I didn’t originally have a post scheduled for today, but I simply had to tell you about something brand new and exciting from CHANEL. I mean, it would be rude of me not to spread some CHANEL-scented joy now, wouldn’t it? Indeed! Seeing as it’s nearly Christmas (only 71 more sleeps, people) and the holiday season is the domain of CHANEL Nº5, it makes sense that Paris’ biggest fashion house is treating us to a delightfully scented treat just in time for gifting season – a treat that is certainly getting me very excited: Nº5 Body Oil.
“Nº5 THE BODY OIL offers an exceptional moment of supreme refinement. The extremely gentle scented oil brings a promise of relaxation in the soothing atmosphere of Nº5. It subtly emits the iconic fragrance like a beckoning path to sensual delight. Bathed in a delicate scent, the skin is left soft, moisturised and dry to the touch.”
The district of Peckham in south-east London isn’t the first place that springs to mind when one thinks of the house CHANEL, but that’s exactly where the world’s most famous couturier decided to host a five-day pop-up scent installation inspired by their fragrances. The location was chosen because it is home to the studio of Es Devlin, the Stage Designer picked by CHANEL for their first collaboration with i-D under their ‘The Fifth Sense’ partnership.
Es Devlin creates “kinetic sculptures meshed with light” and is famous for piecing together elements of the London 2012 Olympic Closing Ceremony, Béyonce’s Formation World Tour (having created a gigantic “monolith” of a video screen for the tour), Adele’s BRIT Awards performance of “When We Were Young”and pretty much all of Kanye West’s performances in recent years. With such an illustrious and frankly fascinating body of work, it’s no surprise that Es was the perfect artist to work with for CHANEL’s very first pop-up scent installation.
Entitled ‘Mirror Maze’ this installation takes themes of navigation, gravity and memory, and links them to fragrance. The physical aspect sees a mirrored maze reminiscent of Coco Chanel’s famous mirrored staircase intertwined with video installations and soundscapes. Fragrance comes into play in the form of a specially-created scent crafted by CHANEL in-house Perfumer, Olivier Polge – a fragrance that scents a special space within the installation. The fragrance and installation (which closed yesterday) will last for five days, after which they will only exist as memory.
“I began to think about scent as a means of finding my way and measuring myself – not in space but through time. I thought about the smells that take me back – burning street tar, Vicks inhaler, Christmas tree resin, freshly cleaned school corridors, printer ink, chlorine, sunscreen, baby milk, mosquito coils, Indian jasmine mixed with street cooking, diesel – and I began to see them as landmarks for who I was when I first and last smelled it.”
There’s always a sense of unease amongst the perfume-appreciating public when a brand announces that they are tinkering with a classic and presenting it in a new guise. Teeth are clenched, short breaths are inhaled and noses are on guard, all held in hope that whatever this new fragrance child turns out to be, it lives up to the high standards set by its forbearer. Personally, I’m not so precious about the classics and I view these remixes as being similar to the remake of an iconic film. Just because something is being remade, doesn’t mean that every single copy of the original will be deleted. The classic will still be there so if the new version doesn’t resonate, that’s fine, one still has their classic to enjoy. So yes, brands can remix and remake as much as they like because you know what? The results can often be quite interesting indeed (case in point: Shalimar Parfum Initial).
I say all of this because CHANEL are just about to launch Nº5 L’EAU, an entirely new interpretation of none other than Nº5, arguably the most famous perfume in the world. L’EAU comes as the first rehash of Nº5 under the penmanship of Olivier Polge, CHANEL’s latest in-house perfumer, who took the reigns in 2015. This however, is not the first rebirth of Nº5, which has seen a number of incarnations in its time, starting as an Extrait composed in 1921 by Ernest Beaux before the perfumer revisited the composition to create an Eau de Toilette just two years late in 1924. Under perfumer Jacques Polge’s tenure, we saw an Eau de Parfum concentration composed in 1986 in addition to an ‘Eau Première’ version which followed in 2007 as an introductory scent for a younger audience. Now we have L’EAU, a fragrance that is being billed by CHANEL as the Nº5 of today.
“A fragrance for here, now and always” – that’s how CHANEL describe Nº5 L’EAU. The fragrance is a “complete reinvention” of the original but at the same time, the brand is quick to point out that Olivier Polge has been respectful of Nº5’s history whilst he has dissected the formula to see just how it ticks, and rightly so. Nº5 L’EAU looks to the future to create a new Nº5 – a Nº5 for the modern generation. The trick here is to create something new from something so instantly recognisable, to make the known surprising and to not lose the spirit of the composition along the way. So how successful has the exercise in modernising and lightening an olfactory icon been? Well, you’ll just have to read on to find out!
If last year’s Misia was anything to go by, perfumer Olivier Polge is definitely finding his feet at CHANEL, having taken over the position of perfumer-in-residence from his father, Jacques Polge, the man behind the likes of Antaeus, Coco, Coco Mademoiselle, Égoïste – need I go on? Big boots to fill, most certainly, but M. Polge Jnr certainly has a fair few hits under his own belt, scents such as Dior Homme, which, lets face it is already a modern classic, so perhaps those shoes aren’t quite so big after all?
For his second outing in CHANEL’s niche line, ‘Les Exclusifs’, Olivier Polge pays homage to Arthur Capel, Gabrielle Chanel’s patron and lover. ‘Boy’, as he was called, lends his name to the fragrance, which is a feminine take on the typically masculine fougère inspired by Chanel’s clothing, couture that borrowed heavily from the codes of menswear and tailoring. BOY the fragrance has been created to capture Capel’s “irresistible elegance” and “virile strength” and is a gender-bending scent that borrows from the olfactory codes of men and women. As CHANEL describe it, BOY is the “mark of a man on the skin of a woman”.
Super Scent is back, again! As you may or may not know, the idea of this series is for Basenotes, Persolaise and I to pick a perfume house and list our top five (or a few more if the house has an extensive catalogue). We are not allowed to discuss or show each other our lists before we publish and we must pick fragrances currently available and in their most recent formulations. We encourage you to share your top fives too and it’s always fascinating to see both the similarities and differences in our lists. So please do join in!
So far we’ve looked at Lauder, debated about Dior and edited the catalogue of Etat Libre d’Orange to pick our favourites, which takes us up to today and our latest subject: Chanel. Chanel is the house responsible for popularising the link between fragrance and fashion, cementing themselves as not only one of the world’s greatest couturiers, but also placing themselves at the forefront of fragrance. They are an illustrious brand with a fascinating eye for detail and a never-ending thirst for quality. Let’s take a look at my top five!
Facial hair is, and always has been, one of man’s many fashion statements. Over the years styles may have changed, with more men today rocking wild lumberjack beards that display impressive growth over handlebar moustaches, but the necessity for fastidious facial grooming is more prominent than ever. A good shave therefore, is incredibly important. Now, there are many steps to a good shave and a plethora of grooming products to aid each step of the way, but for the act itself one at least needs a decent shaving cream or foam and a soothing moisturiser of sorts to calm the inevitable burn. Oh and a razor too, that always helps.
In February, legendary luxury house CHANEL will launch two such things as limited editions within their BLEU DE CHANEL line. Now, regular readers of my blog will know that I’m more likely to spritz on some Nº5 than I am BLEU DE CHANEL (I do love a floral, after all), but that’s not going to stop me from exploring all that the line has to offer. With their SHAVE IN STYLE collection, which consists of the BLEU DE CHANEL Shave Cream and BLEU DE CHANEL Hydrating After Shave Gel, the iconic Parisian house are utilising the familiar scent of BLEU to fragrance two products that “ensure a perfect shave and an elegant and sophisticated trail”. As with all things CHANEL, the quality is top notch and without offering too many spoilers, I found them to make for a very enjoyable shave. Shaving is a ritual – a time to take care on oneself, and let’s face it, if you’re going to shave, and shave properly, why not do it with CHANEL?
Well here’s some news for you! Chanel is adding a new fragrance to its exclusive collection ‘Les Exclusifs de Chanel’. The fragrance is called ‘Misia’ and is the latest addition to the Chanel Exclusives since 2013’s 1932. The name pays homage to Misia Sert, piano player, artistic saloon owner and best buddy (well, friend) of none other than Coco Chanel, the founder of the Chanel brand.
Misia is the first fragrance created for Chanel by Oliver Polge (Dior Homme), the son of famous Chanel perfumer, Jacques Polge (Coco, Coco Mademoiselle, Antaeus and Egoiste etc.). The fragrance has been designed to be evocative of the 1920s, with prominent notes of Turkish rose and rose from Grasse. Misia is a fragrance “for the free and confident woman.”