Recently when I reviewed ALIEN MAN, I moaned about how it did not smell like a ‘MUGLER’ and how I thought that was a very bad thing. Today I am reviewing Mystic Aromatic, the latest (and tenth) edition to Les Exceptions, an exclusive line of fragrances from MUGLER, and in this review I will say that it does not smell like a MUGLER and remark how I feel that is a good thing. I am a wave of contradictions, Dear Reader, I know. But do read on and you will soon understand why these contradictions are aptly applied.
Mystic Aromatic is described by MUGLER as presenting “an intense aromatic freshness contrasted by hot, bewitching notes”. As with the other fragrances in Les Exceptions, this one too seeks to subvert a familiar genre with an interesting olfactory twist, in this case taking the green aromatic family and injecting it with an unexpected ambery warmth. The result is yet another contradiction from MUGLER, where warm meets cold, fresh meets dense, masculine meets feminine, and green meets gold. Once again, MUGLER proves that it has the ability to surprise…
MUGLER have finally launched the highly-anticipated ALIEN MAN – a masculine counterpart to their blockbuster feminine ALIEN (launched in 2005) and their first male pillar since B*MEN in 2004. As you know, I’m a massive MUGLER fan so I have wasted no time in putting together some words in my weekly Escentual column to give you all of the details. So, if you want to know what ALIEN MAN smells like then all you need to do is click here and you’ll be taken on a little bit of a space voyage through this brand new scent.
The exciting thing about Amouage is that one never knows where Creative Director Christopher Chong is going to take the brand next. His artistic vision is like no other’s and with his creations for Amouage he brings in concepts abstract to olfaction – notions such as death and gender identity – and crafts them into fragrant forms. The results are fascinating and it would be safe to say that nobody makes perfume quite like Amouage and Christopher Chong. These are rich, complex and sometimes challenging compositions that not everyone will love, and therein lies their strength. So yes, I’m always fascinated to see where Amouage goes next.
Well that ‘next’ turns out to be a time-travelling epic to 1970s New York City, the city and time in which Christopher Chong grew up. Arriving in the Lower East Side in the mid 1970s, the sights, sounds and scents of New York have clearly had a formative impact on the Creative Director, who this year brings us Imitation, a new duo of fragrances that represent the “subcultures of an iconic era”. With Imitation Man and Imitation Woman, whose names are inspired by Andy Warhol and his imitative art, Chong takes us on an olfactory odyssey of glamour and grit, evoking “audacious freedom” through the smooth velvet of the masculine and infamous nights out at Studio 54 in the women’s. They make for quite the pair, I tell you.
I was lucky enough to be invited to New York City to join Amouage for the launch of Imitation Man and Woman, with a wonderful opportunity to explore Christopher Chong’s neighbourhood on the Lower East Side (it’s THE place to stay in NY if you’re going, trust me). I was also lucky enough to spend some time with Christopher for an interview, which I will publish tomorrow. But for now, let’s get our heads and noses around the latest olfactory coupling from Amouage – Imitation.
Speed Sniffs are a way to bring you ‘to-the-point’ fragrance reviews that are quick and easy to digest. They are perfume reviews without the faff.
Goldfield & Banks is one of a few punky perfume brands that are making Australia a real contender in terms of perfume making. With their modest collection (just five fragrances) they are showcasing the “lush, aromatic and botanical beauty” of the Australian continent, from the forests, to the deserts and the coastline. Their latest scent is ‘Wood Infusion‘ is inspired by the “balmy heritage listed Fraser Island in the Pacific Ocean”, celebrating a number of wood species all in one infusion.
Apologies for radio silence over the last few weeks. I will be back next week. Until then enjoy my review of the LOVELY Ever Bloom Sakura Art Edition by Shiseido – on Escentual now. Click here to read.
I’ve always been a firm believer that first and foremost, a perfume must smell good. It can come in whatever bottle it wants with any back story it fancies, but if it’s not enjoyable to wear then what’s the point? So often us consumers are courted with gimmicks – perfumes that promise us all sorts of weird and wonderful things, and whilst this allows for the art of olfaction to be pushed forward, it doesn’t necessarily result in fragrances that translate for everyday wear. It’s a balance between making artistic statements and making wearable accessories and when done right, the results are utterly magical.
One brand that perfectly fulfils the ethos of smelling good is Jo Malone London and since the brand’s inception in 1983, they have brought us a wealth of accessible colognes that above all else, smell good. Jo Malone London is a brand that celebrates the luxury of simplicity with fragrances that usually focus on the contrast and harmony of two notes but are always served with a touch of British eccentricity. The idea is that the fragrances themselves are complex enough to excite the nose when worn alone but also have enough of a paired-back simplicity to allow them to be combined with other scents in the collection (following the brand’s Fragrance Combining suggestions). With Jo Malone London one builds a wardrobe of fragrances for each occasion, layering them to unlock new and exciting facets. To put it simply: they do what they do very well.
As you may know, Nick Gilbert, my scented partner in crime and I run a perfumed Twitter project called ‘@Fragrantreviews’, in which we review fragrances in 140 characters or less. After a short hiatus, Fragrantreviews is back and in the first of a monthly round-up of posts, I bring you all of our reviews posted in April 2016! They range from the sublime to the disappointing, and all that’s in between!