Perfume lovers across the world have been watching the New Forest studio of Papillon Artisan Perfumes with bated breath. Last year, Papillon launched with three fragrances; Angelique, Anubis and Tobacco Rose – three perfumes that boldly said that a scent should be beautiful and unique, rather than awash with gimmickry. Papillon Artisan Perfumes have been a refreshing addition to the world of perfume that, along with Sarah McCartney’s hugely important 4160 Tuesdays, has put independent British perfumery on the map – a fact reflected by the nomination of all three Papillon scents for Best New Independent Fragrance at this year’s Fragrance Foundation Awards. It stands to reason then, that Papillon’s latest scent ‘Salome‘, launches in a veritable cloud of fragrant excitement.
You will hear a lot of talk about Salome and her erotic, and animalistic tendencies over the coming months. “Pure filth” is what they’ll call her and perfume lovers here, there and everywhere will revel in her raunchy and primal ways. But there’s more to Salome than meets the eye, and there’s another facet that deserves praise – her golden sheen and glittering sense of movement, to be specific. Salome is a dancing diva moving methodically and mesmerisingly through the many hypnotic motions of the dance of the seven veils.
Salome takes its name from the biblical character – the daughter of Herod and the dancing woman from the New Testament. In a recent interview on The Candy Perfume Boy, Papillon Perfumer Liz Moores explained how a vintage photograph of a 1920s flapper girl was the inspiration for Salome; “I have an original vintage photograph of a 1920’s flapper girl in a state of undress; she’s positioned side on to the camera with her breasts bared and the lower half of her body only slightly covered with ostrich feathers. The woman in this photograph fascinates me; I have often wondered who she was, where she lived in the world and what her name might have been. In my head I called her Salome, a name befitting such a beautiful and daring woman of her time.” This photo, which potrays the seductive dancer partly nude informs Salome’s vintage tones and erotic escapades. This is a fragrance made in a style seldom seen in this modern, post-IFRA age, and it acts as a startling reminder that perfumes can still be richly textured, gloriously complex and absolutely, downright filthy.
Oof, this is a big one, dear readers. I have been tentatively putting this guide together for nearly 12 months and, after lots of tantrums and rewrites, I finally feel that it is ready to share. The notable thing about rose, and the reason for my drama, is the fact that it’s such a wide genre, with so many different interpretations and styles of just the one ingredient. In truth, I could put together a guide for each type of rose, covering the gourmand rose, or the oriental rose etc. in great depth. But that’s a level of detail that would take a lifetime to perfect and with tradition in mind, I have compiled a Guide to Rose that can be a starting point to the genre – an essential overview that highlights the very best of the many styles of rose.
Now, if you’re new to The Candy Perfume Boy’s Guide to series, here’s a little overview of what to expect. The series is an award winning olfactory guide to the popular notes found in many of the perfumes we love and wear. Each instalment takes a look at a singular note, its odour profile and the ‘must sniffs’ (i.e. the reference fragrances) that are essential members of that particular family. So far we’ve traversed the domains of; Tuberose, Orange Blossom, Lily, Jasmine, Lavender, Violet, Oud, Chocolate and Vanilla. Today, it’s time for rose, rose and nothing but rose.
After an extended hiatus, due to nothing other than my incredible lack of decent organisational skills, my favourite series, Desert Island Sniffs is back! In this series, we explore the lives of people inextricably linked to the perfume industry and the fragrances that have significant sentimental value to them. By discussing the scents that are of importance to people, we can get a unique insight into what makes them tick and a distinct idea of their character. All in all, these sniffs can be utterly fascinating.
If you’re not familiar with this series, the concept is very simple – I invite important members of the perfume industry, such as brand owners, creative directors and perfumers, to be stranded on their very own desert island, along with 5 carefully curated perfumes of their choice. It may be a tricky job narrowing a life down to such a small number of perfumes, but I can assure you that it is an entirely worthwhile exercise!
The perfumes they choose should be those that have had a significant impact on their scented lives and map specific points in their journey of olfactory discovery. In addition to their 5 Desert Island Sniffs one is kind enough to allow them to take a luxury item (only one, mind) and a ‘perfume bible’ to keep them company. By the end of this series there is going to be some rather fabulously smelling desert islands out there!
It is often said that one’s wedding day is the best day of their life. Up until 10 May 2014 I would have said that this was a simple cliché and that there are many more enjoyable moments to experience in life – the birth of a child, perhaps or the many successes and milestones that one achieves as time passes. But the truth is that my wedding day – the day that I married my best friend and partner in life and in love, was truly the very best day of my life.
Tears were shed, smiles were abundant and laughter was a common sound. Joy was the theme of the day and as we shared our love and made our commitment to each other in front of the people dearest to us, we felt a happiness that is difficult to put down into words. Let’s just say that my new husband and I had an absolute blast and we danced the night away, hoping that it would never end. In our hearts, it never will.
As with any wedding we opted for a theme, picking the colours white, gold and green to match our (rather natty) Vivienne Westwood bow ties (yes, I’m name dropping – she did our socks too). We also chose a pair of origami cranes, a symbol that represents longevity and good fortune in Japanese culture, as the emblem that appeared in numerous formats throughout the day. All-in-all it was a tasteful and understated affair that matched our personalities perfectly (if I do say so myself).
Of course, The Candy Perfume Boy’s wedding was always going to be a fragrant affair and I would let you all, and myself down if Nigel and I hadn’t opted for at least a few nods to the art of olfaction during the day. I would therefore like to share with you some of the scented treats that we gifted to ourselves and our guests, ranging from the difficult choice of what scent to wear to the more frivolous decisions, which may or may not involve smelly bubbles. So please join me in this little taste of our special day that I like to call; ‘How to Scent a Wedding’.
There is so much ‘noise’ in the perfume industry in this day and age that it gets increasingly more difficult to pay attention to the cacophonous din of new launches and brand new niche brands. In order to rise above the noise many niche brands are resorting to ‘clever’ (read: annoying) gimmicks to make their wares stand out from the crowd, ranging from perfumes inspired by blood types (see Blood Concept) to scents that aren’t supposed to be perfumes (see Juliette Has a Gun). Rarely is the product allowed to speak for itself.
Still, for each naff niche brand there is a decent one with high quality products (brands like Arquiste, 4160 Tuesday’s and Maison Francis Kurkdjian to name just a very small few) that allows for the beauty of their scents to be the element that sets them apart from the many other bottles they share their shelf space with. These refreshing outfits remind one that within the crowds and crowds of scent on the market, there are individuals with a passion for perfume and a unique voice waiting to be heard.
One such brand is Papillon Perfumery. Created by New Forest perfumer Liz Moores and launching this year, Papillon has three perfumes devoid of any bells, whistles and gimmicks – they are simply expertly crafted and beautiful perfumes that truly speak for themselves. The perfumes (Angélique, Anubis and Tobacco Rose) prove that familiar themes can still be presented in unique ways if one just approaches them in an entirely different manner.
In a weird case of serendipity I have been in the mood to do things on a regular basis over the last week; wear rose perfumes and stare at Salvador Dalí’s 1958 work ‘The Meditative Rose. The painting captures the ethereal beauty of the rose, floating high in the sky, casting a tranquil scene that aptly sums up how I feel about rosy fragrances within my collection.
I’ve always seen roses as having a soft and calming presence and much like the two small figures in Dalí’s painting I find myself feeling quite contemplative when wearing any perfume with roses. Over the last week I’ve been relying heavily on Montale’s Black Aoud, a perfume that pairs the sharpness of leather and oud with the most powdery of roses. It’s exotic but comforting and allows one to shroud oneself in a red blanket, which is especially handy in this weather.