The success of Jean Paul Gaultier’s iconic masculine fragrance Le Mâle somewhat overshadows the greatness of anything else the brand has created. Many of the Gaultier fragrances that followed – the likes of Fragile and Gaultier² – were just as innovative and remarkable as Le Mâle, even if the market wasn’t quite ready for them at the time. Le Mâle is often talked about and nearly always lauded – I myself have written about it on numerous occasions, partly because it’s an icon, and partly because it played a large part in my formative years – I wore it throughout my adolescence and on many a raucous night out (and in…).
But this article isn’t about Le Mâle, no, Le Mâle gets more than enough attention (cheeky git that he is). This is a celebration of Classique, the feminine counterpart to Le Mâle and Gaultier’s very first fragrance – a perfume that doesn’t get the spotlight anywhere near as often as it deserves or desires. Classique has sat on the shelves of our department stores and our bedrooms for 26 years now and whilst others have come and gone, Classique has remained, proving that a good idea executed at the right time really does stand out. But what makes Classique so timeless? Today we’re going to find out.
The great thing about packaging your flagship fragrance in the shape of a couture-clad torso is that you can redress it again, again, and again, leaving lots of room for many exciting limited editions. The possibilities are endless and it’s true, Jean Paul Gaultier’s Classique has a vast wardrobe (one that many a supermodel would envy) packed to the brim with corsets and gowns, each of which has been fashioned from the imagination of a game-changing, rockstar of a fashion designer: the cheeky yet supremely talented Jean Paul Gaultier.
For 2019, Classique once again has a new outfit and this time, a new scent to match too. Classique Cabaret is the latest limited edition to launch in the Classique canon and aside from the original, which I love, I’m going to go out on a limb and say that this is the best version yet. Inspired by the cabarets of the 1940s, Classique Cabaret is a light-hearted and liberated fragrance that just wants to have fun. The glitzy-red dress wearing Classique Cabaret blends the signature orange flower of Classique with electric ginger and sensual amber, putting together quite the olfactory show. So roll-up, roll-up, take your seats and get ready for the smelliest show in town: the Jean Paul Gaultier Classique Cabaret!
When I think of Jean Paul Gaultier I think of effeminate, yet muscly sailors, cone-bras, corsets and spanking. His fashions, fragrances and even he himself embodies all that is naughty about the french. There is a reason why he has been dubbed the ‘L’Enfant Terrible’ of Parisian fashion
What I don’t imagine when I think of Jean Paul Gaultier is softness, subtlety and warmth, but that’s exactly what I find in GAULTIER². Each of JPG’s fragrances are so bold and popular that it’s a hard job to escape them out there in the real world, but not GAULTIER² – the stealth Gaultier and black sheep of the family. Classique and Le Mâle may get all the attention, but GAULTIER² is the quietly clever one, severely underrated yes, even misunderstood, but it cannot be denied that it is a stroke of genius.
“Him and Her. Her and Him. Mixing the genres is Jean Paul Gaultier’s favourite game. With GAULTIER², he breaks through traditional fragrance barriers with his unisex fragrance. A true olfactory statement.” 
GAULTIER² was created by Francis Kurkdjian (we’re all in agreement that the man’s a genius, right?) in 2005 and is a scent for both the boys and the girls. It is described as “the essence of two skins in love. A warm, sensual fragrance that blends the masculine and feminine in a trio of musk, amber and vanilla”  and is housed in a bottle of two halves, one for him and one for her, held together by a magnetic force.
I find it interesting that JPG, the king of excess, would go for three simple notes in this fragrance and I’m sure that if we were to look at the formula we would discover that there are more ingredients, but I can’t help be attracted to the idea of three aromas blended together to find the perfect equilibrium. There’s something really quite romantic about that simplicity and the harmony it brings.