The Scent of You on My Skin
The scent of you on my skin, is salty.
It attracts me – magnetises me to you.
A whisper, a trail.
The scent of you on my skin, marks me.
It colours me with invisible ink – a tattoo in vibrant colours.
A pattern of you, an imprint.
The scent of you on my skin, is violets in warm earth.
They bloom in shades of purple – statues rising from the ground.
A flower, a totem.
L’Artisan Parfumeur has been at the forefront of niche perfumery for forty years and in those four decades they have not only reshaped the landscape of perfumery, they have created a vast number of iconic and beautiful fragrances. Today, the brand continues to offer intriguing olfactory editions mixing accessibility with a strangeness that features heavily in the DNA of the brand.
The two latest launches from L’Artisan Parfumeur are Mont de Narcisse and Mandarina Corsica. They sit in ‘Les Paysages’ a collection of fragrances inspired by different regions of the brand’s native France. Here the subjects are the rustic Auvergne and the hot Corsican vistas, with two fragrances that celebrate the physical, botanical and olfactory landscapes of France.
The colour white is achromatic – it has no hue. But white is not the absence of colour, it is the abundance of it. White is what the eye sees when the three primary colours are viewed simultaneously. So despite our connotations of purity, of perfect white snow and blankness, the colour white is actually representative of something multifaceted, chaotic and brilliant. For Map of the Heart, the subversive Australian niche brand, the colour white represents love.
White Heart v.7 is Map of the Heart’s latest fragrance. It follow’s last year’s Pink Heart v.6 and is billed as ‘The Heart of Love’. It’s actually a very tricky perfume to define one that seems to enjoy jumping across many fragrance families and presenting florals, woods, spices, and aldehydes in a jumbled composition that holds interest due to its contrasting and confusing nature. I bet that description has caught your interest…
I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.
I often feel as if I should have been born a handsome and stylish Parisian gentleman. The type of Frenchman I’d like to be is the artistic, knitwear-wearing, reflective type who absorbs culture like good wine. He loves art as much as the gym, speaks numerous languages and is an excellent cook. I’d be called Gabriel or Gaspard, or maybe Jules (can you tell I’ve not thought about this at all?) I’d actually enjoy coffee (why does it smell so good yet taste so bad?!) and I’d be really bloody cool. Oh and I’d wear GUERLAIN exclusively (Jicky I reckon) because why wouldn’t you? A boy can dream of being so chic, but sometimes a fragrance can be the closest thing one gets to making such a fantasy become a reality. Enter Le Frenchy by Guerlain.
Le Frenchy is part of Guerlain’s ‘Les Parisiens’ family – an exclusive collection of reissued masculine fragrances featuring the likes of Derby and Arsene Lupin. This one is a modern reworking of a historic lineage: Aimé Guerlain’s Verveine from 1872, which itself was reinterpreted by Jean-Paul Guerlain as ‘Eau de Verveine’ in 1983. Now we have Guerlain Perfumer Thierry Wasser’s take on ‘verveine’, cheekily entitled ‘Le Frenchy’ (The Frenchman). GUERLAIN calls it “chic and relaxed” which is so not my physical aesthetic, so perhaps Le Frenchy can help me out a bit, after I all I may not have the “bold elegance” of the fragrance, but I reckon I could pull some “natural charm” out of the bag. Let’s see…
Parle Moi de Parfum translates as ‘speak to me about perfume’ and it’s a name that I, as a writer of perfumer, can certainly get on board with. The brand is a family affair – created by Benjamin Almairac who, with his mother and brother, created a retail space in Paris that is also a functioning perfume lab, making perfumes created by his famous perfumer father, Michel Almairac (Gucci Rush, L’Artisan Parfumeur Voleur de Roses and Dior Fahrenheit, to name but a few). Perfumery is in the DNA of the brand it seems!
There are currently ten fragrances in the line, each of which is presented without gimmick. The idea of talking about perfume extends past the lab into the fragrance names, each of which contains a number that represents the number of modifications each formula went through before the final composition was agreed upon. One of the brand’s newest fragrances is Orris Tattoo / 29 – a perfume that centres on an icon of perfumery: the iris root. Parle Moi de Parfum describe the scent as being a “permanent scented reminder, a universal symbol, a unique self-expression like an invisible tattoo that withstands the test of time”, utilising a legendary material as olfactory ink. Colour me intrigued.
I think it’s been a long time since I’ve fallen for a new Serge Lutens fragrance. Perhaps it was La Religieuse in 2015 or La Fille de Berlin in 2013, I can’t remember, but I know it has been a while! I adore many of his back catalogue greats (especially L’Eau Froide, Tubereuse Criminelle, Sarrasins, Iris Silver Mist, Feminite du Bois, and Fleurs d’Oranger) but many of the new ones have failed to resonate. There have been interesting elements to his fragrances of late, but it seems that he has moved away from the dense orientalism and fleur fatale inspirations of his past, opting for yet more abstraction in fragrances that don’t really make as much of a mark.
Well, I am pleased to say that Lutens’ ‘meh’ streak has come to an end with the latest addition to Collection Noire (the most widely available Lutens collection): Le Participe Passè (The Past Participle). In the usual Lutens way, the perfume is presented with little information other than a riddle that is difficult to decode, with Lutens only telling us this: “past moments that surge into the present have many scents. I have interpreted that which most evokes the past.” Thanks for that, Serge – real helpful! Anyway, this new scent is more than a riddle or a description, it’s something much more than that – Le Participe Passè is quite the spectacle.
Fragrances tend to fall into two categories for me; those that make an immediate impact (either positively or negative), and those that take a while for me to get. Laconia, the latest scent from super-swish British brand Tom Daxon, fell smack bang into the immediate category. I knew from the first sniff that I liked it and that this wasn’t going to change. Yes, that’s a massive spoiler for this review, but I haven’t told you what it smells like so you will have to read on…