This evening Lady Gaga took to her Little Monsters website to debut the advertising image for her debut fragrance “Fame”. The image, created in collaboration with fashion photographer Steven Klein, depicts a nude Gaga holding the “Le Masterpiece” edition of her fragrance, whilst naked muscled men (try saying that with a mouth full) clamber up her body, conveniently covering her naughty parts.
I think it’s pretty fab. What do you think?
Lady Gaga has finally revealed details of her debut fragrance, interestingly entitled “Fame”, via her Twitter account. Now, I may be no massive fan of celebrity perfumes, or celebuscents as they are often called, but I am a huge Gaga fan. More than anything I really enjoy her music, but I also find her fascinating and I don’t think any other current pop star is pushing the envelope in the way that she is. So it is with great excitement that I await the release of Fame.
Fame is billed as the “first ever black eau de parfum”, it uses an innovative technology that allows the black perfume to be invisible once sprayed and represents “the black soul of fame”. Many die-hard fumeophiles will know that this isn’t exactly a new thing, nice house Boudicca did something similar with their first fragrance Wode, which magically turned from being blue to invisible in almost the same way.
But that’s not all…
My love for leather in perfume is certainly a work in progress. It was Lila Das Gupta’s Evening of Leather for Perfume Lovers London that helped me forge a new appreciation for the genre, but I’m very much in the curiosity stage and full blown leather-love (which is not as rude as it sounds) is still a long way off. At Lila’s talk two fragrances in particular caught my attention, and Mona di Orio’s Cuir was one of them.
To say I have been blown away by the fragrances in Mona di Orio’s Les Nombres d’Or collection is a vast understatement. Each one is a fabulous and contemporary take on such well visited notes such as; Oud, Musc, Tuberéuse, Vetiver and Ambre and the collection takes inspiration from the golden ratio, a mathematical theory of proportion which is intelligently showcased in each and every one the perfumes.
All of the other perfumes in the Les Nombres d’Or collection have been very easy for me to love and Cuir is most definitely the exception. I still don’t love it, and I don’t think I ever will. You see, Cuir and I cannot be friends, but I admire its balls. It is an extreme, maverick leather that doesn’t care about being pretty, or even pleasant, it just wants to be wild. The Mona di Orio website says of Cuir “In these days of anodyne scents, trans-fat free lives this is a welcome walk on the wild side that would be wonderful on a man. On a woman? Only one way to put it: Cuir is ruthlessly chic.”