Flesh Tones - Narciso by Narcisso Rodriguez
Flesh Tones – Raquel Zimmerman for NARCISO by Narcisso Rodriguez

“Black, white and nude are my essential colors. Each time I start a collection, I start with these colors; they are the elemental colors we refer to from the beginning.”

– Narciso Rodriguez

Scent often presents itself to me in colours. I am not for one second claiming that I am a possessor of any form of Synesthesia, but like most people I’m sure, I often assign a shade or hue to a particular perfume or ingredient. For example, Frederic Malle’s Portrait of a Lady is the most shocking, ruby-like red, whereas 4160 Tuesdays’ Urara’s Tokyo Cafe comes out of the bottle in strands of fuchsia pink and dark green. Of course, a perfume’s packaging has an impact, leading one to think of a specific colour, and despite the way one’s mind may think they smell, it’s impossible to see a fragrance such as Mugler’s Angel as any other colour other than blue.

On some occasions the colour of a perfume’s packaging perfectly matches the shade of the smell it contains. This aesthetic and olfactory synchronicity can add to the overall experience of a fragrance, joining together the tactile and the ephemeral to make something that is ultimately more enjoyable. NARCISO, the latest fragrance from American fashion designer, Narciso Rodriguez is one such fragrance and it marries a bottle and a fragrance of white, nude and black to create an immersive olfactory experience that, even in its flesh tones, is distinctly colourful.

NARCISO, which takes its name from the designer and the Greek myth of Narcissuswas created by perfumer, Aurelien Guichard (Chinatown, Eros & Petit Fracas) and intends to celebrate “a woman’s powers of seduction with the utmost luxury”. It follows Narciso Rogriguez for Her as the brand’s second pillar fragrance for women and seeing as for Her is already considered as a modern classic, NARCISO has some big shoes to fill. NARCISO may be pale in colour, but does it pale in comparison to Rodriguez’s popular flagship fragrance? Only time will tell.

Versace Eros
Versace Eros

As a fashion brand I have the greatest respect for Versace (admittedly less-so with Donatella at the helm) – they know how to make gaudy look glamorous and are at their very best when they are being as showy as possible. As a perfume brand Versace is less attractive, again their older stuff is good (I’ll always have a soft spot for Blue Jeans and Versace Woman, and Blonde is pretty awesome) but their newer stuff is very much lacklustre at best.

So it was with mixed expectations that I approached the brand’s latest masculine offering ‘Eros’. On the surface Eros appears to have everything you would want in a Versace fragrance – tacky bottle (it’s positively wonderful in its tackiness), ridiculous, over-the-top advertising (see here) and a Tanorexic muscly adonis fronting the whole thing – but as we all know in the world of fragrance, appearances can be deceiving.

Eros takes its name from Greek mythology, specifically the Greek God of Love. Created by perfumer Aurélien Guichard (Bond No 9 Chinatown and all of the new Robert Piguet fragrances and re-issues) Eros is described by Donatella Versace as being for “a man who is own master and who defends his own ideas and goals. He is a hero.” We know exactly what Donatella’s idea of a hero looks like but what does he smell like?