There are a few perfume ‘genres’ that I have never really ‘got’: green, woody and amber. Well, with time (and through this blog) I’ve learned to appreciate green and to love woods, but for the most part amber still eludes me. Amber, for those of you not familiar with it, is a blend of benzoin (a balsamic resin obtained from the bark of a number of trees within the Styrax genus), labdanum (a sticky brown resin sourced from shrubs) and vanilla that creates a warm, glowing sweetness that is soft, fluffy and gauzy in texture. It is the backbone of big oriental fragrances such as Shalimar, but it’s also used as a standalone theme in many modern perfumes.
More than being an iconic perfume genre, the amber is also the perfect scent for this cold weather. I like to think of ambers as winter warmers – those gloriously toasty and enveloping scents that get stuck in one’s winter scarf, wafting a hedonistic aura around the wearer. So as the winter draws in, it makes sense for everyone to have an amber in their wardrobe. But what happens when you don’t really like amber? Or, you think that you don’t like amber?
L’Artisan Parfumeur has been at the forefront of niche perfumery for forty years and in those four decades they have not only reshaped the landscape of perfumery, they have created a vast number of iconic and beautiful fragrances. Today, the brand continues to offer intriguing olfactory editions mixing accessibility with a strangeness that features heavily in the DNA of the brand.
The two latest launches from L’Artisan Parfumeur are Mont de Narcisse and Mandarina Corsica. They sit in ‘Les Paysages’ a collection of fragrances inspired by different regions of the brand’s native France. Here the subjects are the rustic Auvergne and the hot Corsican vistas, with two fragrances that celebrate the physical, botanical and olfactory landscapes of France.
I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.
I LOVE a body product, especially a shower gel. There’s something just so luxurious about slathering on one’s favourite scent in a lotion, cream or a gel. These products are the perfect thing to layer with a beloved scent, extending and emphasising it or for mixing it up with something unexpected to create contrast. They also make perfect gifts especially if it’s a treat yo’self kind of gift (i.e. the best kind)…
L’Artisan Parfumeur recently (well, relatively recently anyway) launched a new range of Shower Gels and Body Lotions in five of their emblematic scents. Celebrating the iconic classics of the range, these products are housed in the most handsome packaging ever: sleek black pumps that are as functional as they are pleasing to look at. So what is there not to crush over? New ways to wear iconic scents: check. Beautiful packaging: check. Amazing smells: check. Consider it a Candy Crush!
L’Artisan Parfumeur has been making niche fragrance since the 1970s. They were the first niche brand, in fact and ever since their inception way back when, L’Artisan Parfumeur has continued to create fascinating fragrances that are often quirky and always beautiful. They are a cult brand who have always managed to inspire passion on perfume lovers across the globe, working at the cutting edge to create perfumes that always bring something new to the table, whether that be an entirely new style or a new perspective on something familiar. In short: L’Artisan Parfumeur rocks and I for one am always interested to see what they’re up to. Which leads me nicely on to some lovely L’Artisan newness!
Histoire d’Orangers is the brand’s latest offering and it has come just in time for summer. Created by Perfumer Marie Salamagne (Jo Malone London Mimosa & Cardamom) and is inspired by her memory of travelling through the Moroccan region of Souss, which sits in the foot hills of the Anti-Atlas. Of her trip, Salamagne says “‘my memory of the sunset on Taroudant walls remains untouched. Suddenly, the valley takes on exceptional shades, a warm light intensifies the colours of the raw land and the atmosphere gets fresher. Each time I think of this majestic landscape, I think of orange tree flower water. A delicate and delicious water, ultra-refreshing and incredibly luminous.” A rather evocative description, no? The scent plays with the contrast between the heat of the sun and the cool of the shade, creating a vibrant and incredibly sunny orange blossom that L’Artisan describes as “exquisite”. My nose is ready for it.
I always find myself feeling a tiny bit cynical when a brand launches a capsule collection of exclusive fragrances at an elevated price point. One has to question what sets these scents apart from the brand’s standard fare and who they’re trying to attract that they’re not already attracting. But exclusive collections really are part and parcel of niche these days, heck they’re actually a massive part of mainstream too and any brand worth their salt has one. The best ones though, are those with a theme and a cohesive spirit, and those that offer something completely unique. This leads me nicely on to L’Artisan Parfumeur’s Natura Fabularis collection.
Following L’Artisan Parfumeur’s rebrand and relaunch in 2016, which saw the line edited and repackaged in fabulously handsome black bottles, the brand has now launched a capsule collection under the name Natura Fabularis. The concept behind the collection is simple: each scent represents an imaginary garden thought up within the mind and nose of Perfumer Daphné Bugey. In an ode to nature, each scent carries a botanical latin name in the same way that a flower of tree would, as well as a number which represents the number of modifications the composition went through until it was signed off as perfect. There are new bottles too, lovely round ones, which set Natura Fabularis aside from the angular heptagons of L’Artisan’s main collection. Oh and they have gorgeous golden bees on them too, which is a really lovely touch.
Natura Fabularis consists of six fragrances; Tenebrae, Arcana Rosa, Venenum, Violaceum, Glacialis Terra and Mirabilis. What’s important to remember when approaching these scents is that, whilst they may carry names from a botanical handbook, they are not representative of real nature. In fact, they are completely the opposite: cerebral fantasy gardens from an imagined world, one where you are the architect, groundskeeper and landscaper. All you need to do is remove the cap, take a generous spritz and enjoy a trip into L’Artisan Parfumeur’s fabulous nature.
Happy new year to you, Dear Reader. I hope that you had a wonderful Christmas involving lots of fragrant gifts and that your new year was a ball. 2016 will be The Candy Perfume Boy’s fifth year and it feels like the blog has come a long way since our very first post (a review of the ill-fated but remarkably beautiful Shalimar Parfum Initial, no less) back in July of 2011. Last year was a stressful year for me personally, due to work, the loss of a friend and an exciting, yet complicated house move, and it would be fair to say that my posts have not been as regular as they should have. I hope to change this for 2016 with more regular reviews and instalments in series such as The Scent a Celebrity Series and The Candy Perfume Boy’s Guide to. Here goes!
One thing I’d like to do is look back a bit more. The perfume industry is so active, with thousands of launches each and every year, and it’s very easy to get caught up in all that’s new and exciting. So when there is time and the mood strikes, I’d like to focus on fragrances that aren’t brand new, but are wonderful none the less. Kicking us off on that theme are two recent discoveries for me from the legendary niche house L’Artisan Parfumeur. These two scents, Tea for Two and Bois Farine, show how meticulous and measured the brand was during its more focused days. L’Artisan seem to have been seeking an identity for themselves over the last few years and have created some exquisite scents along the way (Séville à l’aube, Traversée du Bosphore, Déliria, Al Oudh, Nuit de Tuberéuse etc.), but the greatness of the some of the oldies in the collection cannot be ignored. Tea for Two and Bois Farine are two standouts.
Niche brand, L’Artisan Parfumeur have launched three of their popular fragrances; Caligna, Séville à L’Aube and Al Oudh in 50ml size for the first time. The perfumes, a fresh/woody fig, erotic orange blossom and barnyard oud, respectively are easily some of the brand’s most intriguing creations, and it’s handy to see them in a smaller, less wallet-damaging size.
Caligna, Séville à L’Aube and Al Oudh are available on their 50ml sizes for £70 on the L’Artisan Parfumeur website.
“The Scent a Celebrity Series is my vain attempt at picking perfumes for those who don’t know any better, yes I mean celebrities. Let’s face it, most celebrities are incapable of choosing decent clothing, boyfriends, girlfriends, movies, (insert-celebrity-mistake-here) let alone having the ability to make decisions about something as important as their scent – that’s where I come in. Never fear my dear schlebs, I will ensure that you are appropriately scented, all you need to do is listen.”
Have you been watching American Horror Story: Coven? If you haven’t, or God forbid that you’ve not seen any seasons or episodes of this wonderful anthology series then shame on you! The premise is simple, each series tells a different story with the same ensemble cast playing a different set of characters. So far the show has killed a ton of people off in a murder house, shoved some unfortunate people in a properly dodgy asylum and most recently taken a deep insight into a coven of witches in New Orleans. Yes, it’s utterly brilliant.
Following a request on Twitter I have decided to scent four of the most fabulous witches of American Horror Story: Coven (i.e. Season 3). These characters and actresses represent the best of the show and range from the effortless glamour of Jessica Lange as one heck of a ruthless witch to the more than slightly unhinged but ever so fashion-forward supreme wannabe played by Frances Conroy. So sit back, read on and fall under the spell (or should that be ‘smell’?) of Scentcraft…
It’s that time of year where we all start to put together our Christmas wish lists for Santa, or as I like to call him – ‘Nigel’. Being the perfume nuts that we are means that beloved family and friends can sometimes struggle to pick fragrances out as gifts for us, after all we’re a selective (read: ‘picky’) bunch by nature and nobody would want us to open up a gift that we would deem as unsuitable on the big day.
To mitigate the chances of a botched perfume purchase at Christmas I supply a perfume wish list to my partner and my father every year. The other members of my family family flatly refuses to buy me any perfume, stating that I have “too much” and it’s “bordering on an obsession”. Who knows what they’re smoking, but I can always rely on my dad and Nigel (if he’s in a good mood) to pick something from my carefully selected list.
Inspiration can come along at the oddest of moments and often in the most surprising of guises. This is why I currently sit on a train whizzing home from London and feel the need to whip out my iPad and start writing a post about my day. A little self-indulgent? Perhaps but in the spirit of ‘sharing the joy’ I’ve had the urge to write about the sensory pleasures of the day.
Today, having finished work early, I took myself off to The Big Smoke on a ‘treat yo’ self day’, during which I pottered around the Isabella Blow exhibition at Somerset House, visited one or two of my usual fragrant haunts and took myself for some much earned sugar at Ladurée, before attending a Perfume Lovers London talk in the evening. And why not? I’ve been working very hard over the last couple of weeks so a little sensory R&R is surely deserved.
The main event was of course the food and it will come as no surprise to those who know me that I have spent the last few weeks ogling images of Ladurée treats on the internet. There is just something about the pastel shades of smooth macaron shells and the vivid sight of pastries overdosed with fruit that sends my mouth, stomach and brain whirling towards sensory overdose.