CurioNoir is a fragrance brand created by New Zealander, Tiffany Jeans. It’s a brand based on craftsmanship with fragrances presented as Extrait de Parfums and scented candles in handblown glass jars. Each of the fragrances have a personal connection to the founder and it shows – they are all distinct, different and showcase an entirely new point of view, that of Jean’s Maori heritage. When i sniffed through the collection there was one fragrance that really stood out, both because of its striking concept, but also because of its olfactory beauty. That fragrance was Pūroto Rose – the handsome rose.
The concept behind Pūroto Rose is really quite beautiful. So beautiful, in fact, that I feel as if the only way to give it justice is to quote it directly:
Three distinct scents filled the air at Ngatihaua Witehira, Tiffany’s great grandfather’s, tangi (funeral). The celebration of life with hot soil, the smell of smoke from the hangi (a traditional Maori meal cooked in the ground), and roses which adorned the tables in the food hall.
I told you it was beautiful.
Aesthetically, Le Labo is one of the coolest brands out there. Everything they do looks hip, from the typewriter font of their labels to the industrially crushed cans that hold their candles. But Le Labo isn’t a case of style over substance – they actually have style and substance in spades, and many of their fragrances have something interesting to say. The coolness of of Le Labo has made them a brand with a cult following so it’s no surprise that their first fragrance in almost three years (refreshing when every other niche brand is launching multiple fragrances a year, let’s be real) is causing quite the stir…
That new fragrance is called Tonka 25 and it is composed by none other than Daphné Bugey, the perfumer behind the likes of AURA by MUGLER and L’Artisan Parfumeur’s La Botanique collection. Le Labo describes Tonka 25 as “an addictive, dark fragrance” that “evokes the smell of warm skin and resinous wood”. This is a fragrance of contrast – one that celebrates the sensual nature of exotic woods and pairs it with a gourmand twist to highlight exciting new facets.
Harmony is balance, and balance is something we often look for in perfumery. After all, perfumery is the harmony of individual ingredients – separate elements made into a harmonious whole. It is through the idea of harmony and balance, through proportion and nuance that the art of perfumery presents odours that smell beautiful, interesting and new.
Niche brand The Harmonist is all about harmony. Following ancient Asian philosophies they present fragrances based on the elements (Water, Wood, Fire, Earth, Water and Metal) in two versions: a Yin and a Yang. The idea is that an individual can be guided to their fragrance using the date, time and place of their birth – through this the dominant element is defined. It’s certainly an interesting way on taking a person on an olfactory journey – one that no other brand is doing.
My fragrance of destiny was Guiding Water – a fragrance defined as “a peaceful and natural source of vitality”.
The Luxury Collection is where rebellious niche house Juliette Has a Gun stretches its olfactory legs. Their other offerings sit comfortably between mainstream and niche – they’re made with good quality materials and bring unique twists to very accessible, affable fragrances. The Luxury Collection however, is a bit more serious and has a touch more of an abstract feel to it, bringing a strong sense of niche-ness. It’s where Juliette Has a Gun ditches the cool air and the fun names in exchange for some serious perfumery.
Liquid Illusion (good name – after all, perfume is just a liquid illusion) is the latest addition to the Luxury Collection. It takes its inspiration from heliotropin – a fragrant material that is also found in the drug ecstasy. The idea here, is to present a stimulating fragrance that pairs heliotropin with the luxurious note of iris – something as intense and electrifying as the inky-blue bottle it comes in. The result is something quite intriguing indeed.
Miller Harris has had a very busy year – they’ve launched two capsule collections of fragrances: Scherzo x Tender and Forage (Lost, Wander & Hidden), and to complete the hat trick, they now presents their third collection of fragrances this year: Peau Santal and Powdered Veil. Housed in bottles coated in intriguing shades of pink (baby pink for Powdered Veil and a more ‘nude’ (not a word I like to use because it only represents one type of skin colour, but other descriptors escape me, ‘blush’ maybe?) shade for Peau Santal), these two fragrances celebrate the intimacy and the ritual of glamming up – the lace of dresses, the powder of make-up, and the wood of dressing tables, and wardrobes. They are fragrances with distinct textures, of powder and skin, that arrive perfectly in time for winter. Let’s check them out.
Leather is just not my vibe. I can just about rock a leather jacket (I have a very casual John Varvatos one that I feel comfortable in) but anything else feels like a stretch outside of my personality. So you’ll never catch me at the Folsom Street Fair rocking a harness, as cool as that would be. My discomfort with leather also covers fragrances and I’m about as likely to wear Cuir de Russie as I am leather chaps – it’s just not gonna happen. For me, leather in fragrance is often too overwhelming – too dry, too meaty, too smoky. But every now and then I find a palatable leather that I can get on with – OMBRÉ LEATHER, the latest from TOM FORD, is one such fragrance.
The Scent of You on My Skin
The scent of you on my skin, is salty.
It attracts me – magnetises me to you.
A whisper, a trail.
The scent of you on my skin, marks me.
It colours me with invisible ink – a tattoo in vibrant colours.
A pattern of you, an imprint.
The scent of you on my skin, is violets in warm earth.
They bloom in shades of purple – statues rising from the ground.
A flower, a totem.