Looking Good and Smelling Fine [Image of Me at My Father’s Wedding via Peter Buncombe]
Awards Season is set to end this Sunday with the 86th Academy Awards (a.k.a. ‘The Oscars’) and the stars will be out in full force, donning their finest garb having spent hours preening their faces and coiffing their hair. Of course, us mere mortals will simply be watching the ceremony at home in our pyjamas, possibly scoffing on some popcorn in a nod to the wonders of the silver screen. Still, we can live vicariously through the glamour of the winners and losers, can’t we?
Thinking about the Oscars and the upcoming Jasmine Awards (for which I need to pick myself an outfit) led me to ponder over which perfumes are best suited to formal occasions. Most of the time I’m of the belief that one should wear whatever they heck they want when they want, but in situations where dress codes are enforced and one has to be smart, it can be beneficial to pick out a scent that is suitably dapper to match.
For this post I’ve put together some of my favourite ‘smart’ perfumes for black tie or formal occasions. They range from the smart casual to the well-tailored and the dramatic, and between them they serve as a mini-guide to picking that perfect scent for a special occasion. Most are unisex so are suitable regardless of whether you’re a guy or a girl and can be paired with a suit, tux or fancy dress to ensure that you’re looking good and smelling fine.
Nowadays every perfume release comes with a story, normally one that involves a good degree of creative license courtesy of the brand’s PR department. This is no bad thing really, a good story can add to the experience of a scent, after all no art is quite as transportive as the art of olfaction, but at times it’s best to approach a perfume without any pre-conceived notions and just allow the scent itself to tell the story.
Some stories in particular are important and the tale behind Mona di Orio’s latest release – ‘Violette Fumée‘ – is both worth telling and incredibly touching. Created privately by Mona di Orio before her death for the private use of her business partner and co-founder Jeroen Oude Sogtoen, Violette Fumée captures “the melody of Jeroen’s favourite passions, memories and materials.” It’s a perfume made out of love, admiration and respect.
On an olfactory level, Violette Fumée is described by the brand as an “oriental balsamic floral” and in the same vein as many other perfumes from the house it feels incredibly unusual when compared to its peers. It stands as a true testament to Mona’s talent as a perfumer and is a fitting legacy for someone who brought so much intrigue to the world of fragrance.
The Candy Perfume Boy’s Guide to series is an olfactory exploration of individual notes and ingredients that looks at the essential perfumes one must try as part of their fragrant journey. Each episode focuses on a particular note and lists the reference perfumes (i.e. the ‘must sniffs’) within that particular genre.
So far in the series we’ve explored the worlds of; Tuberose, Lavender, Oud, Orange Blossom and Chocolate. Up until now the ‘Guide to’ series has been relatively sporadic but moving forward, the intention is to schedule instalments for the beginning of each quarter – therefore suggestions on which note/genre to explore next are most welcome.
This episode takes a look at the humble violet – a genre that doesn’t quite get the exposure that it deserves. It’s a note that is more likely to be associated with the stiff upper lip of Victorian Britain than the contemporary world of modern perfumery but a number of perfume houses are making solid efforts to change this perception and are making pretty fantastic perfumes along the way.