In a weird case of serendipity I have been in the mood to do things on a regular basis over the last week; wear rose perfumes and stare at Salvador Dalí’s 1958 work ‘The Meditative Rose. The painting captures the ethereal beauty of the rose, floating high in the sky, casting a tranquil scene that aptly sums up how I feel about rosy fragrances within my collection.
I’ve always seen roses as having a soft and calming presence and much like the two small figures in Dalí’s painting I find myself feeling quite contemplative when wearing any perfume with roses. Over the last week I’ve been relying heavily on Montale’s Black Aoud, a perfume that pairs the sharpness of leather and oud with the most powdery of roses. It’s exotic but comforting and allows one to shroud oneself in a red blanket, which is especially handy in this weather.
Oud/Aoud/Oodh/Agarwood is a ‘dark, resinous heartwood that forms in Aquilara and Gyrinops trees when they become infected with a type of mold.’  The smell of Oud really varies and from my experience it can smell medicinal, animalic and funky like a barnyard or intensely peppery and spiky.
Over the last couple of years there has been a plethora of fragrances released based around oud, a note which has been used in middle eastern perfumery for thousands of years. Oud has very much become the note du jour and it seems that almost every fragrance house has done ‘an oud’.
One house that kicked off the trend is Montale, created by perfumer Pierre Montale and tucked away in a corner of the very upmarket and glamourous Place Vendôme in Paris, Montale focuses on rich oriental fragrances and exotic blends using the famous oud.
This review is of two of Montale’s most well known scents, Black Aoud and White Aoud. These two scents strike an interesting contrast with each other and show the versatility of the oud note.