Lily of the Valley

“The smell of the English countryside in spring time”

L.I.L.Y is the latest fragrance from British fashion designer Stella McCartney. It very much marks a break from tradition for McCartney, whose other fragrances have all be a variation on a theme, namely that of her eponymous debut fragrance ‘Stella’. I love Stella, as far as designer fragrances go it is pretty well done and my sister wears it religiously so I have a strong connection to it, but I am very glad that McCartney is branching out into new fragrant territory with L.I.L.Y.

Where Stella was an ode to rose, L.I.L.Y is, as the name suggests, an ode to the lily of the valley. Lily of the valley is a flower which yields no scented oil yet so evocatively represents the smell of the English countryside in spring time. It’s both beautiful to look at, and to smell, and it represents all that is innocent and virtuous about the world. Lily of the valley is simply one of the world’s most precious of joys.

L.I.L.Y is described as an “evocative scent made up of Stella’s most treasured moments” [1]. Its name stems from her father’s nickname for her mother; ‘Linda I Love You’, and the Lily of the Valley used in the fragrance is reminiscent of her wedding bouquet. For L.I.L.Y, McCartney has aimed to create a perfume that is personal to her, rather than Stella McCartney ‘the brand’. In this world of hyper-focus-grouped perfumes, I can’t help but find the personal touch applied to L.I.L.Y utterly refreshing.

RomantinaJuliette Has a Gun is the spunky niche brand from Romano Ricci – great grandson of Nina Ricci. The name is taken from Shakespeare’s most famous heroin and the gun that she brandishes is a metaphor for her perfume, which she uses as her weapon of seduction. Juliette Has a Gun has a kick-ass attitude, she’s a gal with tons of moxie and takes no prisoners.

There are currently 8 perfumes in the line, well 7 if you you decide not to count ‘Not a Perfume’, which I’m not, because it isn’t a perfume and it gets on my nerves. Anyways, Romantina was released last year and is Juliette Has a Gun’s latest perfume. With Romantina, Ricci adds something new to the line – its very first white floral, that at first seems quite out of place amongst the mixed bag of misfit characters that hang around with Juliette and her Gun.

Romantina (I love that name) is described as “an ode to insouciance” [1] and is based on a modern love story. Like the other perfumes in the line, Romantina has a strong character, but rather than being a bad-ass bitch, it exudes a confident innocence that if fallen for, can prove much more deadly. When I received my sample set I immediately reached for Romantina, I am a white floral lover after all, and whilst it may be an ode to insouciance, my feelings for it certainly aren’t indifferent.

Fragile

“Perfume is the first garment we wear on our skin.”
Jean Paul Gaultier

Fragile, the Eau de Parfum, was Jean Paul Gaultier’s second feminine fragrance, it was released in 1999 and followed the phenomenally successful Classique. Created by Francis Kurkdjian, Fragile couldn’t be more of a stark contrast to the warm, powdery oriental tones of Classique.

Where Classique is evocative of Gaultier’s loud, abrasive style of couture, Fragile plays on classic French perfumery. There is nothing ‘boudoir’ about it, it is incredibly enigmatic and feels almost unsuitable for everyday wear. Fragile is a perfume of the night.

Like a lot of the other fragrances in the Gone, But Not Forgotten Series, Fragile was a big love for me early on in my perfume journey. It was also my first tuberose, and whilst it may not be the best example of nature’s rawest and most carnal of flowers, it is lovely and it did kick-start my love for the flower.

Thierry Wasser

Guerlain is one of my favourite perfume houses, heck it may be most people’s favourite perfume house, and they’ve certainly had their up’s and down’s over the years. But despite many blips, discontinuations and the odd controversy, things definitely seem to be looking up over at Maison Guerlain. One of the smartest moves they have made in recent times is snatch-up the very talented Thierry Wasser for their in-house perfumer.

Since joining Guerlain, M. Wasser has created; two new major feminines, one major masculine, a new cologne and several flankers, limited editions and exclusives. He has tinkered with Guerlain’s heritage whilst adding his own contemporary stamp for the future.

February sees the release of two new flankers signed by M. Wasser; Shalimar Parfum Initial L’Eau and Homme L’Eau Boisée, and as with everything he has done since he started with Guerlain (OK maybe not everything) they are top notch. ‘L’Eau’ very much seems to be the fashion at Guerlain at the moment, but to write these two new editions of as simply lighter, watered down versions of the originals would be a grave mistake.

Beautiful

“The fragrance of a thousand flowers”

Launched in 1985 and created by Sophia Grojsman, Beautiful is described by Estée Lauder as “the fragrance of a thousand flowers” [1], and it is an exceptional example of a big floral bouquet, something that the Lauder brand seems to specialise in. I would classify Beautiful as a floral chypre, it’s a wonderful blend of heady florals and rich, mossy base notes.

Beautiful has always been marketed as Estée Lauder’s bridal perfume and I can see why, it is completely romantic and there is a young innocence to it that conjures up images of beautiful brides draped in white. Despite it’s obvious bridal connotations, it isn’t exclusively bridal, it is wonderful enough to be kept only for special occasions but also works perfectly well as an everyday perfume. Beautiful is one of those perfumes that would make a good signature scent, not that I’d EVER dream of having one of those, I’m too greedy!

I always find it hard to review the classics, it’s difficult to do them justice whilst attempting to showcase them in a new and interesting way. . That said, it is a perfume that I appreciate from an olfactory perspective, and I truly believe that it it is more than a classic, it is a legend. It it so legendary in fact that it is rumoured that Andy Warhol was buried with a bottle.

Boudoir

Talking about another Vivienne Westwood scent (Anglomania) last week as part of the ‘Gone, But Not Forgotten’ Series led me to drag out my bottle of Boudoir which has been lurking somewhere in the back of my ‘purgatory drawer’ – a fate that awaits those perfumes of mine that no longer have a place in my collection.

When I gave Boudoir its first spritz in what must be at least a year I was shocked, why was this in the purgatory draw? I like this! My biggest problem, it seems, is that I have a short attention span, I can only concentrate for a maximum of about five minutes before being distracted by something shiny or basically anything other than the task at hand (a problem that was recently brought to my attention by my boss, who very politely mentioned that my time management skills left a lot to be desired) and this is true with perfumes, I do tend to love something for a while before I get bored and want something new. I guess you could call me a ‘fragrant magpie’ of sorts.

Anyway, enough about me, on to the fragrance! Boudoir was Vivienne Westwood’s first fragrance and was released in 1998, it is classified as a ‘Floral Chypre’ and is the only Westwood fragrance that seems to have stood the test of time, Libertine, Anglomania and Let it Rock have all since fallen by the way side and have lost their places as part of the Westwood collection.

Lady Gaga

“My general impression of Le Feu d’Issey is that it’s an ‘everything but the kitchen sink’ scent, in the sense that there is just so much going on, in fact, I would go as far as saying that the kitchen sink has probably been thrown in as well.”

When I first thought about the Gone, But Not Forgotten Series there were a few perfumes which I knew absolutely had to be added and some that I thought I would explore after receiving suggestions from my readers. Le Feu d’Issey is one of those fragrances that I knew had to be part of this series, but there was one little snag – I had never smelled it and it’s nigh on impossible to get hold of.

Luckily for me Perfumeland is full of lovely, wonderful and generous people and none are lovelier than the ultra-lovely Birgit of Olfactoria’s Travels who came to my rescue and very kindly donated a sample of Le Feu d’Issey so that I could review it for this series. Thanks B!

Despite being discontinued, Le Feu d’Issey was given a five star rating by Luca Turin in Perfumes The Guide and is also included in Sanchez and Turin’s latest book ‘The Little Book of Perfumes’ as one of the top 100 perfumes of all time. It also has quite the cult following and a reputation for being wonderfully weird. All of these facts have ensured that Le Feu d’Issey has stayed at the top of my ‘Must Test’ list (a list that gets longer and longer by the day) for a good few years, and when I did eventually get to try it I certainly wasn’t disappointed.

BrilloMon Parfum Chérie par Camille is the latest fragrance release from the luxury french perfume house Annick Goutal. I’ve tried a few of the Goutal scents over the years and whilst I find most of them to be high quality, I am yet to discover the one that gives me the warm and fuzzies and as you can probably tell by the title of this post, Mon Parfum Chérie par Camille fails to impress.

The story behind Mon Parfum Chérie par Camille is as follows:

“As Annick Goutal dedicated the Petite Chérie perfume to her daughter, now it is Camille’s turn to honour the eternal beauty of her mother. It all started with a unique present preciously stored away in their office : a small concrete that the author Colette gave to Annick Goutal. A woody, timeless fragrance that has survived decades with no signs of aging. Camille, obsessed with this unusual fragrance, was drawu back to her childhood memories of Hollywood’s wartime movies. Tempting satin. Delicate lace. Actresses and their gloved hands and ruby lips. And a memory of her mother dressing for an evening out…

A name to remember her by, Mon Parfum Chérie, Par Camille.” [1]

Hurricane Grace

To me, Grace Jones is the Queen/King of androgyny, she tiptoes the line between masculine and feminine so perfectly and either way she is absolutely striking to look at. Like Ms Jones, Nu is androgynous, it is neither wholly masculine, feminine or unisex, it creates its own rules about gender and takes facets from both sexes.

I have no idea which fragrance(s) Ms Jones wears but if I were to pick a perfume just for her, I would pick Nu.

Nu (this review refers to the Eau de Parfum) was released in 2001 and was created by Jacques Cavallier under the art direction of Tom Ford. I mentioned in my review of Gucci Rush that everything Tom Ford did whilst at Gucci, YSL and Lauder was pretty much epic, and I stand by that. With Nu, he and Jacques Cavallier created something unique and way ahead of its time.

Angel

“Angel Eau de Toilette is still a diva but she is Angel before she puts on her drag queen make up and high heels, she is the daytime Angel, just as fabulous and dramatic but less likely to throw a tantrum.”

When I first read the news that the Thierry Mugler brand was releasing an Eau de Toilette version of their infamous flagship fragrance Angel, my first thought was ‘I’m surprised they haven’t done one already.’ Well it’s taken nearly 20 years, but Mugler has finally decided to launch a lighter version of the heavy oriental gourmand.

Along with the launch of the new Eau de Toilette, and it’s fabulous new ‘comet bottle’ Mugler has created a brand new television and print campaign for both versions, starring Eva Mendes. I’m probably not supposed to say this, because I like Naomi Watts as an actress, but she just didn’t suit being the face of Angel, so I’m very glad that the sultry Eva Mendes is now fronting the campaign for my favourite Diva.

Now, Angel fans, I can sense that you are perhaps feeling a little uneasy and even slightly sceptical about this new release, after all why would you want a lighter version of Angel? She’s perfect just as she is. Well if you’re anything like me, you love Angel but on some days she’s just a little bit too much, and you can’t be doing with all of her diva antics all day long, every single day. You’ll be relieved to know that Angel Eau de Toilette is faithful to the original and what Mugler has done is create a more ‘everyday’ version of Angel that can be worn to the office/school/park/(insert everyday place here) without terrifying people