gritty of whether I love it or not (I do, obv.). Sunspel is a luxury British clothing brand that focuses on high quality wardrobe staples and knitwear. Their aesthetic is very neutral and smart (and a little Scandi?). Oak Wood fits in nicely.
Sunspel tasked British perfumer Lyn Harris (formerly of Miller Harris, now of Perfumer H) to create their debut fragrance. The brand had previously created signature sweatshirts for Harris, featuring the names of two of her Perfumer H fragrances (I really want one of those, btw) so it feels like an organic partnership. Harris said she wanted to “create something that represented the beauty of the English countryside” because for her “that’s what really represents the brand, Sunspel”. The name Oak Wood was her working title for the fragrance.
When I review a scent I don’t just think about the words I want to use to describe it, I also consider how I’m going to capture the essence of the scent in the accompanying images. To photograph Oak Wood, I took a long walk with my husband and Pugsley, our pug. We ventured onto the thrift that is a short walk from our house and got lost in the winding paths that led us through the growing saplings that represent a forest in its infancy. We walked past reeds and brush, treading on gravel paths scattered with fiery leaves decaying in the autumn air. I was wearing Oak Wood and it felt so poignant in such a beautiful space. It all just felt right. These photographs represent Oak Wood and the feelings of that day.
“Perfumed escapism” – that’s what Nick Steward, founder of indie brand Gallivant, aims to bring to the world with his collection of city-inspired scents, and let’s be real, if there ever was a time when we needed to be transported elsewhere by perfume, now is it. With so many people under lockdown or working from home, and unable to travel, all because of the global Covid-19 pandemic, Gallivant provides virtual tours of faraway places, all through the medium of olfaction. Gallivant makes this big old world a much smaller and more accessible place, all with just one spritz of their transportive perfumes.
With their latest launch, Gallivant whisks us away to Uzbekistan and the noble city of Bukhara. This “fairytale city on the Silk Road”, as Gallivant puts it, is home to beautiful, colourful architecture, talented artisans, welcoming people and a melting pot of spices, fabrics and fruits. Gallivant worked with perfumer Ralf Schweiger (Lipstick Rose by Frederic Malle; Eau des Merveilles by Hermès, and so many more iconic scents) to distill the city of Bukhara into olfactory form. Together they chose the luxurious and elegant note of iris as Bukhara’s core material. To be honest, they had me at “orris”.
What perfume would the Mona Lisa wear? What would she smell like? What is behind that enigmatic smile? The popularity of the Mona Lisa is the fact that it leaves so much unsaid – for years people have wondered who she is (although it is now pretty much agreed who the subject of the painting is), what she was thinking and why this, of all paintings, is the most famous in the world. All good questions to ponder, if you ask me.
Niche brand Histoires de Parfums appear to have their curiosity piqued by Ms. Mona too, and they’ve taken the enigma that is the Mona Lisa and tried to capture her essence in perfume form. The name ‘7753‘ refers to the dimensions of the painting – “a hidden number for a hidden smile” as the brand puts it – and the scent aims to recreate the emotion of the subject. Whether that rings true or not, I can confirm (spoiler alert) that it is a cracking tuberose that I’ve been enjoying immensely!
Men should wear roses. This is a fact – a non-negotiable reality and I will not be considering any other viewpoint at this time. In truth, men do wear roses, especially in the Middle East, where such things are the norm however, over here I think there’s a touch of reluctance for many men to consider wearing something that leans feminine. Toxic masculinity’s a bitch, right? Anyway, Maison Francis Kurkdjian want to make rose-wearing acceptable for the menfolk – to give them the power to wear a rose – and their latest launch, L’Homme À la Rose is a great start on this noble quest for rosiness.
Created as a masculine counterpart to Kurkdjian’s popular À la Rose, L’Homme is described by the brand as a “free interpretation of rose“. It is not the brand’s first masculine rose (the first being Lumière Noire Pour Homme) but it’s perhaps their most intriguing, presenting the masculine rose in a fresh guise that does not shy away from being pretty. That’s right, gents can (and should) feel pretty too and I have a good feeling that L’Homme À la Rose may be just the scent to help with that.
The success of Coco Mademoiselle took CHANEL by surprise when it launched in 2001. Created to rejuvenate the ageing Coco, which had launched 17 years prior but aged double in that time, Coco Mademoiselle’s purpose was to keep the Coco name on the shelves, which it more than did. In reality, Coco Mademoiselle’s popularity isn’t that surprising, after all, it plays a familiar tune (fruity patchouli a la ANGEL) and does it well, all whilst bearing the name “CHANEL” on its bottle. That’s pretty much a recipe for success, if you ask me.
Coco Mademoiselle presented a chic, yet bombastic, blend of sticky citrus (orange, bergamot, mandarin), sweet rose and contrasting patchouli. It riffed on ANGEL, of course, but pushed everything in a more luxurious, less challenging direction becoming a fruitchouli for the masses. I cannot deny that it’s a great fragrance, it’s just one that I’ve never personally gelled with, but then again, as a 33 year old, bespectacled and slightly stocky gay man (OK really stocky), I’m hardly the target market (“Mademoiselle” I am not).
So since 2001 we’ve had Coco Mademoiselle Eau de Toilette (2002) and the Eau de Parfum Intense (2018) (which I liked more than the original). Now we have Coco Mademoiselle L’Eau Privée, a lighter, more sheer fragrance that is meant to be worn at night time. The mood is very much satin sheets and silk lingerie in a blush shade of pink. Perfect for spritzing on when you’re wearing your flannel PJs and bunny slippers from Primark, I say. Let’s sniff.
It was my Olfiction colleague and Fume Chat co-host, the iconic Nick Gilbert, that introduced me to Maison Crivelli, and I am so glad he did. This is a brand that strikes me as being carefully considered, right from the beautiful, simplistic and luxurious aesthetics, to the intriguing, unexpected fragrances, much in the same way that Frederic Malle fragrances are. But the most intriguing thing about Maison Crivelli is the way they speak about perfume – they talk in impressions and experiences, moving us away from notes to craft a relatable olfactory language that is universal.
The fragrances in the collection are inspired by raw materials and each appears to present a new twist on the notes or ingredients that we are familiar with. It’s almost as if Maison Crivelli is inviting us to rethink our experiences of these materials – we think we know them, but Maison Crivelli shows us that there are still unexpected ways to experience the things we are so familiar with. For me, that’s incredibly exciting and makes Maison Crivelli one of the few new niche brands to watch.
Papyrus Moléculaire is the one of the latest launches from the brand and it takes inspiration from the brand founder, Thibaud Crivelli’s encounter with papyrus powder and women smoking cigarillos. The result is a subversion of the usually spicy and warm material presented as something much fresher, more transparent and powdery. As with all scents in the collection Papyrus Moléculaire is entirely genderless, with Maison Crivelli describing it as “rebellious” and “highly contrasting”.