Boudoir

Talking about another Vivienne Westwood scent (Anglomania) last week as part of the ‘Gone, But Not Forgotten’ Series led me to drag out my bottle of Boudoir which has been lurking somewhere in the back of my ‘purgatory drawer’ – a fate that awaits those perfumes of mine that no longer have a place in my collection.

When I gave Boudoir its first spritz in what must be at least a year I was shocked, why was this in the purgatory draw? I like this! My biggest problem, it seems, is that I have a short attention span, I can only concentrate for a maximum of about five minutes before being distracted by something shiny or basically anything other than the task at hand (a problem that was recently brought to my attention by my boss, who very politely mentioned that my time management skills left a lot to be desired) and this is true with perfumes, I do tend to love something for a while before I get bored and want something new. I guess you could call me a ‘fragrant magpie’ of sorts.

Anyway, enough about me, on to the fragrance! Boudoir was Vivienne Westwood’s first fragrance and was released in 1998, it is classified as a ‘Floral Chypre’ and is the only Westwood fragrance that seems to have stood the test of time, Libertine, Anglomania and Let it Rock have all since fallen by the way side and have lost their places as part of the Westwood collection.

Mugler

“This may be death by chocolate but what a way to go…”

Thierry Mugler’s latest collection of limited editions ‘Le Goût du Parfum’ (The Taste of Fragrance) has proved to be one of the best collection of flankers ever released, Mugler has taken the signature of four of his perfumes (Angel, Alien, A*Men and Womanity) and has added a taste enhancer that either adds or amplifies a gourmand facet, this is where haute cuisine meets haute perfumery.

For more on the series please click here.

Angel is Thierry Mugler’s flagship fragrance, she is already infamous for being the first gourmand oriental and one of the first perfumes to use a chocolate note. For Angel Le Goût du Parfum, Mugler has used a taste enhancer of pure cocoa powder (what else?) to emphasise the chocolate notes, the end result promises to be “more gourmand than gourmand” [1] – and it is!

Angel Le Goût du Parfum is a worthy addition to the Angel lineage and whilst it doesn’t replace the original, it does fill a particular void in my collection – a true chocolate fragrance.

Anglomania
“Anglomania is quite a blowsy scent, a fact that is only emphasised by the quite, erm, ‘breasty’ advertising image.”

Vivienne Westwood is the epitome of British eccentricity. A self-taught designer, mother of punk and general, all round odd ball, Westwood put British fashion on the map and her mixture of shabby chic and unusual tailoring has proved to be timeless.

Dame Viv has released five fragrances (not including flankers); Boudoir, Libertine *, Anglomania *, Let it Rock * and Naughty Alice, three of which have since been discontinued. If I’m being perfectly honest the fragrances from the line have been a mixed bag, Boudoir is a great, slightly filthy chypre, Libertine is a pretty decent floral citrus (it used to be a favourite of mine until my tastes developed), Let it Rock was a dreadful oriental and don’t get me started on Naughty Alice…..Anglomania is the best and most interesting of the bunch.

Anglomania is named after Westwood’s recurring collection of the same name and the scent is intended to evoke “Asian intensity with British heritage” [1]. It was released in 2004 and was created by the great Domique Ropion (Carnal Flower, Alien, Geranium Pour Monsieur to name but a few), it does exactly what it says on the tin.

Bottega Veneta

If you had mentioned the name Bottega Veneta to me a month ago I would have stared at you blankly and wondered who the hell you were talking about. My interest in fashion is more of a passing interest, I can appreciate excellent design and I have a good few fashion books for my coffee table (despite the fact that I don’t actually have a coffee table, sad I know) and I’m more than slightly addicted to Project Runway, but I would never describe myself as a fashionista, hence my somewhat unfashionable ignorance of Bottega Veneta.

So, for those of you, like me, who aren’t aware of Bottega Veneta (which is Italian for ‘Venitian Workshop’), they are an Italian luxury goods house that specialises in leather goods [1]. Like many fashion and luxury goods houses they are diversifying their brand and stepping in to the world of fragrance, every house needs a fragrance these days and if you don’t have one then you are quite behind the times (see Louis Vuitton, although they are going to release something next year).

Their first fragrance, “Bottega Veneta, the Eau de Parfum, evokes the suppleness and sensuality of the house’s renowned leather goods” [2] and is described as a “leathery floral chypre”.

Lady Gaga

“My general impression of Le Feu d’Issey is that it’s an ‘everything but the kitchen sink’ scent, in the sense that there is just so much going on, in fact, I would go as far as saying that the kitchen sink has probably been thrown in as well.”

When I first thought about the Gone, But Not Forgotten Series there were a few perfumes which I knew absolutely had to be added and some that I thought I would explore after receiving suggestions from my readers. Le Feu d’Issey is one of those fragrances that I knew had to be part of this series, but there was one little snag – I had never smelled it and it’s nigh on impossible to get hold of.

Luckily for me Perfumeland is full of lovely, wonderful and generous people and none are lovelier than the ultra-lovely Birgit of Olfactoria’s Travels who came to my rescue and very kindly donated a sample of Le Feu d’Issey so that I could review it for this series. Thanks B!

Despite being discontinued, Le Feu d’Issey was given a five star rating by Luca Turin in Perfumes The Guide and is also included in Sanchez and Turin’s latest book ‘The Little Book of Perfumes’ as one of the top 100 perfumes of all time. It also has quite the cult following and a reputation for being wonderfully weird. All of these facts have ensured that Le Feu d’Issey has stayed at the top of my ‘Must Test’ list (a list that gets longer and longer by the day) for a good few years, and when I did eventually get to try it I certainly wasn’t disappointed.

Violet Blonde

I like Tom Ford, I find the overall aesthetic of his brand appealing, I thought A Single Man was a triumph for a first time director and he may just be the most ridiculously good looking man on the planet (a fact that makes me hate him just a little). My thoughts on Tom Ford’s perfumes however, aren’t as glowing, in fact they are quite mixed;

Private Blends: I’ve always thought that the Private Blends are OK, I even quite like one or two (Oud Wood especially) but they are ridiculously overpriced for what they are, thus causing my general opinion of them to simply be ‘meh’.

Black Orchid: Gorgeous, dark oriental that is great for half an hour but then it proceeds to get on my tits, it’s one of those scents that, whilst smelling fantastic, takes a lot of effort to wear. I have to be in the right mood for Black Orchid.

White Patchouli: I wanted to love White Patchouli, you don’t know how much I wanted to, the bottle would look so good in my collection and the ad campaign with Erykah Badu was STUN-NING, BUT I point blank refuse to wear anything that smells like French Onion Soup. That said, I haven’t given up on it just yet.

Tom Ford For Men: My boyfriend/fiancée/long suffering wife’s signature scent. What more can I say?

Grey Vetiver: A really nice barbershop vetiver BUT why bother with that when you could have Guerlain Vetiver? One vetiver is enough for me.

Black Orchid Voile de Fleur: Surprisingly, this short-lived flanker to Black Orchid is the best of the bunch, creamy, dirty and slightly spicy flowers, right up my street!

Violet Blonde is the latest fragrance to join Black Orchid and White Patchouli as part of Tom Ford’s ‘Signature Collection’. I guess you’re now thinking, ‘I know what you think of the others, but what about Violet Blonde? Well, to put it simply; Violet Blonde was love at first sniff.

Le Gout du Parfum

Last week I tried, and raved about Thierry Mugler’s new Alien Le Goût du Parfum. Since then I’ve had the opportunity to try two more fragrances from the ultra-limited series; A*Men and Womanity (I haven’t had the chance to try Angel properly yet), so I thought I would do a quick follow up post on how they smell. Are you ready for another ‘Fumegasm’?

In case you missed it, the idea behind Le Goût du Parfum , as mentioned in my last post, is:

The concept behind Le Goût du Parfum (The Taste of Fragrance) is simple – take the already bold, and mostly gourmand structures of four Thierry Mugler scents (AngelAlienWomanity and A*Men) and add a ‘Taste Enhancer’ to each. Le Goût du Parfum creates “a genuine parallel between Haute Cuisine and Haute Parfumerie.” To achieve this parallel Mugler enlisted leading Michelin-starred chef Hélène Darroze to create an “entirely Muglerian Meal” based on these four new limited editions.

Alien

“If you don’t like jasmine then you are probably going to need to put on your Space Suit, a Close Encounter of the Third Kind with this Alien may leave you feeling completely overwhelmed.”

I remember Alien’s release well, in 2005 I had just started my love affair with perfumes and one perfume I had fallen for big time was Angel by Thierry Mugler, so the news of a brand new Mugler release was big news for me. My excitement grew even more when I heard the perfume was to be named ‘Alien’, has there ever been a more perfect name for a fragrance? I think not!

Alien also holds a special resonance with me because it was that year I met my lovely boyfriend (technically he’s my fiancée but I don’t like the word) and Alien was the perfume I wore when we first met. He probably doesn’t remember the perfume that I wore, but I do and that makes it all the more special to me.

On Thursday I will be reviewing the latest incarnation of Alien, ‘Alien Le Goût du Parfum‘ so I feel it’s only fitting to give the original a proper review, after all Alien is one of my all time favourites.

BrilloMon Parfum Chérie par Camille is the latest fragrance release from the luxury french perfume house Annick Goutal. I’ve tried a few of the Goutal scents over the years and whilst I find most of them to be high quality, I am yet to discover the one that gives me the warm and fuzzies and as you can probably tell by the title of this post, Mon Parfum Chérie par Camille fails to impress.

The story behind Mon Parfum Chérie par Camille is as follows:

“As Annick Goutal dedicated the Petite Chérie perfume to her daughter, now it is Camille’s turn to honour the eternal beauty of her mother. It all started with a unique present preciously stored away in their office : a small concrete that the author Colette gave to Annick Goutal. A woody, timeless fragrance that has survived decades with no signs of aging. Camille, obsessed with this unusual fragrance, was drawu back to her childhood memories of Hollywood’s wartime movies. Tempting satin. Delicate lace. Actresses and their gloved hands and ruby lips. And a memory of her mother dressing for an evening out…

A name to remember her by, Mon Parfum Chérie, Par Camille.” [1]

It can’t be easy being one of the most famous and well respected fragrance houses in the world, trying to find your place in a noisy market place populated by rapid-fire designer releases, countless ‘niche’ offerings and a constant stream of thoughtless celebuscents. It is a challenge to stand out amongst all of that white noise.

Guerlain is one of the most venerable fragrances in the world and they have the difficult task of striking the balance between being modern and staying relevant whilst protecting their heritage. It can’t be an easy balance to achieve, and I admire Guerlain for their modern take on classic themes.

On many occasions Guerlain has been referred to as the pâtissier of the fragrance world, and they have on numerous occasions reinvented the sweet pastry vibe of L’Heure Bleue (see Insolence) and La Petite Robe Noire feels like it may be the latest reinterpretation of the 1912 classic.

The first La Petitie Robe Noire (The Little Black Dress) was released in 2009 and the word on the street is that it has been a big success for Guerlain. This year Guerlain released a flanker called La Petite Robe Noire 2 (obviously Guerlains creative team were off on the day the fragrance was named), and it is rumoured that Guerlain will be a total of 5 fragrances in the La Petite Robe Noire Collection.