Here we are then, at the very end of 2016. It feels, especially after the losses of George Michael, Debbie Reynolds and Carrie Fisher, to name but a few, within the last week, a very bittersweet year. I say bittersweet because it’s not just the loss of the huge number of great talents this year, the likes of Bowie, Prince, Victoria Wood… (the list is endless), but also because the world seems to be a much harsher place than it did one year ago. Whatever your politics, I think we can all agree that 2017 is the year that we all need to work together to make our world a better place.
From a fragrant perspective, 2016 has actually been a pheomenal year. I’d be lying to you if I said that it was easy for me to pick out my very favourite scents of the year because I really did like a lot this year, and it feels like there certainly was a huge amount of good stuff, whether that be unique and interesting new things, or familiar styles that were executed very well. But you will be pleased to know that I was able to narrow down my choices and pick out the winners of The Candies 2016. I do need a stiff drink after all that work though…
If this is your first time attending The Candies, I shall explain how things work. Firstly, you may attend in your pyjamas and you do not need to worry about drinking too much and making a fool of yourself, in fact, such actions are encouraged. We have a number of awards to give out, each of which is split out by Mainstream and Niche, and then by gender. There are also awards for Best Top Down Design and even a Sour Candy Award, which names and shames the worst perfume of the year. This year we also have the addition of the Best Scented Product Award which celebrates the best smelly product for your body or home. It’s a full programme, so let’s get started!
I’m taking a bit of a blogging break this week to enjoy the gorgeous weather we are having, and perhaps also to play lots of Pokémon Go too… Anyway, less of the Pokémon and on to perfume. This week I have mostly been falling for Stella McCartney’s POP, which is probably the most fun a person can have with their clothes on and in olfactory form. This is watermelon bubblegum and plastic tuberose shrink wrap in neon shades of pink and green. Honestly, it’s enough to make you grin from ear-to-ear like the Cheshire Cat. Click here to head on over to Escentual to read my review in full.
Stella, Stella, Stella, how I love thee. It’s true, I do and as far as eponymous signature fragrances go, or woody roses for that matter, Stella is hard to beat. I’m also a bit biased because my sister wears it, but that aside, I’m fully committed to admitting that Stella McCartney’s debut fragrance is a good egg. With that in mind, I was very intrigued to road test the new Eau de Toilette version of Stella, not least because that spotty pink bottle is to die for, but also to see whether it was faithful to the original, and most importantly, whether it was at all necessary.
Stella Eau de Toilette is the centrepiece of my Escentual column this week, in which I sink my teeth into this new scent to ascertain whether it is just ‘Stella Light’ (that sounds like a beer, doesn’t it?) or whether it is something different altogether. To read my review, and the results of this highly scientific analysis, simply click here to head on over to Escentual. If you’ve tried the EdT, or you simply a fan of the original, do please leave a comment either here or there – I’d love to hear your thoughts!
Good news, folks! Stella McCartney is re-launching her eponymous fragrance, ‘Stella‘. The composition of the perfume, originally launched in 2003 and created by perfumer Jacques Cavallier (Alexander McQueen’s Kingdom, Issey Miyake’s Le Feu d’Issey and Yves Saint Laurent’s Nu), thankfully remains unchanged, whilst the bottle has undergone a very slight revamp with a number of new sizes available. Stella launches exclusively to Harrods in the UK today.
To celebrate this welcome relaunch (I’m a personal fan as it’s my beloved sister’s signature scent), Stella McCartney has teamed up with fashion photographers Mert & Marcus, and model Lara Stone to create a provocative print and television ad campaign that shows the woody rose fragrance in an entirely more edgy light. One image (NSFW, FYI) displays Stone completely nude and covered with strategically placed flacons, positioning Stella’s relaunch as entirely unmissable.
Check out the TV spot below the jump.
“The smell of the English countryside in spring time”
L.I.L.Y is the latest fragrance from British fashion designer Stella McCartney. It very much marks a break from tradition for McCartney, whose other fragrances have all be a variation on a theme, namely that of her eponymous debut fragrance ‘Stella’. I love Stella, as far as designer fragrances go it is pretty well done and my sister wears it religiously so I have a strong connection to it, but I am very glad that McCartney is branching out into new fragrant territory with L.I.L.Y.
Where Stella was an ode to rose, L.I.L.Y is, as the name suggests, an ode to the lily of the valley. Lily of the valley is a flower which yields no scented oil yet so evocatively represents the smell of the English countryside in spring time. It’s both beautiful to look at, and to smell, and it represents all that is innocent and virtuous about the world. Lily of the valley is simply one of the world’s most precious of joys.
L.I.L.Y is described as an “evocative scent made up of Stella’s most treasured moments” . Its name stems from her father’s nickname for her mother; ‘Linda I Love You’, and the Lily of the Valley used in the fragrance is reminiscent of her wedding bouquet. For L.I.L.Y, McCartney has aimed to create a perfume that is personal to her, rather than Stella McCartney ‘the brand’. In this world of hyper-focus-grouped perfumes, I can’t help but find the personal touch applied to L.I.L.Y utterly refreshing.