
I think the only thing more frustrating than the constant slew of oud-based fragrances is the fact that each time one is released I have to mention that we’re all a bit fed up with this oud avalanche that we’ve all been facing over the last few years. So, for this review I refuse to mention the frustration (I am aware that I haven’t succeeded in doing so) and instead say that at least Christian Dior appear to have got this whole oud malarky spot on.
In 2010 Dior, following on from the trend started by Chanel with their Les Exclusifs line, created La Collection Privée, a series of exclusive boutique scents. Part of this private collection was Leather Oud, a fantastically pornographic take on oud. Following Leather Oud’s success Dior, who know a good thing when they see it, have decide to launch a second, Oud Ispahan.
Oud Ispahan, which is named after the Iranian city, follows a more traditional route by pairing oud with its beloved partner rose. If the oud trend is considered boring, then the fact that most of its offerings are blends of oud and rose is even more boring, but fear not, Dior has done a good job with Oud Ispahan. Taking its inspiration from Christian Dior’s “fascination with a fantastical orient” along with the “intoxicating scents” and colours of such a place, Oud Ispahan is a very beautiful perfume indeed.

