I’ve said it many times before, but I’ll say it again: I’m a big fan of Jo Malone London. To me, they do what they do very well and what they do is create easy wearing fragrances that feel comfortable both on the skin and in the home. Sure, they’re not pushing the known boundaries of olfaction, but they often add a contemporary and eccentric twist to their fragrances, taking the familiar and making it novel. Most importantly though, Jo Malone London fragrances tick the box that should be first and foremost on every perfume lover’s priority list: they smell good.
Seeing as I enjoy the brand so much, it’s understandable that it was with both excitement and trepidation that I uncorked my sample of JML’s latest scent ‘Basil & Neroli‘. Why? Well, they’ve been on a bit of winning streak lately. Last year’s Mimosa & Cardamom was a triumph – one that has crept its way into my top ten fragrances of all time (quite an accolade, if I do say so myself), not to mention the fact their recent additions to the Cologne Intense series, specifically Incense & Cedrat and Orris & Sandalwood, have also been exceptionally good, and quite unique. So yes, I wondered whether Basil & Neroli would be the one to break this streak or whether it would be yet another success. You’ll have to read on to find out the answer…
Basil & Neroli was created by perfumer Anne Flipo, the nose behind L’Artisan Parfumeur’s La Chasse Aux Papillons and Jo Malone London’s Herb Garden Collection. She describes the fragrance as “a fresh, sophisticated, sensual floral with green facets” adding that it is “stunning in its simplicity”. The brand however, calls it a “London lark”, positioning Basil & Neroli as something much more fun, playful and quintessentially British. Whether it be refined or rowdy, what’s for sure is that Basil & Neroli is a fragrance created in the Jo Malone London school of thinking, meaning that it serves up an unusual twist on two familiar ingredients, juxtaposing the savoury & the sweet, and the green & the white.
Hothouse Flowers by Steven Klein for Vogue January 2013
It surprises me that this is my first review of a Byredo perfume. I haven’t tried everything they have to offer but most of what I have sampled has been well made, if not rather interesting (it’s hard to ignore the genius of the tinsel-esque M/Mink and Solero-esque Pulp). Still, my laziness as a blogger has resulted in the brand not being featured and for that I shall have to give myself a large slap on the wrist.
That was until a sample of the latest Byredo fragrance – ‘Infloresence’ – arrived on my door step. They pretty much had me at the name, but it was the brand’s description of the scent that got me;
“to celebrate the beginning of spring, nature’s perennial and powerful rebirth, Ben Gorham (Founder and Creative Director of Byredo) envisaged a wild garden and a floral scent that would capture the strength and beauty of its blossoms, just as they reach their dramatic peak.”
It didn’t take much more than that to get me salivating! According to my good friend Wikipedia, inflorescence means; “a group or cluster of flowers arranged on a stem that is composed of a main branch or a complicated arrangement of branches” , and this is entirely in keeping with the fragrance’s theme of a bouquet of intensely aromatic flowers.
There should be a club for those that consider themselves as ‘Amouage Addicts’. We could all sit around discussing our adoration for the Omani house, pouring over our favourites and consoling each other over the fact that we’ll never be able to own them all. One matter that definitely would not be up for discussion however, is the idea of giving the house up any time soon. It’s simply not on the table.
We are truly helpless really, what with the annual masculine and feminine pairings. Not to mention special editions such as Beloved and the highly artistic and fascinating Library Collection. The truth is that we are mere lemmings for Amouage and we wouldn’t have it any other way.
This year’s addition to the Library Collection is Opus VII. Created by perfumers Pierre Negrin and Alberto Morillas it “arouses the juxtaposition of harmon with the intensity of reasoning between conflicting ideas and beliefs” . Much like the chaos of the Interlude duo from last year, Opus VII appears to take a slightly more abstract approach with its dark black flacon serving as a small hint for the wild ride that’s unleashed upon the very first spritz.
This week’s Escentual post is a review of a fragrance that took me wholely by surprise – Dahlia Noir L’Eau by Givenchy. The original Dahlia Noir made next to no impression on me whatsover (very much in line with most Givenchy offerings) and I am, as you know, not a massive fan of anything remotely green – so it is with great surprise that I give a big thumbs up to Dahlia Noir L’Eau!
Please click on the image above to head over to Escentual.com and read the full review. Don’t forget to leave a comment!
L’Artisan Parfumeur is one of those brands that took a long while to click with me. I started off exploring two of their cult classics – Tea for Two and Patchouli Patch – both of which left me cold. I then left the brand alone for a few years whilst I sailed off around the perfume world trying anything and everything that wasn’t ‘L’Artisan’.
Fate brought me back to L’Artisan Parfumeur many years later when a friend dragged me into the Covent Garden boutique. It was there that I tried and loved Bertrand Duchaufour’s ode to the clash of East and West that is Traversée du Bosphore for the very first time and after that, well after that I fell down the rabbit hole grabbing and adoring everything that L’Artisan and Duchaufour had done together.
The latest perfume launch from L’Artisan is not a Bertrand Duchaufour creation but that’s not a bad thing in the slightest. Created by perfumer Dora Baghriche-Arnaud this latest perfume joins the brand’s Grasse collection of candles and scented gloves that takes inspiration from “the spiritual home of fragrance, in Provence”.
Named Caligna (meaning to ‘court’ or ‘flirt’ in the Provençal tongue) – the first perfume in this collection is an ode to the Grasse countryside and according to L’Artisan Parfumeur it “evokes a warm breeze blowing over the land, a sense of freedom in the wild open spaces, a lightness of being with laughter echoing into the distance.”
As a die-hard fragrance nerd it’s difficult not to love Gorilla Perfume, the fragrant arm of those smelly bath purveyors Lush. For one, they march to the beat of their own drum, drawing inspiration from subjects as varied as Thai Ladyboys and Italian showers. But perhaps most importantly they are an outfit that champions that old idiom “It’s all about the juice”, caring first and foremost for the perfume above bottles and marketing.
This passion for perfume has allowed Lush to birth a line of beautiful, surprising and sometimes downright-wacky fragrances that challenge one’s notion of what constitutes a scent as much as they serve to inspire and foster a life-long love for all that is perfume. It sounds corny but it is brands like Gorilla Perfume that are the reason why I love perfume, when there is so much to be cranky about they have the ability to restore one’s faith in perfume and make one smile with a single spritz. You gotta love that Gorilla!
Late last year Gorilla Perfume launched 12 new fragrances (that’s right -12) under a new collection entitled ‘Volume 2’. The overall look of this new collection feels like a shift in direction for Gorilla Perfume and I’d say the scents themselves follow suit. There seems to be less focus on the cartoonish hijinks of the past and greater emphasis on a more mature approach – dare I say that our Gorilla may have grown up?!
I was sent a few of these new scents to try and today I’d like to share with you my thoughts on two of the most intriguing; Furze and The Voice of Reason.
From Latin America to China via Russia and India and the Gulf
If I could change one thing about my life it would be to ensure that I was better travelled than I am. In my head I long to be a great explorer scouring every corner of the earth. I want to walk the Great Wall of China, taste the street food in Mexico, eat lobsters in Maine (it all comes back to food with me), play with the cats at the cat cafe in Tokyo and float around the streets of Florence , but the problem is, I’m a bit of a wimp.
So, as much as I wish I’d visited all of these places, and I do truly hope to one day, I haven’t, in fact up until a few years ago I hadn’t made it further than France. It’s appalling, I know. Luckily for us armchair explorers, with Ormonde Jayne’s latest collection ‘The Four Corners of the Earth’ one can visit the most exotic destinations without even removing one’s pyjamas. So over the last couple of weeks I’ve been to the Gulf, Russia, Latin America and China…
For the Four Corners of the Earth collection Linda Pilkington and perfumer Geza Schoen have taken Ormonde Jayne on a trip round the globe, soaking up the sights, smells and colours of four distinct cultures without diluting the brand one bit, and this is what makes the collection so excellent; the fact that despite the strong influences of their respective homelands, each fragrance still very much follows the Ormonde Jayne signature of refined, elegant fragrances. After all, it’s not just where we go that shapes who we are, it’s where we come from too.