The Candy Perfume Boy’s Guide to series is an olfactory exploration of individual notes and ingredients that looks at the essential perfumes one must try as part of their fragrant journey. Each episode focuses on a particular note and lists the reference perfumes (i.e. the ‘must sniffs’) within that particular genre.
So far in the series we’ve explored the worlds of; Tuberose, Lavender, Oud, Orange Blossom and Chocolate. Up until now the ‘Guide to’ series has been relatively sporadic but moving forward, the intention is to schedule instalments for the beginning of each quarter – therefore suggestions on which note/genre to explore next are most welcome.
This episode takes a look at the humble violet – a genre that doesn’t quite get the exposure that it deserves. It’s a note that is more likely to be associated with the stiff upper lip of Victorian Britain than the contemporary world of modern perfumery but a number of perfume houses are making solid efforts to change this perception and are making pretty fantastic perfumes along the way.
It came down to yours truly to pick the theme for this edition of the group blog post between myself, Olfactoria’s Travels, Persolaise, Fragrant Moments and Eyeliner on a Cat. For me this task was simple, I knew straight away that I wanted to talk about the relationship between fragrance and fashion, and more importantly I wanted to see just what my fragrant brothers and sisters would make of the correlation.
For years the worlds of perfume and couture have collided to create a wealth of classics and a whole heap of dreck. Houses like Chanel, Yves Saint Laurent, Tom Ford and Dior are as famous for their perfumes as they are for their fashions, with the former serving as an accessible way for one to own just a small piece of one’s favourite luxury brand.
One’s favourite fashion trend is most definitely animal print. There is just something so wonderfully wild about such bold, beastly prints and furs (all faux of course) in fashion and when one wishes to make a statement there is no greater choice than a measured dose of shocking animal print.
This post takes a look at one’s pick of the best ‘Animal Print Perfumes’ – those fragrances that perfectly capture the spirit of the boldest of prints. Whether it be the spots of the royal leopard, the stripes of the elegant zebra or the scales of the deadly black mamba, this post celebrates the collision of fashion and fragrance in the most utterly outrageous of styles.
I’m back, finally! After a month of painful wrestling with my dissertation and other nasty bits of uni work I can finally turn my attention back to my first love – perfume. The last month has been both stressful and refreshing – stressful for obvious reasons and refreshing because it felt like a good time to take a blogging break so that now, when all the work has been handed in, I can come back with a fresh mind and renewed enthusiasm.
Despite the absence of blogging during my uni-fest I have managed to stay (relatively) sane. This can be attributed to three things; the constant support of Nigel (my partner), a metric ton of Maltesers and a constant supply of episodes of my new all-time favourite TV programme – RuPaul’s Drag Race. That’s right squirrel friends, all one needs to get oneself through a tough time is a parade of drag queens…
If you haven’t had the pleasure of watching RuPaul’s Drag Race then; a) watch it now (go on) and; b) simply picture the model-filled runway of America’s Next Top Model crossed with the home-made fashions of Project Runway with a generous dollop of drag queen fabulous-ness on top. Now can you see why it is perhaps the absolute greatest thing on earth?
I love RuPaul’s Drag Race so much that I thought I would pay my own scented tribute to the queens that make it so darn sickening (that’s sickening in the good sense of the word FYI) to watch. So without further ado I present to you the latest instalment in the Scent a Celebrity Series, an episode containing perfumes and queens who display the ultimate levels of Charisma, Uniqueness, Nerve and Talent – gentleman, start your engines, and may the best woman, smell!
Alexander McQueen’s perfume line was both infamous and short lived. Perhaps better known for the erotically charged skank-bomb Kingdom than its other offerings, McQueen’s perfumes were nowhere near as successful as they were artistic or ultimately as they deserved to be.
Following in the same vein as his fashion output McQueen’s first perfume Kingdom was a renegade scent created to shock, however the second and final perfume from the brand – MyQueen – was something entirely different, opting to reference the subtle intricacies of the designer’s sculptural tailoring rather than courting the realms of controversy.
Created in 2005 by perfumers Anne Flipo (Ananas Fizz, La Chasse aux Papillons & Donna Karan Woman) and Dominique Ropion (Carnal Flower, Alien & Portrait of a Lady) MyQueen was created to represent the McQueen woman – “a vision of the woman of his (McQueen’s) dreams” – with the kaleidoscopic bottle representing not only the many facets of this woman but also McQueen’s love for antique glass.
Scented Lives is a new series of perfume profiles that explores the perfumes and scents that have been a part of people’s lives. I believe that the perfumes we wear are individual threads that help form the tapestry of our lives, they speak huge volumes about our character and help us form memories of times, people and places.
The series will start with the profiles of my family, friends and those that are special to me and will then branch out to others with interesting scented lives. If you are interested in taking part in the series please contact me on email@example.com.
How It Works
Each subject is asked to pick five perfumes (ones that they have worn) that have played a significant part in their lives. They will then be asked to give reasons for their choices and explain what their associations with those scents may be. The series aims to use perfume as markers for significant points of the subject’s life, whether happy or sad, and to help them unleash their olfactory memories.
I don’t know about you, but when I wear fragrance I wear it for myself and myself alone. Sure, I love to share my passion with others, that is a huge part of my hobby, but when I wear perfume, I wear it because I enjoy it.
And I wear what I like!
Ever since I bought my first proper perfume (Kingdom by Alexander McQueen) I have loved ‘feminine’ fragrances. Looking through my collection it’s obvious that the ratio of feminine and masculine is weighted considerably towards the feminine. To this day I find myself drawn to the feminine releases much more than masculines. Don’t get me wrong I do enjoy wearing masculine fragrances but they just don’t wow me the way a lot of the feminines do.
I guess that I’m the King/Queen of fragrant gender bending.
This week my good friend Cara and I will be teaming up to create a special fragrant event as part of her Instability-in-Stability project. During the event we will both be discussing our scented memories as teenagers. Thinking about the subject matter I thought it would be apt to review the first fragrance that I fell in love with, the one that started the obsession; Kingdom by Alexander McQueen.
At the tender age of 16 (it feels so long ago now), I wasn’t really fussed about fragrance, I would wear generic ‘boy’ fragrances such as Hugo Boss and Paul Smith and the fragrances I wore were normally gifted to me by relatives. That was, until Kingdom came along…