Have you ever discovered a perfume that you’ve known about for years but never tried? I have. I cannot tell you how many times I have perused the offerings of many a Guerlain counter, spritzing on and sampling almost everything they have to scent me with, but I always seemed to overlook, nay ignore the Aqua Allegoria line, meaning that up until very recently I had never tried Pamplelune. Now I can’t help but think; “what took you so long Thomas?!”

It was Persolaise’s review of the latest Aqua Allegoria; Lys Soleia, that led me to seeking out the Aqua Allegoria line, and I’m very glad that I did. My interest in the line, and Pamplelune specifically, was further piqued by Birgit of Olfactoria’s Travels who had written that she was a big fan of Pamplelune but other people’s reactions prevented her from wearing it. Well after that I simply had to try it, and try it I did.

Pamplelune was part of the original crop of Aqua Allegoria’s released in 1999, a collection inspired by nature and intended to be more accessible to the younger Guerlain consumer. Available in a lighter concentration (EDT) and at a lower price point than the regular Guerlains, the Aqua Allegoria’s still manage to showcase fantastic ingredients, both natural and synthetic, to create perfumes that feel like non-ephemeral interpretations of nature for the skin.

Having stood the test of time, where other Aqua Allegoria’s have come and gone, Pamplelune was created to capture “the spirit of grapefruit” and that’s what it does. Now I should probably say that my opinion of grapefruit as a fruit is the same as my opinion of watermelon (see my review of Ruth Mastenbroek’s Amorosa), that is that I think It’s naff. It tastes so awful I don’t know why anyone would eat it, other than as a form of self-torture and on top of that grapefruit notes in modern perfumes are usually dire. Oh wait, now I know why it took me so long to try Pamplelune…