How is it the end of 2015 already? Seriously, I feel like things were only getting started! Anyway, seeing as it is very nearly the end of the year it can only mean one thing: The Candies! That’s right, it’s now time to take a look back at 2015 to identify the good, the bad and the downright ugly perfumes of the year. As always, it has been an active year for the industry and we’ve seen some great stuff. We’ve also seen some pretty dreadful stuff as well. It will make for exciting reading, I’m sure,
This year, I’ve done a bit of tinkering around with the awards we have on offer. Most have stayed the same however, we have said goodbye to the Best Celebuscent Award because really, celebrity fragrances appear to be on the out and I honestly don’t think I’ve even reviewed one this year. We’ve also said goodbye to the Best Advertising Campaign Award which has now been replaced with the Best Top-Down Design Award, an accolade that celebrates those perfumes that get the juice, bottle and advertising spot on. Finally, I’ve also added a new award this year for Best New House, which aims to highlight the best new fragrance brand launched within the year. Other than that all is the same.
So without further ado, ladies and gentleman of the perfume loving community, please take your seats, adjust your undergarments and fix your weaves as we are about to commence The Candies 2015. We require silence within the auditorium, selfies are banned and everyone must be suitably perfumed. Them’s the rules. There will be snark, there will be gushing sentimentality and there will be more hyperbole than you can shake a stick at, so gird your loins, dear readers, and get ready for the alternative perfume awards!
Also, please be sure to head on over to Persolaise’s blog to check out his round-up of perfume in 2015.
There are few brands whose launches I look forward to more than those from Maison Francis Kurkdjian. I’ll just come out and say it – I’m a Francis Kurkdjian fanboy. If you’ve been following my Instagram over the last week, you will have seen proof of this in the form of me spending much of my time enjoying Kurkdjian’s creations for rebellious fashion designer, Jean Paul Gaultier (specifically; Le Mâle, Fragile and Fleur du Mâle). Maison Francis Kurkdjian, the perfumer’s very own brand is one of my favourites and with MFK, Kurkdjian manages to weave simplicity and complexity effortlessly together, creating approachable but high quality, and more importantly, high class perfumes.
Maison Francis Kurkdjian’s latest fragrance is À la Rose, and unsurprisingly, it’s all about the humble rose – 250 of them, in fact. You can never get enough rose in my opinion, and seeing as the flower can be interpreted in so many different ways, ranging from delicious rosewater treats (see Essence Nº1: Rose by Elie Saab) to heady examples of rosy exoticism (see Guerlain’s Nahéma), there’s always a surprise, or two, to be had. In short: the world of rose is never boring.
Kurkdjian already has two roses within his collection (Lumière Noire pour Femme & pour Homme –two heavy and oriental roses), so exactly what does À la Rose bring to the table that we’ve not seen from the perfumer before? Well, the focus is definitely quite different and this new rose feels very much in keeping with Kurkdjian’s penchant for clear and radiant signatures that present familiar themes in their purest form. It does exactly what one expects it to and for once, lives up to the marketing spiel, which is somewhat of a rarity in the industry today. À la Rose is described as follows:
“A la Rose is an ode to femininity, a declaration of love captured in a fragrance. Two hundred and fifty precious roses from Grasse offer their radiance and their unmatched richness in every flacon”