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I think it’s been a long time since I’ve fallen for a new Serge Lutens fragrance. Perhaps it was La Religieuse in 2015 or La Fille de Berlin in 2013, I can’t remember, but I know it has been a while! I adore many of his back catalogue greats (especially L’Eau Froide, Tubereuse Criminelle, Sarrasins, Iris Silver Mist, Feminite du Bois, and Fleurs d’Oranger) but many of the new ones have failed to resonate. There have been interesting elements to his fragrances of late, but it seems that he has moved away from the dense orientalism and fleur fatale inspirations of his past, opting for yet more abstraction in fragrances that don’t really make as much of a mark.
Well, I am pleased to say that Lutens’ ‘meh’ streak has come to an end with the latest addition to Collection Noire (the most widely available Lutens collection): Le Participe Passè (The Past Participle). In the usual Lutens way, the perfume is presented with little information other than a riddle that is difficult to decode, with Lutens only telling us this: “past moments that surge into the present have many scents. I have interpreted that which most evokes the past.” Thanks for that, Serge – real helpful! Anyway, this new scent is more than a riddle or a description, it’s something much more than that – Le Participe Passè is quite the spectacle.
Well, well, well, yesterday was quite the day! As you may have read the Jasmine Awards were held yesterday at BAFTA and I am completely thrilled to tell you that I picked up not only one, but two awards at the ceremony. I was lucky enough to walk away with the Best Digital Experience award for my piece ‘Six Scents to Put Hairs on Your Chest’ and the Independent Soundbite Aware for my article ‘Eau so Masc’. I am still in shock, if I’m being entirely honest, but I am so thankful to all of the judges for celebraating my work and incredibly grateful to have been nominated amongst some of the best perfume writers in the business, many of which I am lucky enough to call my friends.