Hermès’ Un Jardin series, which was started by the previous in-house perfumer Jean-Claude Ellena, is an ode to nature that doesn’t necessarily rely on nature to showcase the botanical. Through both natural and synthetic ingredients, the collection takes one on a journey through many gardens around the world, capturing specific and often surprising elements of these landscapes. For Un Jardin En Méditerranée, the piquancy of tomato stems evoke fig trees in a Tunisian garden, whilst in Un Jardin Apres La Mousson paints a watercolour of rainsoaked concrete through melon and spices, creating a mineral, atmospheric beauty. In my favourite, Le Jardin de Monsieur Li,  plasticky notes of kumquat and jasmine create a collage image of an imaginary garden – one that could only exist in the mind. Each of these ‘jardins’ is full of suprise.

Now Hermès has Christine Nagel as their nose and with their latest garden, Un Jardin sur la Lagune, Nagel continues the story. Her first jardin is inspired by a dream – a secret Venetian garden imagined in the deepest part of her subconcious. Nagel describes this garden as a “cycle of trees and flowers, nature still enduring within it”. From an olfactory perspective, la Lagune is a soft aquatic floral pieced together with transparent colours – cooling and warming as the sun moves across this most dreamlike of olfactory gardens.

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I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.

I challenge you to find me a more iconic modern masculine fragrance than Terre d’Hermès. Go on, I’ll wait… OK, so I’m sure there are actually quite a few modern masculines out there as good this iconic ode to the earth and sky created by legendary perfume Jean-Claude Ellena (formerly the in-house Perfumer at the brand), but still, it’s one of the very best, not to mention the most unique mainstream masculine offerings out there.

For Hermès, the aesthetic design of their olfactory output is as important as the fragrances themselves. Hermès is a luxury brand and they present their distinct fragrances in innovative, high-end flacons that capture the heritage and eccentricity of this idiosyncratic house. Terre is no exception, with its solid, statuesque H-shaped flacon of weighty glass featuring a twistable spray mechanism – showcasing heritage and innovation in one handsome object.

This month, Hermès launch Terre d’Hermès in a beautiful limited edition bottle featuring a unique design.

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Christine Nagel has fully taken the reigns of perfumery at Hermès and she is seeing in a new dawn that is at once, respectful of the house signature that Jean-Claude Ellena spent years forging, but also entirely her own. Nagel brings a bit more body to Hermès’ once pastel and watercolored approach to perfumery, evoking luxury with more vivid colours and richer textures. She has brought a playfulness (see Twilly d’Hermès) and has even subverted the very essence of Hermès’ Hermessence collection by giving it an oriental twist – all to make her own stamp. Now it’s time for Nagel to bring us a new twist on the brand’s signature masculine: Terre d’Hermès.

Terre d’Hermès is perhaps Ellena’s most iconic creation for Hermès – it’s also a big seller and easily one of the greatest modern masculines on the market. With that in mind it’s easy to see it as hollowed ground in a way – something not to be touched and tinkered with. But touching and tinkering is what the perfume industry does best and Terre d’Hermès has been reinterpreted by Ellena on two occasions (the Parfum and Eau Très Fraîche) and now it’s Nagel’s turn with Terre d’Hermès Eau Intense Vétiver. In her version, Nagel presents a rebalanced interpretation where “the initial woody and mineral balance of Terre becomes woody and vegetal.”

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I have a weird little rule when it comes to reviewing fragrances: I don’t wear a fragrance until I’ve photographed it, after which I can spray on as much as I like in anticipation of the written part of my review. I’m not saying I don’t have a cheeky little spray before the shots are taken, but I definitely make sure that the bottle remains mostly full. Why is this, you may be wondering? Well, it simply looks better when the bottle is full, so it’s purely for aesthetic reasons. Anything for the perfect shot, right?

Well, in the case of Eau de Citron Noir, the latest addition to Hermès’ Cologne Collection, I broke my own rule. This happened casually and regularly and I found myself not only sneaking a spritz here and there, but also giving the scent numerous full wearings. Perhaps it’s just the good weather we’ve been having, or maybe there is something irresistible about it. Whatever the reason, you may notice in the photos that the bottle is not 100% full. I’m sure you’ll find it in your hearts to forgive me.

Eau de Citron Noir is Perfumer Christine Nagel’s second cologne for Hermès (the first being 2016’s Eau de Rhubarbe Écarlate). They describe it as showcasing “The striking and explosive vitality of citrus fruits combined with the depth of subtle smoky and woody notes of black lime.” That all sounds rather tempting, doesn’t it? Not to mention the fact that that deep blue bottle is heave on Earth…

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“I am free” says Perfumer Christine Nagel as she sits comfortably in the handsomely furnished apartment above Hermès’ New Bond Street store in London. Nagel is here to talk us through the five new fragrances she has created as in-house Perfumer at Hermès. The five are her first additions to the Hermessence collection, a series of olfactory haikus created by her predecessor Jean-Claude Ellena. Nagel’s style is somewhat different from Ellena’s – his domain was of watercolours and minerals, wrapped in cerebral, thought-provoking compositions that birthed the Hermès olfactory signature. If Ellena created this signature, then Nagel’s has opened it up to a new-found richness with her more immediate, grander and more voluptuous style. Despite their stylistic differences, the creations by both Ellena and Nagel are undeniably ‘Hermès’ in every way.

Anyway, back to freedom. Christine Nagel has full creative freedom at Hermès and with it she has chosen to create a collection of five oriental fragrances to add to Hermès iconic Hermessence collection. Nagel wanted to return to “the origins of perfumery” to create three Eau de Toilettes and two oil-based Perfume Essences. According to Nagel, when she proposed this to the CEO his answer was simply ‘yes’. So off to the origins of perfumery Nagel travelled, focusing on the noble and historic notes of myrrh, musk, agar wood and cedar, with which she has created five distinct fragrances that celebrate the styles of the orient in a way that is truly and faithfully ‘Hermès’.

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I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.

I’ll be entirely honest and say that Twilly d’Hermès was a bit of a grower for me. Launched as an obvious attempt to court a new, younger customer, the fragrance, which was inspired by the brand’s famous Twilly scarves, was the first pillar from Hermès new in-house perfumer Christine Nagel. It is a very exuberant offering from the brand, with a giant shock of fresh ginger up top and a fresh, waxy tuberose note over a soft bed of sandalwood and musk. I thought it was cool last summer when I reviewed it but it wasn’t until the winter that I fell in love. Twilly and her quirky ginger-tuberose vibes are on regular rotation in my scent wardrobe, so imagine my excitement when I heard that Hermès were launching a range of accompanying body products. I died (figuratively, of course).

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When it was announced that Christine Nagel would replace Jean-Claude Ellena as the in-house perfumer at Hermès I remember wondering whether the house-style that Ellena had crafted to be so distinct would change. Both are idiosyncratic perfumers with a bold style and Ellena’s mineral watercolours are as far removed from Nagel’s voluptous compositions as they can be. So we’re now four launches into Christine Nagel’s tenure at Hermès and it is safe to say that yes, the house style has changed from minimalism to a subtle maxamilism (i’m making that a thing, by the way), but it still remains completely faithful to the one thing that Hermès always delivers: luxury.

Hermès latest launch is Twilly d’Hermès – a fragrance named for the brand’s Twilly scarves, which are colourful, think silk scarfs that can be worn in a multitude of ways, and the scent really cements the brand’s new style, which feels a little bit more accessible. Twilly the perfume is just as vibrant as the scarves and Hermès use words such as “joyous”, “impish” and “playful” to describe it. The presentation, which sees the fragrance housed within a carriage lantern-style bottle topped by a bowler hat and finished with a Twilly tie, says that this fragrance is young, fun and full of surprises. So let’s not wait any longer and give Twilly d’Hermès a sniff.